Choose from one of the following countries below:
|
Introduction: Afghanistan – 'A Programme for Culture and Development' Culture and Development stands for the strengthening of the cultural dimension in development cooperation. Cultural projects can contribute tosustainablesocio-economic development. The cultural dimension in projects can enlarge the effectiveness of the development cooperation. But more important, culture, and cultural heritage more in particular, represents the cultural identity of a country. The historical layers of heritage can function as a bridge between cultures and between countries. The Netherlands developed a policy for this and we are glad to participate under this policy with our activities in Afghanistan. The Ministry of Foreign Affairs of the Netherlands has made this Culture and Development programme possible. Since 2006 the CIE assists in a Programme for Culture and Development in Afghanistan. The main objective of the programme is the preservation and reconstruction of the cultural heritage of Afghanistan and the re-establishment of the museum sector in Kabul and Kholm. In cooperation with the Ministry of Information and Culture of Afghanistan a programme is formulated to achieve this. The keywords of our programme are capacity building and local ownership. The programme consists of the rehabilitation of the National Museum of Afghanistan in Kabul, one of the most important symbols of the rich cultural heritage of the country. The other part of the programme is based in Kholm, North Afghanistan. The CIE is involved in the renovation of the Bagh-e Jehan Nama Palace and supports the aim to establish a regional museum in it.
|
|
|
Afghanistan – 'A Programme for Culture and Development' The programme consists of the rehabilitation of the National Museum of Afghanistan in Kabul, one of the most important symbols of the rich cultural heritage of the country. The other part of the programme is based in Kholm, North Afghanistan. The CIE is involved in the renovation of the Bagh-e Jehan Nama Palace and supports the aim to establish a regional museum in it. The National Museum of Afghanistan
The Renovation of the Bagh-e Jehan Nama Palace and Garden
|
|
The Centre for International Heritage Activities in Amsterdam, The Netherlands, is currently coordinating an important project concerning the renovation and rehabilitation of the National Museum in Kabul, Afghanistan and the renovation of a palace in Tashqurghan.
The Dutch Ministry of Foreign Affairs is funding these projects.
On the 21st of December we organized an international expert meeting concerning the renovation & rehabilitation of the National Museum in Kabul. The meeting was attended by participants from:
The delegation from Afghanistan stressed that there is currently a young generation in Afghanistan who have only seen war and destruction. They have never been able to receive good education and were never able to learn about their mutual and very rich heritage and past. During the Taliban regime cultural education was none existent, and there is an urgent need for capacity building and training of new staff.
The objective of the meeting was to exchange knowledge between museum and cultural heritage experts regarding the outcomes of a recent (draft) UNESCO report.
UNESCO is currently providing assistance to the National Museum and the museum sector in general. A draft report is written on how to provide policy and planning advice that aims at a targeted rehabilitation of the sector in consideration of what can be achieved practically in today’s Afghanistan, step by step, and with concrete outcomes towards a shared goal. Now that most of the emergency interventions for the building and collections have been realized since 2002 (though much conservation work is still required), there will be a new approach by UNESCO and the Ministry of Information and Culture to the sector that seeks to promote projects that contribute to the overall goal of the revitalization and full re-opening of the National Museum in regard to all aspects of the management of the institution. The focus on the National Museum will allow the museum sector to expand from Kabul back into the provinces from a secure and well managed base, staffed by sufficiently skilled individuals.
The Centre for International Heritage Activities will initiate a program for the development and implementation of the strategic plans that have been made by UNESCO and the Afghan government.
The National Museum in Kabul should provide a shared identity to the Afghan society. It is an important institute and cultural symbol of Afghanistan where the Afghan and international community can learn about the rich and interesting history of the country.
We will keep you updated through this website.
Afghanistan, a program for Culture & Development
Funded by the Dutch Ministry of Foreign Affairs
In 2006 the Centre for International Heritage Activities has started a large program for Culture & Development in Afghanistan. The objective of the program is to develop capacity building and restoration projects for the National Museum in Kabul and the Bagh-e Jehan Nama Palace Museum with it’s monumental Palace Garden in Kholm (former Tashqurghan, in the North of Afghanistan).
The Centre for International Heritage Activities is the organizing and coordinating organisation for the program. Our advisor is Dr. Willem Vogelsang (Ethnographic Museum in Leiden and University of Leiden).
A team of experts has been established for the development of international expertise regarding this multidisciplinary program. The experts are located in Afghanistan, the Netherlands, the United Kingdom and France. An international Steering Committee will be installed by our Afghan partners in 2008.

The Director of the Afghan Museums, Mr. Massoudi and the Deputy Minister of Information and Culture, Mr. Sultan, have stressed that there is currently a young generation of people in Afghanistan who have only experienced destruction and war. They have never been able to receive good education and were never able to learn about their mutual and very rich heritage and past. During the Taliban regime cultural education was none existent, so capacity building and training of new staff needs a lot of attention in this program.
The restoration and rehabilitation of the museum is not just an Afghan affair but relevant to the whole world. We can all learn from the Afghan culture. Learning to understand the culture of the other makes you understand your own culture.

Cooperation with local stakeholders and UNESCO
In 2007 the Afghan government has asked UNESCO Kabul to prepare a strategic plan for the National Museum. The main points of the plan will become part of Afghan Government cultural policy. Mr. Robert Knox, former Keeper of the Department of Asia at the British Museum (UK), is the author of this report. He consulted the Director and staff of the National Museum and the deputy Minister of Information & Culture and many different stakeholders in Afghanistan. The report should become available in May of this year.
The museum should become the cultural symbol of Afghanistan and provide a shared identity for the Afghan people. It will be one way to educate the Afghans about the rich and interesting history of their country.
During our expert meeting of the 21st of December 2007 in Amsterdam the clear need was expressed for all future work in the Museum and in the Provincial Museum Service to be done in the context of this very straightforward set of priorities.
A security upgrade (along with capacity building programs, expansion of storage facilities and climate control facilities) is at the top of the list.
Afghanistan is in control of the process, but needs help with the long term planning and a museum strategy, which is vital for a museum. This should not only be applied to the National Museum, but to all local museums in Afghanistan as well.
Final decisions should always be made by the Afghans. However, international coordination is needed. For future initiatives to be able to contribute in an optimal way to this program. Central planning & strategy therefore is vital.

The National Museum program in Kabul
Ideally the Afghan government want the museum to be as it was in 1979. With collections that represent all historical and ethnical groups in Afghanistan.
The Centre for International Heritage Activities, the Afghan partners and the team of experts will focus on the development of a permanent exhibition in 2011, and perform all needed activities and programs for this purpose. We will organize all aspects that are needed (a security system, access to the building and the facilities, conservation/registration/identification/display of objects, succession of staff, storage facilities, infrastructure to and within the building, access to fresh water, electricity, training of staff, etc.). Every step in the program will be communicated with the local stakeholders.

For 2008 we have identified a set of actions:
Preferably Afghan firms and specialists will do most of the work.


The Bagh-e Jehan Nama Palace Museum & the Palace Garden in Kholm (former Tashqurghan)
In 2007 a photo exhibition ‘Tashqurghan. An Afghan urban heritage lost?’ opened in the National Museum. This exhibition showed the historic bazaar of Kholm / Tashqurghan before it was destroyed by the Soviets in 1986. This exhibition travels to Kholm after it has been shown in Kabul. In the future it will become part of the main exhibition of the proposed ethnographic museum in the Bagh-e Jehan Nama Palace.
In Kholm (in the North of Afghanistan) two projects are identified:
Activities in Kholm are coordinated with our local partner, the team of AFIR Architects. A plan for the Bagh-e Jehan Nama project will be formulated in cooperation with the Afghan Ministry of Culture and the General Director of Museums in 2008.
This year we will focus on the leveling of the area immediately surrounding the palace building, the removal of recent buildings dating from the last 25 years, the restoration of the protective mud-brick boundary wall, the restructuring of the palace garden and the restoration of the main entrance gate of the palace complex.
The objective of the program is to stimulate local economy and to increase capacity building of local craftsmen, museum staff and experts.

Coordinating contact at the Centre for International Heritage Activities: Hanna Leijen

The exhibition
The exhibition ‘Hidden Treasures of Afghanistan’ has now traveled from the Nieuwe Kerk (Amsterdam) to the United States, where it will open on the 25th of May at the National Gallery of Art in Washington.
To learn more about the exhibition, visit: http://www.nga.gov/exhibitions/afghanistaninfo.shtm
Photografy: courtesy of AFIR Architects
Renovation Update24 October 2011 New pictures made in BJN last week. See the progress now restoration of the palace is almost completed:
BJN 2008 BJN 2011
BJN 2008 BJN 2011 Since the start of the renovation activities at the palace in 2008, the palace has transformed from a deserted and shot building to a building that has once more the radiation of a palace. It has become a real eye catcher in the region that you can see from miles on a clear day. The palace that has been used as a summer retreat for the former royal Afghan family also had important palace gardens. These gardens have been traditionally replanted with a great variety of Afghan fruit and nut trees and many different kind of flowers. For the local community the commitment and local ownership for the Bagh-e Jehan Nama palace goes hand in hand with the garden. A museum is a concept that is not known to everyone in the region, the gardens however already had an important social role in the seventies. The Central part and West Wing of the palace have been restored from the outside and inside in order to house an ethnographic museum in the near future. The photographs show the transformation of the building in 2008 and the present situation now in 2011.
Heritage for teachers day30 augustus 2011 As part of our Afghanistan programme, a “heritage for teachers day” was organised in Kholm at 25th of August. It was the first time ever that such a cooperation for awareness of the value of cultural heritage took place in Afghanistan with so many stakeholders. The day was organised in Kholm at two high schools. Sixty male teachers and fifty four female teachers participated.
BJN Update Spring 201123 june 2011 Renovation of the Palace In both the winter and spring time we have been making a lot of progress with the huge amount of plaster work in the Central area of the building. The sometimes very complicated patterns needed a lot of dedicated attention. The result is quite amazing and together with the new natural stone floor, curious visitors can already envisage the new spatial quality of Bagh-e-Jehaan Nama Museum.
The palace dome had a peek and will get a new one. You can see the reconstruction at the pictures.
Museum For the museum we started with 2D and 3D visualizations of the new museum. At this moment we have the first 3D impressions of the West wing. In the same time we have been working on the basic lighting system and identifying the best possible locations for main and secondary wiring, switches, fuse boxes etc. Garden The garden of BJN sheds a positive light on the situation as it seems to become the first element of the project that can claim a high level of self-sustainability. The amount of visitors keeps on increasing and the AFIR team is supportive in the background. The water management/irrigation, the maintenance, the caring for the flowers by local gardeners, the trimming of the fruit trees and the recent initiative to make a labyrinth following the AFIR Landscape Master plan of biodiversity specialist Kala Gurung, are all very positive indicators. The garden plays a quintessential role in the BJN ‘high culture via low culture strategy’, meaning; “to get people to the Museum we first need to get them into the garden.”
Activities Kholm considered as Good Practice Example in UNESCO Report5 june 2011 Museum Awareness Weekend at the Bagh-e Jehan Nama Palace27-28 December 2010The concept of what a museum entails, is not clear for all Afghans, especially in the regions where people live further away from a city. Since it is the declared aim of the Ministry of Information and Culture of Afghanistan to establish regional museums throughout Afghanistan and the Bagh-e Jehan Nama Palace will in the near future become the first regional ethnographic museum, it is very important to make the local communities aware of what a museum can contribute to their environment. In cooperation with CIE and their local partner AFIR Architects the National Museum in Kabul has organised the first Museum Awareness Weekend for local people in the neighbourhood of the Bagh-e Jehan Nama Palace. On the 27th and 28th of December 2010, the director of the National Museum Dr Masoudi and a few of his curators will give presentations at the palace for the local communities on the idea behind the regional museum and especially what ethnographic collections can tell about the cultural identity of a region. Two photo exhibitions will give a first glimpse on what the communities around Kholm can expect in the Bagh-e Jehan Nama Palace when it turns into an ethnographic museum.
Capacity Building at the Bagh-e Jehan Nama PalaceCapacity building is the keyword in the Bagh-e Jehan Nama Palace project. All the renovation activities concerning the repair work on the palace and the garden walls are characterised by the high level of craftsmanship and historical awareness. The building material is moreover specially made for the palace in the region or otherwise purchased in the region. For example, the pakhsa is a special combination of mud, clay and dung that is mixed and densified by bulls in special fields surrounding the palace. The pakhsa is used for the reconstruction of the garden walls. It is a traditional craft that is executed by pakhsa Ustads (Dari for master) at the palace. Local solutions and responses to challenges of restoration are very important for a sustainable future of the restored building.
Reconstruction of the palace garden walls with the traditional pakhsa system
Bringing plaster ornaments back on the big dome in the central hall of the Bagh-e Jehan Nama Palace
Carpentry workshop for the next generation of carpenters at the Bagh-e Jehan Nama Palace
Education on the Bagh-e Jehan Nama PalaceTo be able to create historical awareness amongst the new Afghan generations that have only experienced war in the last three decades, an education plan is being developed in close cooperation with regional schoolteachers. Our local partner AFIR Architects trained the teachers for the specific ‘Kholm for kids’ education programme. They visualised the history of the region for the children on big sheets and they visited the Bagh-e Jehan Nama Palace as part of their preparation. The programme has already reached more than 500 local children (boys and girls) in 2009 and already up to 1355 in 2010.
Children and young adults looking at powerpoint presentations on Kholm and the Bagh-e Jehan Nama Palace.
Renovation of the Bagh-e Jehan Nama Palace and GardenOriginally built in 1890-1892 by Amir Abdur Rahman, the Bagh-e Jehan Nama Palace has been restored and renovated in the beginning of the 1970’s by Sultan Fayaz. The palace had a very large enclosed garden where the local community could have social events. The plan was to turn the palace into a museum after the renovation activities in the 1970’s. An earthquake in 1976, resulting in serious damage, prevented this idea from being implemented. In the following periods of conflict and civil war, a lot of damage and neglect turned both the palace and the palace garden into hollow skeletons. Starting in 1980 subsequently the Russians, mujahedeen and the Taliban have used the palace until 2001. They have all left their influence on this monument and an extra dimension to the history of the palace. In 2007 the original plans for a museum could be picked up and the Bagh-e Jehan Nama Palace community heritage programme started.
|
|
Afghanistan, a programme for Culture and Development
The Bagh-e Jehan Nama Palace complex
Funded by the Dutch Ministry of Foreign Affairs

The Bagh-e Jehan Nama palace, view from the garden
Originally build in 1890-1892 by Amir Abdur Rahman, the Bagh-e-Jahan nama (BJN) Palace has been restored and renovated in 1974-1976 by president Daoud Khan. The plan was to turn the palace into a museum. An earthquake in 1976, resulting in serious damages, prevented this idea from being implemented. In the following periods of conflict and civil war, a lot of damage and neglect was done to both the palace and the palace garden.
In discussions on the future role of museums, plans of the Government of Afghanistan to establish regional museums were take in hand by the stakeholders of the Bagh-e-Jahan nama Palace project. It focuses on the Bagh-e-Jahan nama Palace building and palace garden, on the southern outskirts of Kholm (or Tashqurghan) close to the highway connecting Kabul with Mazar-e-Sharif.
The contact with the Ministry of Information and Culture (MoIC) and the president of the Governors office is very important for the local commitment to the project. Via structural meetings, feedback and presentations on the project, MoIC, AFIR Architects and CIE have a very valuable and inclusive cooperation.

Visit of Mr Rasouli at the Bagh-e-Jahan nama palace. Mr Rasouli is director Archaeology at the Ministry of Information and Culture of Afghanistan.
Capacity building and (local) ownership are the priorities in the project, not only for the National Museum of Afghanistan in Kabul, but also for the regional museum in Kholm. During talks with the Director of Museums, Mr. Omara Khan Masoudi, it was agreed on the necessity of obtaining a collection of objects representing the history and culture of the northern plains and also to assist in training a local staff. The work done in the project by AFIR Architects and CIE with the local communities creates ownership for the museum, so the place really becomes their museum. The communities are involved in every step of the development of the palace.
Aims of the general BJN programme
- Establish an (ethnographic) museum
- Capacity building for the museum sector
- Building infrastructure for the museum sector
- Extend the Afghan public awareness for the cultural heritage of Afghanistan
- Stimulating local economy
Planned activities for BJN in 2009:
The activities planned for 2009 are a continuation of the work done in 2008. In 2009 three main activities are planned:
- Structural work on the Bagh-e-Jahan nama palace
- Interior work on the Bagh-e-Jahan nama palace
- Work on the garden surrounding the Bagh-e-Jahan nama palace
Structural work on the Bagh-e-Jahan nama palace
At the start of the project the most dangerous areas that might collapse have been blocked and vulnerable components of the palace structure have been protected from harsh winter conditions in the north of Afghanistan.

The protection of the East tower of the palace
During the harsh winter months AFIR Architects has done research on the historic material of the Bagh-e-Jahan nama palace. This research came up with some very interesting material that is highly valued by the Ministry of Information and Culture of Afghanistan. The historic material that was found, and to that moment unknown to the Ministry and local communities, were historic photos of the palace and a black and white movie from 1972 that amongst other locations takes place in the palace. The rediscovered movie has even been shown a few times on local TV channels in the north of Afghanistan.

The focus for 2009 will be on making the domes and the flat roof waterproof and structurally sound. This painstaking work will be crucial for the 2009 action plan as it will be the foundation of a safe and sound project. The structural work will include three necessary movement joints in the roof area that were unfortunately not provided for in the renovation of 1974-1976. These joints will make it possible for the building to better deal with earthquake forces.

Local craftsmen and the local Afghan team of AFIR Architects are working on the structural activities to lift up and improve the palace.
The project provides direct economical input for local craftsman. All the material needed for the construction work comes from the region surrounding Kholm.
All the bricks needed for the structural work on the palace are specially baked for the project by local brick-makers. The bricks have special measurements that follow the size of the historical bricks used in the historical structure of the palace.

Interior work on the Bagh-e-Jahan nama palace
The cleaning, repair work of the interior is a continuation from the basic cleaning of 2008 in which thousands of kilograms of waste and non-original material were removed. Focussing on the West wing of the palace, working towards the central area, the main issues will be the woodwork of the frames, doors and windows and the plasterwork (both rough and fine) and improvement of floors and metal work.
Experienced carpenters from the region work with representatives from the Ministry of Information and Culture and the team of AFIR Architects to make tailor-fit frames for the historical palace.
The plaster is made with lime that is made in the BJN garden. The unquenched chalk from Balkh (west of Mazar-e-Sharif) is put in a reservoir that is filled with clean water. The lime immediately reacts intensely with the water and is left under water for twenty days. After this period, the lime is filtered and put back in the lime pit for another six weeks. Then finally it is ready to become a paste that will be mixed into the plaster material. Lime plasters are common in historic buildings, also in Afghanistan as cement is a relatively new development in the history of building materials.

The interior work on the palace will be in terms of investment the second largest for 2009 and the visual impact of this part will have a very positive impact on lifting the spirits for the project. The concept design proposals for the museum staff facilities will also be made in this phase. Following the new facilities, training programmes by museum experts on collection management addressing the issues of conservation, registration and documentation, museum education, presentation and administration will be organised.

Work on the garden surrounding the Bagh-e Jahan nama palace
This activity takes place inside the garden and is the next step after the removal of four Russian tanks and a metal underground bunker in the South East corner of the garden in the fall of 2008. The existing concrete slabs inside the garden need to be removed and re-planting of fruit trees this year will follow the vision (landscape plan) for the garden.

In the summer it will also be able to finalize the work on the South and West walls of the palace garden in the Pakhsa system. To be sure that the raw material is mixed very well for these mud walls, cows are purchased. By walking through the mud, the cows ensure that the surplus of air is removed from the mud. Too much air in the mud might lead to big cracks in the walls in the future. This is the densification of the clay/mud (paksha) mixture. The intense instruction and supervise work of the Ministry of Information and Culture local office Balkh and AFIR Architects will continue to achieve high quality results.

Photography: Courtesy of AFIR Architects

Afghanistan, a programme for Culture and Developmen
The Bagh-e Jehan Nama Palace complex
Funded by the Dutch Ministry of Foreign Affairs
Since 2006 the Centre for International Heritage Activities has been appointed by the Dutch Ministry of Foreign Affairs to identify, develop and coordinate a Program for Culture and Development in Afghanistan. The main objective of the program is to add to the preservation and reconstruction of the cultural heritage of Afghanistan in general by contributing to the re-establishment of the museum sector in Kabul and Khulm (former Tashqurghan). In cooperation with the Afghan stakeholders a program has been developed to achieve this. The program has as time frame of six years, from February 2006 till January 2012.
Objectives
Objectives for the ‘Afghanistan Program for Culture & Development’ are:
We are working with various (inter) national partners, a.o. Dr. Willem Vogelsang, Afghanistan expert at the Ethnographic Museum Leiden & University of Leiden. Our local partner in Afghanistan for all technological and logistic activities is AFIR Architects, Kabul.
Current activities
During the summer and autumn of 2008 are focussing on the Bagh-e Jehan Nama Palace Museum, the Palace garden and the renovation of the mud brick walls around the garden.
In May 2008 a Projectplan was defined for the autumn / winter of 2008. This action plan contains the following activities;
Capacity building is of an absolute priority during this project. During meetings with the Director of Museums, Mr. Omara Khan Massoudi, and with the Deputy Minister of Information & Culture, Mr. Zia Afshar, the objectives for the development towards an ethnographic museum were prioritized.
The upcoming UNESCO Strategy Report, that was drafted by UNESCO Kabul and all Afghan stakeholders, will be leading during this project.
Ownership
To be able to identify the needs and demands of all parties related to the development of the Bagh-e Jehan Nama Palace complex, the Afghan Ministry of Information & Culture, in cooperation with AFIR Archtitects, have decided upon the organization of open workshops. During two meetings (in June and July 2008) all stakeholders involved were invited to express and share visions and priorities. for the palace complex and it’s use in the future.
Present at the open workshops were representatives from the Ministry of Information & Culture, the Royal Netherlands Embassy, UNESCO, ACC/UNOPS, Kabul University Dep. Of Agriculture, MM consultants, AREU, FCCS, CCAA, UNDP Gender specialists, the Italian Embassy and The Monument Fund. The Aga Khan Foundation for Culture contributed to the discussions on several other occasions.
In Khulm informative meetings were organized with representatives of the local community. Consulted were the Head of Police, the Head of the Shura, the National Security representative, the regional & local representatives of the Ministry of Information & Culture. On a more practical level several master masons have been consulted for the right approach of the work.
Local site office
To be able to coordinate and work permanently on location, and to work closely together with the local community and the local craftsmen, the need for a local site office was expressed. Afghan site engineers, master masons, younger masons and laborers all should have a base here.
AFIR Architects has been able to negotiate the premises closest to the main Palace entrance and the site office was up and running in August of this year.
A team of master masons was invited to work on the renovation of the walls and the building. Practical issues as a local team for the maintenance of the office, an internet connection, a financial system to deal with the weekly salaries were organized.
We are very proud that our team in Khulm was able to develop and build this site office in such a short period of time.
Work in progress
AFIR has performed a survey in 2007, during which the site and the buildings were measured. A photographical survey was carried out. In addition to this an experienced structural engineer, Mr. Najibullah Aoudjan, performed a first survey.
During the autumn and winter of 2008 three priorities were set and already in progress.
1. Interstabilization of critical structural elements: the main gate in the North has been stabilized by the local representatives of the Ministry of Information & Culture. AFIR has blocked the entrances to the West stairs of the palace as chances of a collapsing roof (or parts of it) are realistic. Last winter the East tower, that was already for years in a miserable state, collapsed. These potentially dangerous and unstable components are addressed at the start of the project.
2. Repair work on the South wall: the cleaning and repair work at the South wall was the first priority for the local master masons. The parts of the wall that are in a bad shape, the parts with serious foundation problems and the parts of the walls that have been replaced by non-historical or military elements are being removed and levelled.
The teams are working under the guidance of very experienced masters. For the mud walls cows are purchased to be sure that the raw material is mixed very well and that it does not contain too much air that might lead to big cracks in the future. This is called the densification of the clay/mud (paksha) mixture.
3. A huge ‘removal and cleaning exercise’: inside the garden and outside the palace. The remains of four tanks were removed, as well as a metal underground bunker in the garden. Other issues are the removal of rubble, quickly build military structures and other non-historical elements that will disturb in the new ambition level of the Palace.
An ethnographic museum
During the beginning of the seventies of the 20th century the Bagh-e Jahan Nama Palace has been restored and renovated and plans were developed to turn the palace into a museum. An earthquake in 1976, resulting in serious damages, prevented this idea from being implemented. Combined with the plans for the reconstruction of the historic centre of Tashqurghan and its potential to become a major tourist attraction, the option of revitalizing the plan for establishing an ethnographic museum in the Bagh-e Jahan Nama Palace was reconsidered. This idea was further discussed with the Afghan stakeholders.
The location of the palace complex is close to where the highway from Kabul to Mazar-e Sharif enters the northern plains; a location which can’t be overlooked by anybody travelling in either direction.
For many people passing, a stop at the Bagh-e Jahan Nama Palace complex would be attractive. Moreover, rearranging the palace garden would turn the park into an economic asset (fruit trees) as well as a highly attractive picnic ground for the local population and travellers.
The ethnographic museum, apart from covering the history and culture of the northern plains from Tashqurghan to Andkhui, would act as a site museum paying special attention to the historic urban centre of Tashqurghan as it existed into the nineteen eighties. A museum of this kind –with the adjacent garden- will add an extra tourist attraction to Khulm.
Apart from this, the Afghanistan Conservation Corps (funded by UNOPS) are currently supporting a farmer project for women in the garden. Local women are taking care of fruit trees an are growing vegetables. Their children have a little playground on the premisses. The project aims at stimulating ecenomic development for local women.
History and background
For many centuries Afghanistan was located on the old serais (along the Silk Road) between Europe and China and India. Many important cultural centres developed along the way.
During and after the 15th Century Europe developed new sea routes to the east. The trade over land decreased and the cultural centres along the Silk Road became more isolated.
Tashqurghan was founded early in the 19th century and grew to become the most important town in northern Afghanistan. A large variety of industrial products and commodities were transported by camel caravans: weapons, knives, metal thread, needles, glass, mirrors, porcelain, paper, tea, cotton and silk cloth. Most of these products were produced in the European part of Russia, some originated from Russian Turkistan. From India all kinds of locally manufactured and British industrial products went the other way: binoculars, razorblades, indigo, spices, ivory, coconuts and brocades. Afghanistan contributed to this trade with wool, raw silk, fruits, vegetable dyes and horses.
During the first decades of the twentieth century Tashqurghan gradually lost its position as the emporium of northern Afghanistan. Mazar-e Sharif and Kunduz, better positioned for crossing the Amu Darya river, took over and the caravan traffic stopped. Although Tashqurghan had lost it’s importance as a centre for international trade, local craftsmen and refugees from Soviet Central Asia, (most of them being craftsmen as well) reinforced the position of Tashqurghan as a centre for the production of all kinds of objects for daily use throughout the country.
In the 1960’s the asphalted road between Kabul and Mazar-e Sharif was completed. The 350 kilometres between the two cities could now be covered in 8-9 hours (instead of the previous two weeks travel). The number of foreign and domestic tourists visiting Tashqurghan increased considerably. Apart from larger numbers of individual visitors, organized tours started arriving. A large number of antiques shops were opened for the visitors.
During the 1970’s Tashqurghan was declared a ‘town of art-historical significance’ by UNESCO, while the Tim, the centre of the ancient bazaar, was declared a national monument by the Afghan government.
After the Soviet invasion the bazaar has been attacked on several occasions but in 1986 it was completely destroyed in reprisal attacks by the Red Army.
Afghanistan, a programme for Culture and Development
The Bagh-e Jehan Nama Palace complex
Funded by the Dutch Ministry of Foreign Affairs
Pakhsa at BJN
At the end of spring and after the rain season and the harsh winter months, the process of the renovation of the garden walls and towers is resumed with the traditional pakhsa system. In several fields mud, clay and dung are mixed and densified by bulls. They make sure that the molding of the material is done correctly, because too much air in the pakhsa will eventually lead to cracks in the walls. After the preparation of the fields, the bulls tamp down the pakhsa to reduce the air level and get the good mixture. After this several people tamp it down again before it is used in the approximately 60 centimetre high horizontal layers. The walls consist of a foundation, seven pakhsa layers, a layer of flat stones, the eighth pakhsa layer and a top layer in Kangura style. At this project three teams under the guidance of three Ustad (Dari for masters) are active.
The pictures illustrate the progress on the towers and walls and the traditional technique of pakhsa.

The bulls tamp down the mud for the pakhsa in the specially made fields. In the background you can see the next phase where people tamp down the mud.

South Gate of the Garden Walls from the outside

Ustad working on the walls
BJN Garden
Together with the local community, AFIR Architects has made a landscape design for the palace garden of BJN. Some elderly of the community could remember how the garden looked like in the days before the wars broke out (before 1979). This is very useful for a historical reference for the reconstruction of the garden. The garden is divided in eight terraces and the total difference in height is nine meters. The main theme of the garden will be ‘bio-diversity-jungle’: a rich mixture of all kind of trees, climbers, shrubs, plants and flowers, which each will contribute to an improved eco-system. Together with the Ministry of Information and Culture plans are made to let the fruits, nuts and vegetables flourish in the garden. There is also an idea to start a project with honeybees, because the diversity in flowers in the garden can be a good environment for honeybees and BJN will then be capable of making their own honey and candles.
Before this can be realized though, the garden needs to be cleaned from old war elements. On several spots in the garden Russian concrete had to be removed. The Russians used the concrete to place their tanks so they would have a stable underground for the recoil when they fired.

Two men remove Russian concrete. The playground is part of a women’s project that work the agricultural land and have to bring their children during their work.
BJN Renovation inside the palace
The five large peacock windows in the palace have had a complete restoration and look a lot better again. Some windows and wooden doors had to be completely renewed and for this experienced carpenters from the region of Kholm make the tailor-fit frames, the doors, the panels and even the fine work for the peacock windows, exclusively for the historical palace.

Peacock window after the restoration
Several walls inside the palace have been cleaned, they were almost completely black because of the fights during the Russian, Mudjahideen and Taliban years and the fire they made inside the building to cook their meals.

Blackened detail in the ceiling (before) and the same detail after cleaning (present)
BJN project sign
A BJN sign has been made to show the communities in the area and people visiting the neighbourhood that BJN is in a renovation and restoration project. The informative text on the sign is in Dari and Pashtu. The background is an artistic interpretation of the AFIR workshop artists of a historic mural of the historical mosque, in Dehdadi;Ghana Khai Kalan near Balkh. The black and white picture is from the photographic archive of the Afghan Institute in Switzerland that has a high nostalgic value in the Afghanistan, referring to the ‘good old times’.

BJN project sign
Photography: Courtesy of AFIR Architects
For more information about this program, please contact the Centre for International Heritage Activities at info@heritage-activities.org
The National Museum of Afghanistan

At the end of Kabul’s Darul Aman Road, at the outskirts of the city, you find Afghanistan’s National Museum. In front are the ruins of the former royal palace, at the back the remains of the archaeological institute. Once the museum was part of an ambitious plan for a new modern Kabul during the times of Amanullah Khan, a modernist ruler in the style of Ataturk. The idea for a National Museum of Afghanistan emerged in 1919. It formed part of the process of political, cultural and social developments that characterized this period in the beginning of the twentieth century of Afghan history.
In 1931 the collections were placed in its present home at the edge of Kabul on the former palace grounds. It was the intention to provide a safe haven for the treasures of Afghan culture. As far back as classical times, Afghanistan was an important area that drew on and assimilated a variety of cultures, and spread their influence via the Silk Road linking the primary cultural centres. These foreign influences prompted investigations by western researchers into the routes along which the Europeans and Greeks accessed the East, particularly Afghanistan with its wealth of remnants from the past. Around 100,000 pre-Islamic, Islamic and ethnographic objects were preserved in the museum. This rich collection made the museum world famous during the second half of the twentieth century.
Unsafe period for the collection and museum staff
In the 1970’s a painful period for the National Museum began. On 26 December 1979 the Soviet invasion started and caused great political instability and the destruction of the economical and cultural infrastructure. The security situation in Kabul continued to deteriorate and in 1988 the National Museum, in consultation with the Ministry of Information and Culture and security forces, proposed that a number of works from the museum be transferred to the custodianship of the then President of the Republic, Mohammad Najibullah.
Between 1992 and 1994 guerrilla fighting devastated Kabul. In 1994 the National Museum was being used as a military base and defensive position and was hit by a rocket and burst into flames. In 1996 the Ministry of Information and Culture decided to remove the remaining collection to museum stores and the Hotel Kabul just a week before the Taliban seized power. The pieces brought to this hotel have been spared, but the museum stores have been destroyed after the installation of the Taliban. At the start of 2001 the National Museum faced further disaster as the Taliban decided that all images must be destroyed. The Taliban installed a special group that was charged with this task, they destroyed around 2500 works of art. The work of rebuilding the museum and the restoration and repatriation of the collection began in 2002 and continues till today.
Rebuilding the National Museum
Since 2006 the CIE is closely involved with the National Museum. The rehabilitation programme follows a step-by-step approach. Our first activities were centred on the temporary exhibition on the historic bazaar of Tashqurghan. This created the perfect opportunity for upgrading the interior of the museum and to improve the conditions of some exhibition rooms. The museum was fizzling of activities and the exhibition, the renovated central hall and the upgraded exhibition rooms were received with great enthusiasm.
This first achievement, which sets a benchmark for the future museum, paved the way for a more structural approach in the rehabilitation process. Together with the Afghan partners we were able to develop plans for the next stage. Surveys on security and structure of the building were done and jointly we create the conditions for a new permanent exhibition for the National Museum of Afghanistan.
In the summer of 2010 the Afghan Ministry of Information and Culture and the CIE are preparing for the next step of the programme: broadening network and partnerships to make the future of the museum sustainable. In close cooperation with our Afghan partners, and based on the already existing mission and vision documents of the international community, we developed a plan with six stepping-stones toward a new permanent exhibition for the National Museum. Three of them concern realisation of our goal, the other three are aiming at the sustainability of the project. Each of them falls apart in smaller projects and activities for which the Ministry of Information and Culture and the National Museum are looking for funding, knowledge and partnerships.
We are happy to inform you about this in detail so feel free to contact us.
The Stepping-Stones concerning realisation:
1. Upgrade of the structure and security
A lot of renovation activities to improve the structure and safety of the building have already been realised, such as a new emergency roof, the improvement of the entrance, new floors, painting activities, preparing exhibition areas and securing of the windows and depots. However, the upgrade of the structure and security of the museum complex involves further improvement of the building to make it a better home for the collection.
Training of a security and safety management team has begun and focuses on the basis of a safe environment for the staff and the collection. More training and equipment are necessary to make a secure and safe National Museum sustainable and an example for the new regional museums in Afghanistan.
2. Conserve the collection and make it accessible
A good conserved and inventoried collection is the core of the National Museum and the new generation of curators need training to become the expert on their collection. National Geographic already contributed to this process of inventorying the collection. Still a large part of the collection needs to be restored due to the destructive cultural character of the war. Next to this, a large part of the collection is also missing since it has been looted during the rule of the Taliban. All these objects are still part of the collection of the National Museum and it is the declared aim of the museum to retrieve this missing part of the collection. Last year intercepted Afghan objects at the Airport of London Heathrow have been returned to the National Museum.
3. Develop exhibitions
Exhibitions are the means for a museum to tell a story and the National Museum of Afghanistan would like to tell, more than anything else, the rich and diverse history of Afghanistan and the important role of culture as binding factor in society. Temporary exhibitions have already been organised and in the future His Excellency the deputy minister of Culture Mr Omar Sultan would like to see new temporary exhibitions every three months. To realise these exhibitions training is needed and more display material is welcome.
The Stepping Stones concerning sustainability:
4. Improve museum management and control finances
A well-organised and stable organisation is essential for a sustainable future of the museum and the opportunities to develop the museum with new exhibitions, loans and international cooperation with other museums. UNESCO already wrote an extensive report on ‘Safeguarding Afghanistan’s moveable cultural heritage; a framework for the rehabilitation of the National Museum and provincial museums of Afghanistan’ and the CIE developed this report together with the Afghan Ministry of Information and Culture into this practical Stepping Stones tool to assist in the improvement of the museum management.
5. Increase income through commercial activities
Different pathways to generate income are important for a museum and the development of commercial activities, like publications and a museum shop. A great first step has been made with the travelling and world-renowned exhibition ‘Hidden Afghanistan’ that has been exhibited in more than ten museums worldwide.
6. Increase public awareness for the museum and its collection
Museums tell stories to the public and have the ability to teach about culture, history and society. The awareness of having a museum in Kabul where inhabitants can learn about the rich Afghan cultural heritage, after having been deprived from any cultural or historical education for a long time, is crucial for the cultural development of Afghanistan. Already thousands of school children and students from Kabul University visit the National Museum where the curators tell them about the history of the objects and the museum itself. Together with partners a special education programme for children and youngsters can be developed to reach the new and promising Afghan generation.
Into the future
The drive of the Afghans to create a world class National Museum in Kabul is overwhelming. Enormous steps have been made after 2001. International assistance however within the six Stepping Stones presented, remains very important to assist the staff of the National Museum in developing their expertise, network and home for the collection it deserves, in order to share their rich cultural heritage with the world.
Together we can bring the National Museum back to its former glories and beyond and enable the National Museum to take a leadership role in the empowerment of the cultural heritage sector in Afghanistan.
‘Buddhist Heritage of Afghanistan’ Exhibition opened in National Museum in Kabul
On April 29 the opening ceremony for the new exhibition took place in the National Museum of Kabul, Afghanistan. The exhibition shows Buddhist artifacts that have been excavated in the south Hindu Kush and gives an insight in the early history of Afghanistan. In the exhibition the museum introduces the life of the historic Buddha and the history and culture of Buddhism in Afghanistan. The ‘Buddhist Heritage of Afghanistan’ exhibition is an important step in the rehabilitation process of the National Museum of Afghanistan. Mr. Fahim Rahimi, the curator of the exhibition, said the new exhibition was a dream that had now become real and thanked the CIE – Centre for International Heritage Activities, its partners and Dutch government for their ongoing support to the National Museum.
Good PracticesNetherlands National Commission for UNESCO published the report: Culture, Education and Media Projects in AFGHANISTAN. What lessons can be learned. The CIE activities were considered as a good practice example. Quoting the report: "...In this sense, almost everything is ‘culture’. Yet in this broad sense, culture harbours both the roots of conflict and those of peace‐building. Culture could have an important peace‐building effect if, in this broad sense, it was made a cross‐cutting element in reconstruction efforts. The reconstruction of the gardens of the Kabul National Museum and the palace in Kholm (see 2.4) offer a good example of such an approach...." The whole report can be downloaded from the Netherlands National Commission for UNESCO website We also shared our lessons learned with the author of the report. They are summarized as follows: " The Centre considers the following ‘lessons learned’ the main ingredients for ‐ Political commitment. Involving the local community in the choice and execution of a project is an absolute must. Before an organization starts a project in Afghanistan, it should make an assessment as to whether it is capable of building successful working relations with local partners, the local government and the local community" Read the summary at the UNESCO site
National rememberingThe National Museum of Afghanistan, in Kabul, held its first major exhibition in nearly two decades in early September, when it opened its doors for a collection titled ‘Ghazni, Capital of Islamic Civilization: 3000 years of history’. Ghazni, 135 km southeast of Kabul, was the capital of the Ghaznavid Empire under MahmudGhaznavi, who ruled during the 11th century. Among the exhibits are reliefs dating back to the time of Darius I, around 550 BC, coins from the time of Alexander the Great (330 BC) and Buddhist statues from the Mauryan Empire under Emperor Ashoka. Like most of Kabul, the museum was victim to the wars that have swept the city over the decades. First came the Soviet invasion, followed by widespread looting by the mujahedeen and, finally, the destruction of many artefacts due to the Taliban proscription against human or animal figures. Together, these have meant that almost 70 percent of the museum’s collection was either destroyed or missing by the close of the century. The trade in antiques continues following the US war in Afghanistan, meaning that the artefacts, instead of ending up in the museum, go on sale in the illegal international art market. According to law, artefacts more than 100 years old cannot be taken out of Afghanistan. The 1970 UNESCO Convention, to which Afghanistan is a signatory (although not a ratified member), also prohibits illicit import or export of cultural property. In 2003, the Afghan government, determined to stamp out the plundering from museums as well as through illegal excavations, set up a 500-member special police unit dedicated to this issue. However, media reports allege that most of the digging for artefacts has been taking place in NATO-controlled areas, a charge that the latter’s leadership denies. The police do not have the authority to enter and investigate in these areas. The National Museum held its first exhibition in 1931. Since then, its collections had grown to include artefacts from excavations throughout the country; by the1960s, these contained extensive pieces describing the cultural history of Afghanistan, South and Central Asia. Some seven decades after that first showing, work was begun to revive the institution after successive wars, first with an attempt to rebuild the collections. Reconstruction on the museum’s building, as well as the work of retrieving, cataloguing and archiving the existing collection, began in 2003. The second phase of reconstruction is now being done by a Dutch-Afghan team, which has provided exhibition spaces, upgraded storage for artefacts and renovated the museum’s interior. The Kabul museum’s website, also launched in September, can be visited.
|
|
Within this website:
Outside of this website:
March 2011 - Long road to Kabul. Afghanistan opens more of war-torn museum. By Martin Bailey. The Art Newspaper
November 2008 – Anthropological museum in Khulm to become tourist attraction
|
||
Introduction
Cape Hoorn is the most southern tip of South America. The Portuguese Fernao de Magalhaes was the first explorer to discover a sea route between the islands of that area which leads to the Pacific Ocean. The English explorer Cavendish followed in 1587. In 1598 the Company of Rotterdam was founded and traders were eager to try out this route to the East. Five ships were equipped and under the leadership of Simon de Cordes set out to follow this route. This voyage was followed by Olivier van Noort in the same year under the name Company of Magellan who even succeeded to reach the Indonesian islands. The VOC claimed the patent of this route and in 1615 another expedition was undertaken by Van Spilbergen. However, in 1616, another explorer, Jacques le Maire was sent to explore the ‘southland’ (at the period it was thought that south America was attached to Antarctica and Australia to be one complete continent, south land. This led to the discovery of Cape Hoorn (named after one of the ships). Several archaeological expeditions have taken place including a team from the University of Amsterdam to search for any remains of a settlement or cemetery.
Project in cooperation with Museo Fin del Mundo about the Dutch at Cape Hoorn.
The museum, Museo del Fin del Mundo at Ushuaia on Vuurland has requested the CIE to help with the organisation of a travelling exhibition. This will include information on the Dutch explorers, their voyages, maps, and documents. There are several accounts of the voyages by Le Maire and others. A selection will be made and translated into Spanish to accompany the expedition. As Antarctica has become a destination for tourists, the museum hopes to be able to supply more information on these explorations by the Dutch.
No news is available at present.
|
Introduction The connection between The Netherlands and Australia goes back more than 400 years. In 1606 the Dutch East India Company vessel Duyfken went to explore the northeast coast of the then unfamiliar continent Australia. In the years after the expedition of the Duyfken many other visits followed. Most of them were unvolontary confrontations with the Australian westcoast of VOC ships traveling along the so-called Brouwer-route from the Cape to Batavia. This resulted in at least four shipwrecks. The sites of these shipwrecks have been explored in the 20th century which has resulted in a large collection of artefacts. |
![]() |
|||||||
|
The Australian Dutch Heritage Cooperation Project The strong historical ties have resulted in many interest groups and countless mutual cultural heritage activities. To assist professionals, policy makers and volunteers to increase the visibility, accessibility and coherence of their respective activities, a database of projects and stakeholders involved will be established. The ultimate aim is to increase cooperation between the stakeholders and to create more synergy between the cultural heritage projects in Australia and the Netherlands. The Australian Dutch Heritage Cooperation Project consists of four phases: 1. Inventory 2. Australian-Dutch Heritage Day Fremantle 3. Australian-Dutch Heritage Day The Hague 4. Australian-Dutch Heritage Day Canberra - A follow up Inventory Last year the Centre for International Heritage Activities (CIE) has worked in close collaboration with the Dutch Embassy in Canberra on an inventory of the Australian Dutch Heritage Cooperation. Stakeholder meetings were organized throughout Australia. The following activities were undertaken:
The outcome of the inventory has been inserted in the online platform 'Cultural Heritage Connections'. Reception and Heritage Day This online platform was launched during a formal Reception organised on 20 February 2012 by the Embassy of the Kingdom of the Netherlands in collaboration with the CIE and the Western Australian Museum. Following the Reception the Australian - Dutch Heritage Day will be organised in June 2012, where participants from different fields such as heritage experts, representatives of cultural organisations, policy makers, business people, will gather to discuss the heritage cooperation between Australian and the Netherlands. Please find here the digital version of the report including the outcome of the discussions and recommendations by the Heritage Field in Australia. More information can be found here Press coverage about the Heritage Day in the Dutch Courier April 2012
Stakeholder lunch at the Western Australian Museum in Geraldton on Thursday the 24th of February 2011 CIE PROGRAMME - ANCODS COLLECTION The CIE coordinates and organizes the repatriation of the Dutch ANCODS artefacts to Australia. Results: the project 'ANCODS: online database' is set up to prepare this repatriation. Partners Australia: Department for Environment, Water, Heritage and Arts as well the Western Australian Museum and the Australian National Maritime Museum, which act as custodians and/or repository of the Australian ANCODS collection. Partners Netherlands: Ministry of Education, Culture and Science (including the co-operative departments: Cultural Heritage Inspectorate, and the State Service for Cultural Heritage), the Scheepvaart Museum, and the Geld museum. More information on this programme....
|
|
Please check the following link(s) for related information:
Dutch Australians at a glance (DAAAG) project
The DAAAG project is a Virtual Centre and Web Portal preserving Dutch migrants’ experiences and Dutch Australians’ cultural heritage.
The Australian-Dutch Heritage CooperationProjectThe strong historical ties have resulted in many interest groups and countless mutual cultural heritage activities. To assist professionals, policy makers and volunteers to increase the visibility, accessibility and coherence of their respective activities, a database of projects and stakeholders involved will be established. The ultimate aim is to increase cooperation between the stakeholders and to create more synergy between the cultural heritage projects in Australia and the Netherlands. |
|
|||
|
In the past months the Centre for International Heritage Activities (CIE) has worked in close collaboration with the Dutch Embassy in Canberra on an inventory of the Australian Dutch Heritage Cooperation. The CIE worked with a personal approach whereby as many experts as possible were interviewed, by email, phone and in person. Koosje Spitz, staff member of the CIE, visited Australia from beginning of February till the beginning of May 2011 to collect information on projects and to speak to stakeholders about their activities and their experiences with mutual heritage cooperation. The Australian-Dutch Cultural Heritage Project consists of: 1. Inventory of the mutual heritage cooperation 2. Australian-Dutch Heritage Day in Fremantle, Australia 3. Australian-Dutch Heritage Day in The Hague, the Netherlands 4. Australian-Dutch Heritage Day in Canberra - a follow up meeting 1. The Inventory For the project the following activities will be undertaken:
The online database will contain information on all projects and stakeholders. Once the database is completed stakeholders are invited to actively contribute to the Wiki. For more information about the inventory consult the powerpoint presentation created by the CIE here... 2. Australia-Dutch Heritage Day - 21 February 2012 The CIE – Centre for International Heritage Activities in Collaboration with the Embassy of the Kingdom of the Netherlands, Canberra and the Western Australian Museum have pleasure in informing you about the upcoming event: Australian – Dutch Heritage Day on the 21st February 2012, hosted at the Western Australian Maritime Museum in Fremantle. The main theme of the day is Strengthening the Australian-Dutch Mutual Heritage Relations, with reference to the Maritime, Mercantile, Migration and Military heritage relations. Respected experts in these mutual heritage fields will share their expertise and experiences through presentations and panel discussions. Participants are asked to share their views and knowledge in the plenary discussions and workshops.The event starts at 9:30am and includes a morning and afternoon program. During the Heritage Day presentations, workshops and discussions took place. For the booklet please find the program booklet (cover and content). The final report of the Heritage Day gives an overview of the conclusions and recommendations that were formulated during the Heritage Day and a summary of all discussions. Click here for the final report. 3. Australian-Dutch Heritage Day in The Hague In June 2012 the CIE organises in collaboration with the Australian Embassy and the National Museum of Ethnology (Museum Volkenkunde) an Australian-Dutch Heritage Day in The Hague. For more information, please contact k.spitz@heritage-activities.nl
|
Stakeholder lunch at the Western |
News items on the Australian-Dutch Heritage Cooperation ProjectVarious local and national organisations, institutes and media discussed and referred to the Australian-Dutch Heritage Cooperation Project. Below a short overview of various articles and newsitems that were published on the Project. |
|
|
Holland Focus (HF-May-Jun 2011, Vol 6 No 3) Dutch Australian Cultural Centre: D.A.C.C. Australia on the Map 'Map Matters' Newsletter Neerlandia Magazine (Perth WA - May 2011, Vol 43 Issue 4)
Video made by SBS Radio during the Stakeholder Meeting held at the Australian National Martime Museum in Sydney on March 29th 2011.
|
The Stakeholder Meetings on Australian-Dutch heritage cooperation
Due to the size of Australia and the scope of the heritage activities in Australia, it was agreed upon to organise stakeholder meetings in all capitals. The following meetings were organized: |
![]() |
Unfortunately time and budget were too limited to also organise a meeting in Darwin, Northern Territory. In Hobart, Kingston and Launceston, Tasmania various smaller meetings were organised. These stakeholder meetings provided interesting platforms for stakeholders to exchange thoughts and experiences in the field of mutual cultural heritage and to learn more about each other’s activities. The number of participants varied from 15 to 60 per stakeholder meeting.
Stakeholder lunch at the Western Australian Museum in Geraldton on Thursday the 24th of February 2011 |
|
INTRODUCTION The historical bounds between the Netherlands and Brazil go back 400 years.The Dutch arrived in Brazil for the first time in 1624. This was because the West India Company (W.I.C.) had been established and had expanded the Dutch trade area to the Americas. The Dutch managed to establish a colony, Dutch Brazil or New Holland, but their presence in the 17thcentury did not last long. In 1654 the W.I.C. was finally defeated by the Portuguese and the Dutch colony came to an end.This was however not the last time the Dutch were in Brazil. In the 19th and 20th centuries, many Dutch people migrated to Brazil and founded several settlements. Today, most of these settlements are still in use by these immigrants and their descendants. Developments in the Brazilian heritage field In the 1930s the heritage field of Brazil institutionalized following the strengthening and modernization of the state. Among other things, the first museum course was created and the first federal organization for monument protection was founded. The initial national heritage institution was established in 1936. After a series of changes, this institution was replaced by the National Artistic Heritage Institute (IPHAN), founded in 1990. See also www.iphan.gov.br IPHAN works on a national level under the umbrella of the Ministry of Culture. Similar work is being carried out by public heritage institutes on a state or municipal level or by other government bodies. In 2008, the museum department within IPHAN separated from IPHAN and established the Brazilian Institute of Museums (IBRAM).The IBRAM is responsible for the museums and their collections and works like the IPHAN on a national level.
|
|
Introduction
|
CIE Activities Heritage activities in Brazil See for an elaborate overview of projects: -Cultural Heritage Connections website In April 2008, the Netherlands and Brazil signed a Memorandum of Understanding (MoU) on shared cultural heritage, committing themselves to future technical cooperation, collaborations and developments. The following agreements were reached:
Please find the MoU attached.
In 2006 the representatives of the Atlantic World and the Dutch project (AWAD) held a conference in Brazil divided in three sub-meetings in Recife, Sao Paulo and Rio de Janeiro. In 2009, the CIE organised a Heritage Day Brazil in the Netherlands. Both these meetings were focussed on the mutual cultural heritage cooperation between Brazil in the Netherlands. The AWAD conference and the Heritage Day proved to be successful and its attendants remarked that it would be good to have these kind of events on a yearly basis. In 2010 a second Heritage Day organized by the CIE will be held in Brazil. Challenges for the heritage field One of the main obstacles in the heritage cooperation is the language barrier. Currently there is no permanent Dutch course in Brazil; the founding of such a course might help solve this problem. Another option is to create a program in the Netherlands and in Brazil for learning Dutch and Portuguese. In the area of archives a lot has been done, one of the largest projects is Projeto Resgate, disclosing documents on Dutch Brazil. There are, however, more archival sources that could be researched and disclosed. Furthermore, the access to the archives is still problematic because the sources are located in various places. Another element is that improvements could be made is in the focus of the heritage field. The general focus is on tangible heritage, which means there is less attention for the intangible heritage. Next to this many projects focus on Dutch Brazil while there is more common heritage from later periods. The Dutch emigration to Brazil in the 19th and 20thcentury and contemporary continuing immigration in both ways are also part of the Dutch-Brazilian history and heritage. While there are many archival sources in Brazil there are only a few projects concerned with this topic. On of these projects is the immigrant memorial in Sao Paulo. See website. See the reports of the AWAD conference and the Heritage Day Brazil for a complete overview of the state of affairs, challenges and opportunities.
|
|
|
October 7th, 2009: Heritage Day Brazil Wednesday 7 October the Heritage Day Brazil took place at Museum Boijmans van Beuningen in Rotterdam. This was already the fifth Heritage Day the Centre for International Heritage activities (CIE) organised. The Day was organised in cooperation with the Atlantic World and the Dutch (AWAD) and the Netherlands Institute for Heritage (Erfgoed Nederland). The CIE tries to organise every Heritage Day at a different location that has a special relation with the priority country. The Municipality of Rotterdam included an internationalisation theme in their 2009-2012 cultural policy. Brazil Rotterdam is the first big event in the Internationalisation Program of the Arts and Culture Service of the Municipality of Rotterdam (DKC Rotterdam). Museum Boijmans van Beuningen was involved in this programme with an exhibition of contemporary Brazilian Art.
Aim of this Heritage Day was to create more coherence between the various cultural heritage projects and to discuss coordination between Dutch partners and cooperation with Brazil. This event gave the participants the opportunity to meet each other and become inspired by each other’s initiatives. Twelve projects were represented on posters.
During the morning session, a very international public from all types of institutions and from various backgrounds was present in Rotterdam where they listened to presentations given by Stef Oosterloo (Art and Culture Service Rotterdam), Carlos Alberto Asfora (Brazilian Embassy) and Mariëlle van Miltenburg (Nederland’s Embassy Brazil).
The introductions in the morning where followed by panel discussions with points of view from the heritage fields: Academic cooperation and Archives, Tangible heritage and Intangible Heritage. These panels were the introduction to the workshops during the afternoon program. An extra workshop on Mutuality of Mutual Cultural Heritage was also held. Panel 1 Intangible Heritage
Input for the workshops Panel 2 Tangible Heritage
Input for the workshops This discussion focuses on Tangible Heritage which is part of the cultural heritage. One must not only focus on the built heritage but also on historical aspects in present day society and what attracts the present day population. Not only built heritage but also traditions should be studied. Multicultural relations are necessary and as an issue/item must be studied by both sides to achieve a realistic research result. Panel 3 Academic Cooperation and Archives
Input for the workshops Workshop 1 Academic cooperation and Archives
Academic knowledge is a fundament for many heritage projects. However, in the executive phase of projects, it often plays a minor role while the connection between the heritage and university fields strengthens both the practical input as well as the academic output. Therefore, attention should be paid to cooperation between heritage and academic institutions. Cooperation is a necessary ingredient for capacity building, and in the future, better academic cooperation is needed in order to succeed. Workshop 2 Intangible Heritage
Over the years the awareness for intangible heritage has grown. In the Brazilian Federal Constitution of 1988 cultural heritage as been defined as “a set of cultural assets, material and intangible in nature, referring to the action, the memory and the identity of the different groups that form the Brazilian society”. Questions to be discussed during this workshop: What does intangible heritage mean in The Netherlands in comparison to Brazil. What role does the arts play, are the arts considered heritage in Brazil? In The Netherlands there is a thick line between the arts and heritage, how does this differ from Brazil? How is intangible heritage integrated in the heritage projects today? How do you preserve something that is not tangible? Workshop 3 Tangible Heritage
The tangible heritage field is very broad with disciplines like archaeology, architecture and collection management. In this session we would like to focus on the question how mutual cultural heritage can serve as a motive for creating cooperation. How can cultural heritage be reinterpreted and build bridges with the present. Key issues will be: technical cooperation, knowledge exchange, integrated heritage management, tangible heritage management in present and future, multilateral- and multi-sectoral cooperation and public awareness. Workshop 4 The mutuality of mutual heritage
Dual parentage, shared, mutual, colonial, common, European, Brazilian heritage? Mutual Cultural Heritage is a loaded term; it defines the cultural heritage between the Netherlands and Brazil. But which heritage is labelled with this definition, how does Brazil experience common cultural heritage and how do we share this heritage? Discuss the responsibilities for this type of heritage for the Netherlands and for Brazil and specify the definition of mutual cultural heritage. The outcomes of the workshops and the lectures presented during the morning will be send to our Ministry of Education, Culture and Science. This will help our policy makers to develop a view on knowledge exchange on cultural heritage, with results directly from the field itself. In November Robert Parthesius (director CIE) and Annemarie Willems (staff member heritage) will travel to Brazil to identify and meet several stakeholders in the Brazilian heritage field to determine whether a basis exists for a similar meeting on the Brazilian-Dutch heritage cooperation next year in Brazil. We are positive that this day contributed to the preservation of important tangible and intangible heritage in Brazil and The Netherlands.
|
|
Open images in a new window for more details.












|
Honra tardia para cientista Marcgraf Leidsch Dagblad, 6 de outubro de 2010 Quatrocentos anos após o seu nascimento, o multitalentoso Georg Marcgraf (1610-1644) recebe finalmente o reconhecimento que merece. A Universidade de Leiden dedicou recentemente um simpósio à vida do cientista do século 17. No Museu Boerhaave, uma pequena exposição de sua obra pode ser visitada até janeiro. Georg Marcgraf nasceu em setembro de 1610, na cidade alemã de Liebstadt, e veio para Leiden em 1636. Como estudante, era extremamente motivado, ansioso para aprender e versátil, e freqüentou, nos anos anteriores, dez universidades diferentes na Alemanha. Os perigos e conflitos da Guerra dos Trinta Anos foram a causa dessa turnê involuntária como estudante de medicina e matemática. Em Leiden, ele matriculou-se em estudos complementares: astronomia e botânica. Seu aprendizado na Universidade de Leiden durou quinze meses, “período no qual ele somente trabalhou”, enfatizou o historiador de Leiden, Frans van Lunteren, durante o simpósio sobre Marcgraf. “Seu irmão Christian escreveu em seu diário que Georg passava a noite no observatório e o dia no Horto Botânico Clusius”. Quando surgiu a oportunidade de ir para a América, Georg não precisou pensar muito. Ele embarcou em uma caravela da Companhia das Índias Ocidentais a caminho do Brasil holandês, como participante de uma expedição liderada por Johan Maurits van Nassau, o governador dos territórios além-mar. Essa colônia holandesa no Brasil, perto de Recife, foi fundada em 1630. Os holandeses tiveram primeiramente que expulsar os portugueses da região. Nos seis anos em que permaneceu na América Latina, Marcgraf realizou um número impressionante de trabalhos. Ele foi o primeiro a fazer um mapa preciso da costa brasileira. Em cima da casa de Maurits, ele construiu o primeiro observatório astronômico da América Latina. Além disso, ele registrou e descreveu com precisão a flora e a fauna da região. Sua obra Historia Naturalis Brasiliae inspirou várias gerações de estudiosos coloniais. “O nome Marcgraf está ligado a uma série de superlativos”, diz Van Lunteren. Ainda assim, Marcgraf não é tão conhecido como cientistas a ele comparáveis e contemporâneos, como Galileu, Kepler e Descartes. Marcgraf é bastante conhecido no Brasil, mas na Holanda e na Alemanha ele não aparece na lista de grandes cientistas, o que se deve, em parte, à sua morte precoce. Marcgraf foi chamado para ir a Angola em 1643. Lá ele faria mapas da região, que seriam utilizados no comércio de escravos. Entretanto, ele não conseguiu cumprir seu objetivo; de causa desconhecida, provavelmente de febre amarela, Marcgraf morreu seis semanas após a sua chegada ao continente africano. O material inédito sobre o Brasil, por ele elaborado, foi enviado para a Europa Ocidental e desapareceu em diferentes direções. Segundo Van Lunteren, uma parte foi para Leiden, outra para Paris. A publicação da obra de Marcgraf Historia Naturalis Brasiliae levou um longo tempo para acontecer, porque Marcgraf havia feito todas as suas anotações em código. “Ele temia que outros roubassem o seu conhecimento”, diz Van Lunteren. Finalmente, um dos seus colegas/concorrentes conseguiu decifrar os códigos e o livro foi publicado em 1648. Atualmente, o interesse por Marcgraf tem aumentado. “Ele está lentamente se movendo em direção ao pódio de honra”, diz Van Lunteren. O Museu Boerhaave espera que a exposição em Leiden contribua para o reconhecimento de Marcgraf na Holanda. Erna Straatsma
Within this website
|
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011.
Other countries under evaluation are Slovakia, Hungary, Romania, Poland, Slovenia and Lithuania.
|
|
|
|
||
Introduction
In the twentieth century many Dutch people emigrated to Canada. Between 1928 and 1971 Dutch immigrants were the fifth largest ethnic group to arrive in Canada. Even though there were Dutch immigrants in beginning of the century, the most numerous immigration took place after the end of World War II, in the late 1940’s and early 1950’s. After the liberation of the Netherlands in May 1945, many families and couples moved to Canada in order to start a new life. Among them were many farmers whose land and crops had been ruined by the war. Also, a large group of Dutch women had fallen in love with Canadian soldiers and immigrated to Canada as their brides. Members of this generation are now seventy or eighty years old, and still have visible roots in the Netherlands. They can provide insight into the turbulent post-war years and the experience of starting a new life abroad.
CIE Activities
A project outline for the heritage of Dutch migrants has been written. Possibilities are being explored.
|
Introduction CIEs activities in China only encompass Hong Kong at this stage. Hong Kong has a long maritime history and contains many related cultural heritage remains on land and underwater. It has been found from archaeological excavations, people have been living around the coastline of the Hong Kong islands and exploiting the marine resources for about 6,000 years. Early shipping around Hong Kong came from some local trade but considerable activity related to its proximity to major trading ports such as Guangzhou and international trading routes. Chinese ships were reportedly involved in this trade, the Maritime Silk Route, from the 3rd century BC. From the seventh century AD, large numbers of Arab, Persian and Indian traders also sailed to and from Guangzhou and many stayed there; the main trading items were Chinese silks and ceramics. Pirates, some with large fleets of ships were also active around Hong Kong and as a consequence, forts and fleets of ships were built to combat their activities. The very important silk and ceramic trades and the development of other trades such as tea continue to this day, and involve many nations. During the sixteenth to nineteenth centuries, many battles were fought, more forts were built and ships sunk during Chinese, Portuguese, Dutch, French and British competition in these trades, culminating in the Opium Wars and subsequently the annexation of Hong Kong to the British (1842). Hong Kong continues to be a busy place for shipping; it is one of the top five busiest ports in the world and has more than 13,000 smaller commercial and recreational vessels using its waters. While there is great potential in finding some remains of these earlier activities in Hong Kong waters, little has been found to date. No prehistoric remains have yet been found underwater although considerable archaeological work has been implemented onshore around the coastline. The oldest shipwreck found so far has been a Ming Dynasty (1368-1644) shipwreck that is now located within the High Island Reservoir, although little remains of the vessel. From excavations on shore at Penny’s Bay over 10,000 ceramics have been recovered mainly from the Ming Dynasty but ceramics recovered from offshore have been dated back to the Song Dynasty (960-1279 AD). It is not sure what was happening at Penny’s Bay, it may have been a port involved in the China/South East Asia trade, or as some have suggested, a Pirate’s hide-out. A number of British and Chinese cannon from the early 1800s have also been recovered from Hong Kong waters. |
|
|
China Maritime Cultural Heritage Activities - Hong Kong Bill Jeffery’s ongoing work in Hong Kong led him to train a group of Hong Kong divers according to the Nautical Archaeology Society (NAS) training programme, culminating in an excellent NAS Part 2 Survey Report of a scatter of ceramics off Port Island in Hong Kong waters. Together they went on to form a group known as the Hong Kong Underwater Heritage Group (HKUHG) and have successfully applied for funding from the Lord Wilson Heritage Trust to compile a database of underwater cultural heritage sites and report on their work through a website, publication, journal articles and a brochure. This was seen as a first step in revealing the underwater cultural heritage of Hong Kong with over 300 shipwrecks on the United Kingdom Hydrographic Office wreck database and many other types of underwater cultural heritage sites in Hong Kong waters but where limited work has been done. The coastal and seafaring activity in and around Hong Kong dates back over 6,000 years through to the very active present day marine activity which is one of the busiest in the world, being at the entrance to the Pearl River. The 18-month HKUHG project began in August 2009 with the commencement of the compilation of a database and a website. The website (written in Chinese and English) includes the ongoing development of the database, and news on the projects and sites being worked on. The website was also developed to allow Hong Kong divers to provide feedback on any new sites and stories related to the maritime history of Hong Kong. At this stage, much of the latter work has been gained through visiting some of Hong Kong islands and listening to the village communities pass on their very current and active beliefs, customs and practices associated with the sea, seafaring and fishing. The CIE will help the HKUHG with any issues related to the implementation of Maritime and Underwater Cultural Heritage (MUCH) work including any further training needs, international collaboration and sources of funding for future projects. Partner: Hong Kong Underwater Heritage Group (HKUHG) - website Funding: Lord Wilson Heritage Trust If you know of sites or have stories related to the Hong Kong's maritime and underwater cultural heritage, the HKUHG would be very keen to hear from you at hkuhgroup@gmail.com or call us ar 90741785 Read more in the Brochure Documenting the Underwater Cultural heritage of Hong Kong |
|
Many of Hong Kong’s 235 islands would have been used over the years to shelter behind during stormy weather or simply a place to have a picnic and enjoy the scenery in a calm water bay. On occasions, eating materials such as ceramic cups, dishes, bowls and spoons would have been thrown overboard or unintentionally found their way onto the seabed. In June 2010, a local diver took the group to such a site and over a five day period two small sections of the seabed were surveyed and 300+ ceramics were recorded. Its early days in the process of dating the ceramics but they could date back 200-300 years. Many of the ceramics are broken, so they were probably thrown overboard but there are a number that are intact which makes you wonder why they are on the seabed.

This site survey forms of the two types of surveys the group will implement as part of its current project. The other site to be surveyed is a shipwreck. Together they will provide some examples of the potential and range of sites and materials that can be found in Hong Kong waters.
Hong Kong Personnel
The HKUHG is a group of Hong Kong residents (and Bill Jeffery) who treasure the city’s unique culture and identity and believe there is great historic value and benefit in the range of underwater sites and associated stories that can be passed on to our community. In this regard, we are fortunate to have gained the support of The Lord Wilson Heritage Trust, who have provided funding for our work. We are currently conducting the first stage of this project in our spare time, as we all come from various professions and employment. The group comprises:

The HKUHG is a group of Hong Kong residents (and Bill Jeffery) who treasure the city’s unique culture and identity and believe there is great historic value and benefit in the range of underwater sites and associated stories that can be passed on to our community. In this regard, we are fortunate to have gained the support of The Lord Wilson Heritage Trust, who have provided funding for our work. We are currently conducting the first stage of this project in our spare time, as we all come from various professions and employment. The group comprises:
Marco Li
Marco is a mechanical engineer by training, and works as a product manager in the Far East operation of a UK-based company handling their metrology product lines. Certified as a PADI Advanced Open Water diver since 2001, he is an active diver and enjoys travelling to exotic places, for both business and pleasure. Marco obtained a Nautical Archaeology Society (NAS) Part II Certificate in Foreshore and Underwater Archaeology in 2008, and is responsible for the GIS and database maintenance of the current project, including data compilation and technical support.
Lydia Ho
Lydia has spent most of her working life in sales administration and marketing communications in a metrology company. She finds peace of mind from the ocean, which provides a getaway from the hectic business world. Lydia obtained her PADI Advanced Open Water diver certificate a few years ago, and fell in love with marine life - a little clown fish will make her giggle in the sea. She discovered a new area of interest after taking NAS courses offered by Bill, and has found that looking for traces of human history in the water can be fun. She is a strong believer of - we don’t know what we don’t know until you find out yourself. Lydia’s role in this project is to facilitate the development of the website and coordinate production of the brochure.
Peggy Wong
Peggy has been working in the cultural heritage field for over eleven years, and has been responsible for numerous cultural heritage impact and marine archaeological impact assessments, built heritage conservation, historical buildings and features surveys, condition surveys, cultural tourism, terrestrial archaeological investigations and rescue excavations, as well as monitoring and coordinating marine archaeological investigations in Hong Kong. She is an experienced PADI Advanced Open Water diver who has logged more than seventy dives and obtained a NAS Part II Certificate in Foreshore and Underwater Archaeology. Peggy leads the desktop research for the project, and provides professional archaeological advice.
Grace Chow
Grace is a publisher for an educational publishing company in Hong Kong. An avid reader and incurable nosey parker, she is drawn to books and stories of all kinds, which is how she became interested in maritime archaeology in the first place. Grace is a PADI Advanced Open Water diver who also has TDI certification for diving in Overhead Environments/Cavern Diving, and is currently completing a NAS Part III Certificate in Foreshore and Underwater Archaeology. She is the team leader of this project and is responsible for the publication of the book.
Rick Chan
Rick is a PADI Open Water Scuba Instructor and certified as the Emergency First Response Instructor with 8 years experience. He is also a PADI Certified Enriched Air Diver (2001) and PADI Specialty Cavern Diver (2001). Rick obtained a NAS Part II Certificate in Foreshore and Underwater Archaeology(2008) and is the safety supervisor of the project. He is responsible for all the diving activities, including logistics, equipment safety and rental and, of course, diver safety.
|
Introduction During the colonial period, Ghana was known as the ‘gold coast’ because of its rich sources of gold and also ivory. In 1612, the Dutch States General had a fort built at Mouri. After the conquest of Brazil by the Dutch in 1630, the slave trade started and consequently many forts were built along the coast to transport the slaves. Because of competition between the European colonial countries, there were regular conflicts between the ‘owners’ of these forts. Remains of about 17 forts can still be seen but the most well known are Elmina and Cape Coast. The Dutch took Elmina from the Portuguese in 1637. A small fort (redoute) had been built nearby and the Dutch could attack it from there. The fort became the headquarters of the gold coast. A small town arose at Elmina and many residents of mixed blood settled there, having Dutch names as Bartels, Van Dijke en Vroom. In 1872 the Dutch handed over their possessions to the British. Nowadays both forts are tourist attractions. The town, where many Dutch style houses can be seen, and the cemetery have been restored with aid of the Dutch government. Read more on Ghana and cultural heritage cooperation at the Ghana section in the CIE resource centre
Map of Elmina Ghana, Atlas van der Hem MUTUAL CULTURAL HERITAGE PROGRAMME - GHANA CIE identifies partners in and for these priority countries and initiates local and international meetings with partners from The Netherlands and local priority countries. The outcome of the discussions and meetings are presented to the Dutch government to improve future cooperation policy. This formula is applicable to programs for many countries with mutual heritage. The CIE inventory for the Mutual Cultural Heritage Database has commenced in December 2011. The date of the Ghana Heritage Day will be announced in spring 2012. Fore more information and registration contact our office at info@heritage-activities.nl |
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011.
Other countries under evaluation are Slovakia, Poland, Romania, Bulgaria, Slovenia and Lithuania.
|
|
|
Introduction At the beginning of the 17th century, the Dutch wanted to drive the Portuguese from their trading posts, such as Goa, which they had founded in 1511. The VOC set up trading posts at various locations in India: along the Malabar coast for obtaining pepper and cardamom, in the eastern area, around Curate for indigo and especially along the Coromandel coast. This area, known for its cotton production was extremely important to the Dutch, as cotton was an essential to inter-Asian trade commodity. Without this, they could not buy spices in the Moluccas. The VOC also had trading posts around Bengal, Bihar and Orissa in order to buy opium and saltpeter. In 1795, the British took possession of the Dutch settlements and in 1825; they officially turned over all their possessions to the British. There are many remains of the Dutch heritage in India: remains of built heritage such as building and cemeteries. Dutch objects from the past are kept in several museums, such as Madras. The care for the Dutch monuments is in the hands of the Archaeological Survey of India (ASI), which controls the state and even carries out some restoration. Read more on India and cultural heritage cooperation at the India section in the CIE resource centre |
|
||||
|
MUTUAL CULTURAL HERITAGE PROGRAMME - INDIA CIE identifies partners in and for these priority countries and initiates local and international meetings with partners from The Netherlands and local priority countries. The outcome of the discussions and meetings are presented to the Dutch government to improve future cooperation policy. This formula is applicable to programs for many countries with mutual heritage. The CIE inventory for the Mutual Cultural Heritage Database has commenced in September 2010. The India Heritage Day in the Netherlands took place 21 October 2011. As a follow-up, an Indian-Dutch Heritage Symposium is organized in Kochi on the 12th of April. Fore more information and registration please see the official invitation. |
|
Report Heritage Day IndiaThe report of the Heritage Day India on 21 October 2011 is now available here. Heritage Day India, 21 October 2011On Friday the 21st of October the Heritage Day India took place. It was organized in cooperation with Leiden University and the National Archives of the Netherlands (Nationaal Archief) and took place at the National Archives in The Hague. Dutch heritage professionals working with India were brought together to exchange experiences and knowledge on projects and activities in the field of Indian-Dutch mutual cultural heritage. Professionals working on heritage projects outside India, but with similar themes and expertise were also warmly invited to participate at the Heritage Day India. The aim of the Heritage Day is to improve connections between projects and partners, bring experts together, discuss fundamental issues on heritage activities and to write recommendations with regard to heritage activities between both countries. For information on previous heritage days please have a look here... Programme 21 October 2011The Heritage Day consists of different presentations and discussions, both from theoretical and practical perspectives. The discussions will be introduced by the central panel. Participants are asked to contribute via workshops and will formulate their recommendations and present these to the panel and the other groups. The discussions aim at formulating recommendations regarding challenges and opportunities on international heritage cooperation with India. 11.30 - 12.30 Registration and lunch
Will give a reflection on the introduction by Gregory Ashworth and introduce his vision on mutual heritage as a starting point for cooperation.
14.00 - 14.30 Tea break with Platform help desk 15.00 - 17.00 Practical starting point: lessons learned and new ways into the future Dr. Robert Parthesius chair.
15.30 - 16.40 Workshops
Read more on India and cultural heritage cooperation at the India section in the CIE resource centre |
|
|||||||
|
Book launch ‘De VOC in India’
Bauke van der Pol's new book was launched at the India Heritage Day by Mrs. Judith van Kranendonk, Director General at the Ministry of Education, Culture and Science and H.E. Mrs.Bhaswati Mukherjee, Ambassador of India. The Cultural Heritage Agency and Walburg Pers made this book possible. |
|
|
||
Introduction
The historical ties between Indonesia and The Netherlands go back at least 400 years. For most of this period the relationship was not equal. Fortunately since the independence of Indonesia in 1949 equal cooperation has proven possible. There is cultural cooperation since a few decennia, but it could be intensified when there is a country-specific framework. There was a Cultural Treaty until 1993, but this has not been renewed. Fortunately the initiatives for projects in the cultural heritage field of Indonesia and the Netherlands are growing every year. The historical ties have left a lot of buildings, art, archives and infrastructure in Indonesia, which we today determine as Mutual Cultural Heritage. In 1988 the Indonesian Minister of Culture and Tourism Fuad Hassan introduced the term ‘mutual heritage’. Hereby the remains from the common past of Indonesia and the Netherlands are meant.
The term ‘mutual’ is a rather charged word to use. The terminology of ‘mutual’ is now most often used by The Netherlands to determine heritage that has a Dutch origin. The mutual cultural heritage can be divided into three categories: the overseas cultural heritage, heritage built in or taken to other countries by the Dutch and heritage in The Netherlands from those countries whose culture has influenced The Netherlands. Difficulties in cultural cooperation originate in the different approach to this mutual heritage. The Netherlands ask a mutual participation, responsibility and care for the heritage of the VOC (United East Indian Company) and colonial period, while this period can hardly be determined as ‘mutual’. Mutuality asks for equal input and this was not the reality. Cultural differences between the two countries also play a role. In addition Indonesia has a weak economy and its government has difficulties with decentralisation. The cultural field training to develop experts that could implement a long-lasting development in projects. Projects initiated in The Netherlands should include capacity building and long-lasting development as keywords. Projects are virtually worthless if knowledge is not transferred to the Indonesian experts.
Although there is no official cultural framework with Indonesia, the initiatives for cultural projects on a local level are growing every year. Regional museums are very active, as are local heritage trusts. The national Indonesia Heritage Trust is very active on the field of heritage education and in 2008 they will work with the Centre for International Heritage Activities and Erfgoed Nederland (Netherlands Heritage Institute) in a heritage education project for schools in Indonesia.
The heritage field in the Netherlands has discussed the opportunities and difficulties in the cooperation among Dutch organisations and the cooperation with Indonesian organisations for international heritage projects. These discussions resulted in recommendations for the policymakers of the Dutch government for a better connection between the cultural policy of the government, and the field that brings the policy into practice. The two most important recommendations are that capacity building should be a central theme in projects. Secondly a better structure and coordination is needed for sharing information about projects, this will improve the cooperation and connexion between Dutch organisations. The complete recommendations are under the title ‘cooperation’.
|
Heritage Day Bandung in collaboration with BPPI / Indonesian Heritage Trust The Indonesia-Netherlands Discussions on Shared Heritage Cooperation Programs 25 September 2010, Bandung From Indonesia perspective, heritage movement by community in Indonesia is relatively new. It started about the mid of 80’s in big cities in Java. Only at the end of the 90’s it is disseminated to other islands, mainly Sumatra and Sulawesi. The understanding about heritage itself began in a very limited definition mainly about built heritage which heavily influenced by the Dutch architectures in urban areas. |
|
|
The heritage movement made a progress in 2004 when all non-government organizations established an umbrella organization, Indonesia Heritage Trust or BPPI. It was continued with the launching of Indonesian Charter for Heritage Conservation which defined heritage and its broad understanding beyond built heritage. This charter became a foundation of heritage programs ever since. Related to the mutual cultural heritage, Indonesia, represented by government agencies and non-government organisations, has been cooperating relatively intensive with their Dutch partner organizations. At the beginning it mainly focused on built heritage but over the years it shifted to other areas such as raising awareness campaigns, urban heritage policies, heritage education, heritage emergency response, etc. The Centre for International Heritage Activities (CIE) as a representative of the Netherlands organizations has asked BPPI to collaborate in organizing a discussion on Indonesia-the Netherlands cooperation with main points:
Read more on the outcomes and on mutual cultural heritage of the Netherlands and Indonesia at the mutual heritage resource centre Cultural Cooperation Though for most of this period the relationship between the two countries was not equal. Fortunately since the independence of Indonesia in 1949 equal cooperation has proven possible. There is cultural cooperation since a few decennia, but it could be intensified when there is a country-specific framework. There was a Cultural Treaty until 1993, but this has not been renewed.
CIE Projects
From discussions during the Heritage Day Indonesia, recommendations for the policymakers of the Dutch government were made in order to facilitate for a better connection between the cultural policy of the government, and the field that brings the policy into practice. Report 28 june 2007: Indonesia Heritage Day, Leiden, The Netherlands The CIE organised a well-attended symposium on heritage cooperation with Indonesia. The attendance of around 85 guests for our first Heritage Day was even higher than we expected. We got a lot of positive reactions, to give a few examples: ‘an inspiring meeting’, ‘very useful’ and ‘a great initiative’. This Heritage Day aimed to bring Dutch stakeholders into Dutch – Indonesia heritage cooperation and to discuss the possibilities for improving collaboration. Future incidental heritage projects can potentially evolve into a heritage programme. Steven Engelsman, director of the National Museum of Ethnology, was so kind to host the Heritage Day. At 9.30 a.m. the day was opened by Steven Engelsman, director of Museum Volkenkunde and the host of our Heritage Day. He supported the initiative for the Heritage Day Indonesia and he was glad that it took place in his museum. Frits van Dulm held a speech in name of the board of the CIE in which he addressed the long road that eventually led up to this day. Unfortunately the Indonesian Ambassador was unable to come, but the cultural attaché Sir Muhadjir was there to represent the Indonesian Embassy. Robert Parthesius, director of the CIE, gave a short introduction to the day and after this
The morning programme ended with a presentation of Robert Parthesius about the plans for the project database of the CIE and how this is formulised right now. The afternoon was planned for workshops to discuss the cooperation and cohesion in built heritage projects, museum projects and projects related to archives, photos and books. Another workshop discussed the term ‘mutual’ in Mutual Cultural Heritage. The participants in the workshops developed recommendations for the cultural policy makers on the subjects of cooperation between Dutch organisations and the cooperation with counterparts in Indonesia. After the chairmen of the workgroups presented the first conclusions the CIE Heritage Day came to an end and Museum Volkenkunde took over with a lecture of their curator Pieter ter Keurs. He closed the project that Museum Volkenkunde had with the National Museum in Jakarta and they opened a new project for the coming three years. The whole day was closed of with a drink that was offered by Museum Volkenkunde. All the participants had the opportunity to send in information on and images of their heritage project. 22 organisations presented their heritage projects with Indonesia on posters. These posters give an interesting insight in the Dutch cooperation with Indonesia's heritage field today. With these posters they were able to generate attention for their project and get in contact with interested participants. Recommendations Heritage Day The Centre for International Heritage Activities organised a Heritage Day for Indonesia on June 28th, 2007. On this day we brought together the Dutch heritage field holding projects in Indonesia. Workshop discussions revolved around the possibilities of more cooperation and a better connection between the involved organisations. The ultimate idea is to work from incidental heritage projects that would eventually evolve into a comprehensive heritage programme. This process has been started first for Indonesia, and the Centre is working on recommendations for Suriname and for 2008 South Africa, Sri Lanka and Russia are also on the programme. The discussions gave interesting insights and resulted in four important recommendations for the cultural policy makers at the Dutch Ministries of Foreign Affairs and Education, Culture and Science. The recommendations:
|
|
Open poster in a new window for more details.




















2011 Indonesian Arts And Culture Scholarship Programme
Read more on the website...
Short Term Programme
The Indonesian Arts and Culture Scholarship
25 April – 29 July 2011
A. BACKGROUND
The Indonesian Arts and Culture Scholarship has been conducted since 2003 and was initially offered to and participated by member countries of the South West Pacific Dialogue (SwPD); Australia, New Zealand, Papua New Guinea, the Philippines, Timor-Leste, and the host Indonesia.
Bearing in mind the significance and advantages obtained from the program, the offer was expanded over the years to include member countries of ASEAN, ASEAN+3, and PIF, as well as India and South Africa. In 2008, Indonesia welcomed the participation of Azerbaijan, the Netherlands, the United Kingdom, and the United States. Since 2009, Austria has joined the program and in 2010 the Government of Indonesia has given the opportunity for participants from France, Germany, Italy, Russia, Spain and Suriname. This year, Indonesia will invite participant from Hungary, Poland, the Czech Republic and Turkey to join the program.
Due to the limited space and the vast amount of interest in the program, the Ministry of Foreign Affairs of the Republic of Indonesia in cooperation with Indonesian embassies and consulates overseas, hold a series of selection process. Taken into considerations are, among others, the participants’ background, gender and regional representation.
In order to deepen the participants’ understanding of Indonesian arts and culture, and to enhance their skills for the final performance, participants will be divided and assigned by the organising committee to different arts centers for the duration of approximately two and a half month. The arts centers are located in Bandung, West Java; Denpasar, Bali; Solo, Central Java; Surabaya, East Java; and Bandar Lampung, Lampung.
Participants will live within or around the arts centers, allowing for the chance to experience the local heritage and interact with the local community. Synergy between theory and practices shared inside and outside the art centers would undoubtedly become the driving force for shaping international cultures and norms, and will eventually strengthen regional as well as global understanding and cooperation at a people-to-people level.
B. OBJECTIVE
The program serves to demonstrate Indonesia’s commitment in advancing the social culture cooperation of various countries in the world. The program also has an objective to encourage better understanding amongst participants Indonesia’s immensely diverse art and cultural heritage. Finally, the programme aims to cultivate a cultural of cooperation, emerging from direct contact and sharing of cultures amongst people involved in the program, leading to thriving diplomatic relations in the region and worldwide.
C. PARTICIPANTS
Participants of the 2011 IACS include 50 awardees of regional organizations of the SWPD, PIF, as well as from Austria, Azerbaijan, China, France, Germany, Hungary, India, Italy, Japan, Poland, Russia, South Africa, South Korea, Spain, Suriname, The Czech Republic, The Netherlands, The United States, Turkey, and United Kingdom.
D. TIME
The non-degree arts and culture scholarship is offered for three months period of time, starting on 25 April to 29 July 2011.
E. LOCATION
The participants will be divided into five groups and assigned to the five arts centers (sanggar) located in Bandar Lampung, Lampung; Bandung, West Java; Denpasar, Bali; Solo, Central Java and Surabaya, East Java.
F. LIST OF COURSES
In Bandung, West Java, participants will learn Sundanese art and culture namely the production, maintenance and appreciation to angklung; karawitan, wayang golek, and traditional dance of Sunda. They will also learn Sundanese and Indonesian Language as a component of the culture.
The participants will learn Javanese art and culture such as the process of batik and its significance; karawitan; traditional Javanese dance; and Javanese language and culture in Solo and Surabaya.
In Bali, the participants will learn Balinese art and culture, namely Balinese dance and gamelan. Each art centre will also arrange special visit to several historic as well as renowned tourist destinations for participants.
In Bandar Lampung, Lampung, the participants will learn Sumateran art and culture such as selected Sumatera dance and traditional instruments. The center will also arrange extra-curricular activities, excursions and field study.
Prior to their residency at art centres, the participants will undertake 10 days of orientation in Jakarta and will learn issues such as the Aim and Objectives of the Scholarship; Introduction to Indonesian Culture; Information about Bandung, Solo, Surabaya, Denpasar and Bandar Lampung.
The scholarship covers:
· Tuition fee (including extra-curricular activities);
· A round trip economy class ticket;
· Accommodation (board and lodging);
· Health insurance;
· Monthly allowance of Rp. 1.500.000,-.
G. ADDRESS
For the Indonesian applicants, the application form could be sent to:
THE MINISTRY OF FOREIGN AFFAIRS
Directorate of Public Diplomacy
Tower Building, 12th Floor
Jl. Taman Pejambon no. 6
Jakarta 10110
For the foreign applicants, the application form could be sent to:
The Embassy/the Consulate General of Indonesia in respective countries
H. CLOSING DATE
All applications should be received by the Ministry of Foreign Affairs of Indonesia on 20 March 2011, at the latest.
I. OTHER MATTERS
1. Application Form"Click Here" (*Right Click Mouse,Save As)
2. The Scholarship Committee E-mail : iacs2011@yahoo.com
Terms and Conditions:
1. Candidates should preferably be between the ages of 21 to 30 years-old with at least a high school diploma;
2. Candidates should possess high interest and talent in arts. Arts students or those with an academic history on Indonesian culture are encouraged to apply;
3. Bearing in mind the intensity of the program, candidates are highly advised to ensure prime physical conditions, particularly for female candidates to ensure that they do not conceive prior and during the program;
4. Candidates must complete the application form (attached) and submit it along with the followings:
1) 3 (three) passport-sized photographs;
2) A photo-copy of passport with validity period at least two years;
3) A photo-copy of academic diploma;
4) A photo-copy of the latest valid health certification from a qualified medical practitioner. On the day of leaving the origin country, participants should equipped themselves with a valid health certification from a qualified medical practitioner;
5) A letter of recommendation;
6) A personal statement declaring the following:
a. the willingness to be subject to Indonesian laws and regulations during his/her stay in Indonesia;
b. the willingness to follow all the rules and regulations set up by the organizing committee and art centers;
c. the willingness to accept the facilities provided by the organizing committee and arts centers and stay at the designated accommodations;
d. not to work or be employed for financial benefits during the program;
e. the willingness to follow the travel arrangements arranged by the organizing committee to and from Indonesia;
f. the willingness to participate in all the program arranged by the organizing committee and art centers, unless, during the program, declared unfit by a qualified medical practitioner;
g. the willingness to leave Indonesia immediately after the closing ceremony, at a date determined by the organizing committee.
5. The programme will include Indonesian language lessons. A minimum skill in Bahasa Indonesia or English will be an advantage for candidates, but is not a main criterion for the programme.
Programme:
I. Orientation programme in Jakarta, 25 April – 1 May 2011
§ Bahasa Indonesia courses;
§ Introduction to Indonesian history, culture and foreign policy;
§ Visits to museums and other Indonesian tourism landmarks;
§ An outbound training.
II. Indonesian Arts and Cultural Training, May – July 2011
§ Sundanese culture (in Bandung)
a. Angklung and arumba (traditional Sundanese instruments);
b. Wayang golek (traditional Sundanese puppetry);
c. Selected Sundanese dances;
d. Pencak silat (traditional Sundanese martial arts);
e. Extra-curricular activities, excursions and field study.
§ Javanese culture (in Solo and Surabaya)
a. Selected Javanese dances;
b. Karawitan musical arts;
c. Extra-curricular activities, excursions and field study.
§ Balinese culture (in Denpasar)
a. Selected Balinese dances;
b. Gamelan (traditional Balinese instruments);
c. Extra-curricular activities, excursions and field study.
§ Sumateran culture (in Bandar Lampung)
a. Selected Sumatera dances;
b. Traditional Sumatera instruments;
c. Extra-curricular activities, excursions and field study.
2008 - Publication: ‘Verbannen uit Indië (1936-1945)’ (Banished from the Indies) by Nico Vink
|
|
||
CIE Activities
Project proposal for accessing Japanese-Dutch heritage through a website is in development.
|
Introduction From 1976 to 1980 the remains of the Portuguese vessel, Santo Antonio de Tanna were excavated and today the hull and 15,000 artefacts are being researched and conserved by the Fort Jesus Museum in Mombasa, Kenya. While the Museum employed conservators to implement this work, it has only been recently (2005) that maritime archaeologists have been employed to implement a MUCH program in Kenya. A MUCH database has been initiated and site assessments are being implemented as part of this program although the program’s resources and staff are limited. Some staff have been trained, eg. Caesar Bita spent one-two years working with the Underwater Archaeology Centre of the National History Museum of China. In 2010, a large team from the Chinese Underwater ArchaeologyCentre is visiting Kenya to begin investigations of two Chinese shipwrecks. CIE Activities Maritime Underwater Cultural Heritage Caesar Bita visited Tanzania in December 2009 during the Tanzanian capacity building program and he attended a few days of the Robben Island Regional Workshops in February/March 2010. He expressed interest in the CIE capacity building program for Kenya as he wanted to develop a larger pool of people from the Kenyan stakeholders that could be involved in their increasing MUCH work. Representatives from CIE and SAHRA visited the Fort Jesus Museum in April 2010 to discuss MUCH regional collaboration and were greatly impressed with the conservation facilities that existed and that could develop into a Centre of Excellence facility for the region and MUCH regional collaboration. It was recommended that Phase 1 and 2 of the CIE’s capacity building program be used to enhance the capacity in implementing a MUCH program in Kenya and that this be followed up with the implementation of Phases 3 and 4. To develop these goals and to further the MUCH regional collaboration, Kenya was one of the five countries that endorsed an African World Heritage Fund (AWHF) application that was submitted on 31 July 2010. Kenya has one inscribed, and one tentative world heritage site that would be suitable, Lamu Old Town (inscribed 2001) and the Fort Jesus Monument and Mombasa Old Town which are on Kenya’s World Heritage Tentative List. Personnel Caesar Bita |
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011. Other countries under evaluation are Slovakia, Hungary, Romania, Bulgaria, Slovenia and Poland.
|
|
|
||
CIE Activities
Lixus- LaracheIn April 2009 we've applied to the World Monument Fund to add the site to the global list of 'most endangered sites'. We've applied for substantial funding for the development of a management plan for the site, on behalf of the Ministry of Culture in Morocco, at the WMF. Additional funding will be raised through Dutch academic funding sources.
In 2006 the Ministère des Affaires Culturelles (Morocco), partnering with foundation Common Ground and the Centre for International Heritage Activities (The Netherlands) initiated a plan for an international project (Moroccan – Dutch) regarding the conservation, restoration and safeguarding of the important archaeological site of Lixus. The objective of CIE is to develop a long lasting program for Culture & Development in terms of international knowledge exchange regarding Dutch and Moroccan participants.
Lixus was founded and inhabited by Phoenician traders in the 12th Century BC. In the next centuries it was inhabited by Romans and (local) Amazigh people. After the 7th Century AD the site was abandoned and remained uninhabited. The site of Lixus is currently endangered because of the large-scale development of the region in the next decade. Thousands of new hotel- and apartments will be created, though Plan Azur, which will be finished in about 10 years. The North West coast of Morocco will be hosting tens of thousands of tourists every year and the site –as it is now, unprotected and susceptible to destruction- will suffer greatly.
The site was placed on the tentative list of UNESCO in 1995 and a French archaeological team has done some archaeological research since then. Unfortunately this did not result in the realization of a sustainable plan for conservation and restoration. The remains on the site (buildings, mosaics and other remains) are deteriorating fast. The local and national governmental institutions in Morocco are –of_course- very much aware of this problem but have no means to initiate an inclusive program on their own. International cooperation is needed and Morocco welcomes Dutch partners, to be able to jointly develop a program for the conservation and restoration of Lixus.
It is important that tourists will be educated about this great part of history of Morocco. The attraction of tourists will increase economical benefits for the local shops and restaurants in Larache. Also an extensive educational plan for schoolchildren in the region, which will lead to a greater awareness of the identity and history, will be set up. And last but not least, the program will lead to a long lasting relationship between The Netherlands and Morocco in terms of knowledge exchange about cultural heritage.
In April 2009 we've applied to the World Monument Fund to add the site to the global list of 'most endangered sites'. We've applied for substantial funding for the development of a management plan for the site, on behalf of the Ministry of Culture in Morocco, at the WMF. Additional funding will be raised through Dutch academic funding sources.
More information on Project Lixus – Larache: PROJECT LIXUS – LARACHE. Towards an inclusive Plan for the Restoration & Conservation of the important Heritage Site of Lixus, Morocco 2009 – 2015 (update March 2009)
Outside of this website
Proposed Projects
PROJECT LIXUS - LARACHECommon Ground (The Netherlands)
In 2006 the Ministère des Affaires Culturelles (Morocco), partnering with foundationCommon Ground and the Centre for International Heritage Activities (The Netherlands) have initiated a plan for an international project (Moroccan – Dutch) regarding the conservation, restoration and safeguarding of the important archaeological site of Lixus.
The objective is to develop a long lasting program for Culture & Development in terms of international knowledge exchange regarding Dutch and Moroccan participants.
The site of Lixus is currently endangered because of the large-scale development of the region in the next decade. Thousands of new hotel- and apartment beds will be created, though Plan Azur, which will be finished in about 10 years. The North West coast of Morocco will be hosting tens of thousands of tourists every year and the site –as it is now, unprotected and susceptible to destruction- will suffer greatly.
Lixus was founded and inhabited by Phoenician traders in the 12th Century BC. In the next centuries it was inhabited by Romans and (local) Amazigh people. After the 7th Century AD the site was abandoned and remains -until now- uninhabited.
The site was placed on the tentative list of UNESCO in 1995 and a French archaeological team has done some archaeological research since then. Unfortunately this did not result in the realization of a sustainable plan for conservation and restoration. The remains on the site (buildings, mosaics and other remains) are deteriorating fast.
The local and national governmental institutions in Morocco are –of_course- very much aware of this problem but have no means to initiate an inclusive program on their own. International cooperation is needed and Morocco welcomes Dutch partners, to be able to jointly develop a program for the conservation and restoration of Lixus.
The site may attract many tourists in the future and it is important that they will be educated about this great part of history of Morocco. The attraction of tourists will increase economical benefits for the local shops and restaurants in Larache.
An extensive educational plan for schoolchildren in the region will lead to a greater awareness of the identity and history.
And last but not least, the program will lead to a long lasting relationship between The Netherlands and Morocco in terms of knowledge exchange about cultural heritage.
Project Lixus – Larache has been initiated by the foundation Common Ground. It’s members are professionals with extensive experience in international project management, conservation and knowledge exchange. The team members are:
Partners of Common Ground in Project Lixus – Larache are the Ministère des Affaires Culturelles, Rabat (Morocco) and the Centre for International Heritage Activities (CIE), Amsterdam.
This team, combined with partners in Morocco and the Netherlands, will guarantee the highest standards for this project.
2009
Currently the team is applying for a formal status of ‘endangered site’ at the World Monument Fund. This application is endorsed by the President ofICAHM-ICOMOS.Inclusion of this site on the WMF Watch list would:
Under Construction

|
|
||
CIE Activities
Maritime and underwater cultural heritage
In October 2009, the CIE was invited by the UNESCO Office in Maputo to provide UNESCO and some of the Moza In October 2009, the CIE was invited by the UNESCO Office in Maputo to provide UNESCO and some of the Mozambique stakeholders advice about maritime and underwater cultural heritage issues, particularly in regard to recent communications from the World Heritage Committee about the protection and management of underwater cultural heritage sites around the Island of Mozambique.mbique stakeholders advice about maritime and underwater cultural heritage issues, particularly in regard to recent communications from the World Heritage Committee about the protection and management of underwater cultural heritage sites around the Island of Mozambique.
A two-day discussion/workshop took place on 1 and 2 October 2009 with UNESCO, Maputo Office staff and staff from Mozambique government offices, universities, Island of Mozambique officials and community representatives. Presentations were made by Robert Parthesius and Bill Jeffery on the UNESCO Convention on the Protection of the Underwater Cultural Heritage 2001 and how the ‘universal rules’ of the Convention could be applied using a ‘local approach’ in effectively managing the underwatercultural heritage of Mozambique. The discussion that followed resulted in the development of an Action Plan that will require input of the CIE in regard to some unresolved technical issues concerning the UNESCO Convention and how capacity could be developed. This discussion was enhanced with further detailed discussion with Mozambique representatives at the Robben Island workshops.
Partners UNESCO headquarters Paris and local UNESCO office Maputo
Stakeholders Ministy of Culture of Mozambique, Community Isle of Mozambique
Funding UNESCO
Personnel Dr Solange Macamo
|
Introduction The discovery and subsequent excavation of a ‘500 year-old Portuguese’ shipwreck in 2008 alerted the Namibian government and community to the archaeological and historical value of MUCH sites in Namibia. It is also alerted them to the potential monetary wealth of this material. A further discovery of a shipwreck in Namibia was made in early 2010. Activities Currently there is no MUCH programme in Namibia, no staff or resources to implement an active program in surveying, assessing and managing these sites. It has therefore been recommended that Phase 1 and 2 of the CIE’s capacity building program be used to build-up the capacity in implementing a MUCH program in Namibia. It is further recommended that this should be followed up with the implementation of Phases 3 and 4. To develop these goals and to further the MUCH regional collaboration, Namibia was one of the five countries that endorsed an African World Heritage Fund AWHF application that was submitted on 31 July 2010. As Namibia does not currently have any designated World Heritage Sites with associated maritime and underwater cultural heritage, it may contain such sites that could be entered on a tentative list and a nomination prepared, and this process will form part of the AWHF application. PersonnelEmma Imalwa |
|
|
|
Introduction The Caribbean Islands have had different occupiers since Columbus discovered them in 1492. The islands proved to be a rich source of merchandise to the European powers: corn, sugar, cotton, tobacco, indigo, salt, coffee, oil, and slaves. The territory was disputed by Spain, England, The Netherlands and France and regularly changed hands. Aruba, Bonaire, Curacao, St. Eustatius, Saba and St. Maarten fell to the Netherlands during the 19th century. After the Second World War the process of decolonization started. Aruba gained status as a separate country in 1986. The Dutch kingdom now officially exists of four countries: The Netherlands, Aruba, Sint Maarten en Curaçao; Aruba seceded in 1986 as a separate country within the Kingdom of the Netherlands, and the rest of the Netherlands Antilles was dissolved on 10 October 2010, resulting in two new countries Curaçao and Sint Maarten, with the other islands (Saba, Sint Eustatius and Bonaire) joining the Netherlands as "special municipalities". CIE Activities
|
|
The movie can be seen on Januari 22th 2011, 21.00 at The Hague Art House Movie Theater part of the Writers Unlimited Festival.
You can buy the DVD of the film by: Alexandra jansse / jansse@xs4all.nl
News article....
|
Introduction New Zealand and the Netherlands share a very special bond. After all, it was Dutchman Abel Tasman who made the first recorded European sighting of New Zealand in 1642. Tasman sailed for the Dutch East India Company and anchored off the northern tip of the South Island, in what's now called Golden Bay. Tasman named it 'Murderer's Bay', however, since the first confrontation with the local Maori led to bloodshed on both sides. Tasman decided to sail away, up the west coast of the North Island of New Zealand, until he left New Zealand waters on 6 January 1643. Abel Tasman's discovery put New Zealand on the European world map. Tasman was able to make some accurate maps of New Zealand's west coast, although it would take almost 130 years before James Cook would become the first European to circumnavigate New Zealand and map it accordingly. |
|
||
|
More recent ties between New Zealand and the Netherlands From the early 19th century onwards, various migrant groups settled in New Zealand. Dutch were amongst these first settlers, but many more Dutch migrants left for New Zealand in the years after World War II. The Dutch and New Zealand governments signed a migration agreement in October 1950, resulting in many Dutch nationals settling throughout New Zealand in search of a better life. Today, it is estimated that around 4% of the New Zealand population have a Dutch background. New Zealand is still a very popular destination for the Dutch, although most of them are now Dutch holiday makers and backpackers instead of immigrants. The natural beauty of the country and the laid back 'Kiwi lifestyle' still draw many halfway around the world to experience this for themselves.
Heritage Connections In recent years, various programs have taken place in New Zealand as well as the Netherlands that emphasize the mutual heritage between the two countries. The CIE recognizes the importance of these historical ties as well as more recent Dutch - New Zealand heritage.
2012 marks the 370th anniversary of European discovery of New Zealand, as well as first contacts with Maori. It was the start of mutual relations between New Zealand and the Netherlands, and between New Zealand and the rest of Europe. This important year will be commemorated accordingly, with many events and celebrations taking place throughout New Zealand.
|
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011.
In Poland a CIE representative visited five projects: 1. The Old Foundry in Starachowice. Now completely rehabilitated and not only a monumental site but also a museum on the paleontological period. 2. The new Sukiennice. Krakow’s oldest museum has renovated their gallery in the cloth hall at the central square completely. 3. The Ossolinksi library in Wroclaw digitized and conserved their oldest works. 4. The Boleslawiec Centre of Arts. It functions as a vital community centre and a showroom for the famous Boleslawiec ceramics. 5. The former Tram Depot in Szczecin. This monument is turned into a museum for transportation, communication and technique.
Other countries under evaluation are Slovakia, Hungary, Romania, Bulgaria, Slovenia and Lithuania.
|
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011. Other countries under evaluation are Slovakia, Hungary, Poland, Bulgaria, Slovenia and Lithuania.
|
|
|
Introduction Russian Federation Peter the Great’s visit to the Netherlands in 1696 is generally considered as the starting point for bilateral relations between Russia and the Netherlands. But before Peter’s time both diplomatic and trade relations already existed. The first contacts where established in the 16th century by representatives of Ivan the Terrible and Dutch tradesmen in the northern city of Archangelsk. At the turn of the century a Dutch factory, a small trading post, could be found in this city. The fatal northern expedition of Willem Barentsz (1596-97) in order to find a Northeast passage above Siberia to the Far East produced on of the most mythical sites of Dutch heritage:Novaya Zemlya. Dutch tradesmen not only lived in Moscow in the Nemetskaya Sloboda, the by Western Europeans inhabited ‘German Quarter’, but also in Yaroslavl,Novgorod and Vologda. During his undercover visit to the Netherlands as part of the Grand Embassy mission, Peter studied shipbuilding and carpentry in Zaandam and Amsterdam. Through the agency of Nicolaas Witsen, cartographer, mayor of Amsterdam and expert on Russia, he worked at the Dutch East India Company shipyard. In order to modernise Russia Peter introduced these Dutch crafts and skills in his home country and in particular in the newly founded capital of his Russian empire Saint Petersburg. He also met various Dutch artists and the anatomist Frederik Ruysch, of whom during his second visit in 1717 Peter bought his ‘repository of curiosities’ including many anatomical preparations. This scientific collection served as the basis of the new Russian Academy of Sciencies and is nowadays displayed in theKunstkamera. Peters interest in the Netherlands resulted in the arrival in Russia of various Dutch scientists, military advisors, craftsmen and artists. The Dutch-Russian relations were intensified, especially after the liberation of the French regime in 1813, wherein tsar Alexander I played an important role. The marriage between king William I and Anna Pavlovna, the tsar’s sister, tied up the royal families of both countries. After the October Revolution in 1917 and the execution of tsar Nicolas II and his family resulted in a breach in the diplomatic relations between the two countries. Many Dutch inhabitants of the former empire were forced to leave the new and instable communist republic. The relationship was restored not until 1942, when the Soviet Union joined the Allies in the Second World War. After the downfall of the USSR the celebration of the 300th anniversary of Peter the Great’s visit to the Netherlands in 1996 and the 300th anniversary of the city of Saint Petersburg in 2003 resulted in the intensification of Dutch-Russian relations and cooperation in the field of culture and heritage. Nowadays tangible traces of Dutch history in Russia can be found in various places, sites, estates and museums, mostly situated in the north western regionsofArchangelsk, Murmansk, Saint Petersburg, Yaroslavl, Novgorod and Moscow. Many Dutch ships found their last resort at the bottom of the Baltic Sea and the Gulf of Finland. Dutch and Flemish art is scattered over different museums in the Russian Federation.
|
|
|
Introduction Russian Federation Read more on the Russia Heritage Day (in Russian)... Russian Ministry of Culture on the Heritage Day (in Russian)... Fund Russki Mir: read more on the Heritage Day (in Russian)... Poster Presentations Russia Heritage Day
NEWS Russia Heritage Day October 19th 2010 Saint PetersburgOctober 19th 2010 the Centre for International Heritage Activities organizes in cooperation with the Peter the Great’s Historical Society and the Netherlands Institute in Saint Petersburg (NIP) a conference on Russian-Dutch mutual heritage. This conference is supported by the Russian Ministry of Culture and takes places in the Russian National Library, Saint Petersburg. After the conference on March 19th 2010 in Amsterdam, this is the second conference on mutual Russian-Dutch cultural heritage that the CIE organizes. The theme of the Saint Petersburg conference is: Russia and the Netherlands – our common heritage. With a program of lectures, workshops and project presentations insight is given in de diversity, priorities and changes for cooperation between Russia and the Netherlands in the field of cultural heritage. The conference aims to investigate the possibilities for research and new cooperative projects for the bilateral year of 2013. Important topics are academic research, scientific collections & museums - built heritage, landscape architecture & archeology – maritime archeology & history. Конференция о наследии 19 октября 2010 г. Центр международных проектов в области культурного наследия (CIE, Лейден) совместносИсторическимобществом Петра Великого и Голландскиминститутом проведет конференцию на темусовместногороссийско-нидерландскогонаследия. В ее программу входят лекции, мастер-классыи презентации, которые позволятразобраться в многоплановости,приоритетности иперспективности совместных российско–голландских проектов. Основныминаправлениями являютсяакадемические исследования, научные коллекции и музеи,архитектурные сооружения иландшафтная архитектура. Болееподробнаяинформация на www.heritage-activities.nl
Announcement NIP Heritage Day Read More page 2... March 19th 2010 Heritage Day Russia
![]() The Russian Federation is one of the eight priority countries appointed by the Ministries of Foreign Affairs and Education, Culture and Science for cooperation in the field of mutual cultural heritage. In accordance with the Memorandum of Understanding on this topic between the Russian Federation and the Netherlands (June 2009), with this day we wanted to bring together Dutch professionals working on heritage projects with Russian colleagues and organizations. The aim of this Heritage Day was to improve and stimulate cooperation and new projects between partners in both the Netherlands and the Russian Federation. Read more Moscow The Committee on Cultural Heritage of Moscow (Moskomnasledie) aims at establishing contacts between Moscow and the Netherlands in order to exchange knowledge and experience of safeguarding archeological works in conditions of modern urban building. After the political changes in the beginning of the nineties the Committee was founded by the city of Moscow in order to face the changes in former communist attitudes to monuments and archeological excavations, which centered around the motto ‘archeology is an obstacle for communism’, towards a more preserving attitude. The Committee and theCIE cooperate on the exchange of knowledge on various levels and for different projects. The National Fund for the Rebirth of the Russian Country Estate requested the CIE for cooperation on the organization of the conference ‘Dutch Traces in Russian Cultural Landscape’. This meeting will focus on both theoretical and practical issues, such as the influence of Dutch horticultural traditions and technologies on the shapig of Russian gardens and parks. Other topics are exchange of knowledge in the field of the preservation of historical gardens, and the use of Dutch traditional and modern technologies and materials to restore the historical and to create new gardens and parks. The fund is also interested in historic and contemporary aspects of the Netherlands-Russian cultural and economic cooperation in the field of landscape design, gardening technologies, plantings stock production and horticultural etc. contact: Eva Koppen, e.koppen@heritage-activities.nlSaint Petersburg The CIE is establishing contacts with institutions in the field of maritime archeology and history in Saint Petersburg. The Komarov Botanical Institute of the Russian Academy of Sciences intends to cooperate with Dutch experts on the restoration and preservation of their Herbarium Sieboldianum. As a military doctor in service of the Dutch East-Indian Army the German physician Philip Franz von Siebold (1796 – 1866) was quartered first in Batavia (Djakarta) and from 1823 till 1829 in Dejima. In Japan he played an important role as a key figure in the circulation of contemporary western scientific methods. Between his first and second stay in Japan in 1859 Siebold lived near the city of Leiden where he concentrated on the extension of his collection of flora and fauna of Japan, the earliest botanical collection from this country. Although a large part of his collection was purchased by the Dutch government a part of theHerbarium was sold in late 1860’s by his widow to the Russian Academy of Sciences in St. Petersburg. ![]() The Herbarium Sieboldianum in St. Petersburg consists of more then 800 sheets with leafs and original notes by Siebold and his Japanese co-workers often on the original Japanese paper. Siebold’s scientific drawings and the correspondence of the purchase of the collection can be found in the Archive of the Academy of Sciences.
The collection not only needs restoration, but also new labeling according to international botanical standards. The Institute also asks for advise on preservation of the sheets. Since there is only little knowledge in the field of restoring, preserving and conserving botanical collections in Russia the Institute aims at cooperation with Dutch experts. In addition the Institute hopes to establish contacts with Dutch scientist in order to research to Herbarium Sieboldiarum in both Russia and The Netherlands. www.binran.ruThe Velp Hoard: Late Roman Gold from the Northern Frontier. The CIE was requested by the municipality of Rheden to coordinate an international research project on the Roman gold collection that was found in 1851 in Velp, nowadays within the borders of Rheden. The collection is part of the State Pushkin Museum of Fine Arts in Moscow. Together with the University of Amsterdam, the University of Groningen and the State Service for Cultural Heritage (RCE) a project is formulated for both academical research on the transformation of the Roman world and the development of new empirical analyses of objects. This research project takes place in the larger frame of the cooperation between the Museum of Prehistory and Early History Berlin and the Sate Pushkin Museum.![]() |
|
Heritage Day Russia, 19 March 2010 in The Netherlands
How does exchange of knowledge in the field of cultural heritage take place between the Netherlands and the Russian Federation? How can the Netherlands contribute to the dealing with and understanding of heritage in Russia? And reversed, how and what can we learn from Russia in the field of heritage? The concept of reciprocity recurred many times during the Heritage Day Russia, which was held on March 19 2010 in the Doelenzaal at the Library of the University of Amsterdam (UvA). This was the sixth Heritage Day organised by the Centre for International Heritage Activities (CIE).

In his opening speech our host Steph Scholten, head of the Heritage Collections of the UvA, stressed the importance of the day held at the university. The UvA was and still is involved in different heritage projects in Russia, such as the restoration and presentation of the anatomical collection of Frederik Ruysch in theKunstkamera, St. Petersburg.

The aim of this Heritage Day was to create more coherence between the various cultural heritage projects and to discuss coordination between Dutch partners and cooperation with the Russia Federation. This event gave the participants the opportunity to meet each other and become inspired by each other’s initiatives. Next to this, there was the possibility to present your project on a poster. More then twenty Dutch organizations and the Russian Dmitry Likhachev Foundation showed their projects to the participants.

In the morning a large and divers audience attended the keynote speech by Sjeng Scheijen. He introduced the topic of Russian – Dutch cooperation in the field of heritage by questioning who could learn from whom in this particular field. For instance, compared with Dutch museums in Russia much more curators are working with the museum collections and they tend to be more extensively specialised in specific topics than their Dutch counterparts. Scheijen also mentioned the importance of Russian writers and their influence on the shaping of Dutch literary tradition and the impoverishment of Dutch academic tradition.

This introduction was followed by presentations and discussions on three different topics:Collection management and Capacity Building, Management in Built Heritage and Research and Public Awareness. Each theme was illustrated by two experts working in the heritage field. These panels formed the introduction to the workshops of the afternoon sessions. To this program an extra workshop on Mutuality of Mutual Cultural Heritage was added.
Panel 1: Collection management and capacity building
Lia Gorter - Foundation for Cultural Inventory (SCI)
Benno van Tilburg – The Netherlands Cultural Heritage Agency (RCE)
Modertor: Sjeng Scheijen
Lia Gorter presented the working methods of her Foundation for Cultural Inventory (SCI). One of their projects was a trial project to assist Russian regional museums to make inventories and digitizing their collections. Benno van Tilburg introduced the project of the RCE on Novaya Zemlya and their cooperation with Russian museums to date a part of a wooden shipwreck from Novaya Zemlya. In the following discussion the question was raised about the need for Dutch help in Russian museums.

Panel 2: Management in Built Heritage
Peter van der Toorn Vrijthoff - STAG
Marieke Kuipers - The Netherlands Cultural Heritage Agency (RCE)
Moderator: Sjeng Scheijen
Marieke Kuipers gave an introduction on the mutual cultural heritage projects of the RCE in Russia. Examples of this are the Summer garden in St. Petersburg and the Manifaktura in Jaroslavl. Peter van der Toorn Vrijthoff continued on the topic of built heritage in Russia by sharing his experiences in setting up a project in Kemerovo, Siberia. An important issue from the panel discussion was the difference in work ethics in the Russian Federation and the Netherlands and the different incentives for starting a project on both sides.



Panel 3: Research and Public Awareness
Marlies Kleiterp - Hermitage Amsterdam
Hans van Koningsbrugge - Groningen University
Moderator: Sjeng Scheijen
Marlies Kleiterp gave a quick introduction on the Hermitage Amsterdam. She compared the new museum in Amsterdam, which has no art of itself, with the State Hermitage in St Petersburg, which was opened to public in 1852 and has more than 3 million art objects. Hans van Koningsbrugge raised the question how to make archive research more ‘sexy’ and offered some solutions to this problem, namely: the publishing of books, making exhibitions and making a documentary.
Besides the questions raised in the presentations and panel discussions in the morning, the identification process of projects of the last couple of months had also leaded to important questions.

In the afternoon the topics of the panel discussion and other issues that were put forward by participants, could be discussed in workshops. With these workshops experiences could be shared.
Workshop 1: Collection management and capacity building
This workshop focuses on the process of collection management and capacity building in various institutions, such as museums, libraries and archives. Related themes are collection policy, acquisition and de-accession policies, preservation and conservation, loan policy, capacity building by means of education and training programmes. Capacity building in the field of collection management focuses among other things on preventative restoration and conservation, security and storage of collections. Other important issues for collection management related to recordkeeping are making inventories and digitizing the collection.

In this workshop we would like to discuss with you the way of collection management in Russian and Dutch Institutions. Did the Russian Federation and the Netherlands undergo a different development in the field of collection management? How do Russian institutions deal with collection management, and with the preservation, conservation, and digitization of their collections? How does a possible difference in the development of collection management influence the cooperation between the two counties? How can both countries learn from each other’s practice?
A report of this workshop will follow soon.
Workshop 2: Management in Built Heritage
The preservation and conservation of built heritage is important to preserve heritage for future generations. Good conservation policies can save heritage, like monumental buildings, gardens or townscapes, from destruction or oblivion. In order to preserve built heritage high quality and up to date methods of restoration and conservation are required. While preserving built heritage one is often confronted with different interests of various interest groups: economic interests; marketing plans, groups with contested views about the meaning and purpose of a heritage site. In particular the reallocation of industrial heritage, country estates and (adjacent) landscape architecture face an increasingly expanding attention of Russian experts, local and federal government and the public, at the moment.

Important issues for cooperation between the Russian Federation and the Netherlands in the field of management in built heritage are technical cooperation, exchange of knowledge and the influence of different interest groups in the Russian Federation and the Netherlands and how to deal with this. How can knowledge be exchanged in a bilateral way? How can the Netherlands set an example in the field of reallocation of industrial heritage, country estates, gardens and landscape architecture? Other important topics are: what insight in governmental policies of the counterpart organisation or country is needed for a healthy cooperation? And which role do these policies play?
A report of this workshop will follow soon.
Workshop 3: Research and Public Awareness
Research is important for heritage activities; it should be one of the first steps when starting a heritage project. Research not only plays an important part in heritage projects, but can also be the core business of a mutual project itself: cooperation between the Russian Federation and the Netherlands in the field of academic research.
The accessibility to information and sources can be problematic. Not only on account of possible language barriers, but also because Russian archives might have a restricted accessibility. A second level in the problem of accessibility concerns the limited reach of academic research, which is often only published in databases or academic magazines.
Journalists on the other hand are experts in disclosing information to the public through various media channels. Museum curators are also aware of the importance of opening up their research or ‘stories’ through exhibitions and other forms presentations to create public awareness for a research project.

An interesting question in this regard would be how to reduce the first level of the accessibility problem. How should Dutch research into Russian archives be stimulated and encouraged? In addition the second level should be discussed. Are there or should there be different methods in reaching the Dutch and the Russian public with research results? Does the language barrier influence attempts on reaching the public and how does the language barrier influence cooperation between for example universities, archives, museums and journalists? What examples are there of journalists and academics working together and how can this cooperation be strengthened? What role do museums and exhibitions play in the creation of public awareness of cooperation between the Russian Federation and the Netherlands?
A report of this workshop will follow soon.
Workshop 4: The Mutuality of Russian-Dutch Cultural Heritage
Mutual Cultural Heritage is a loaded term; it defines the cultural heritage between the Netherlands and the Russian Federation. In this workshop the mutuality of heritage is discussed.

Which heritage is labelled with this definition and how does the Russian Federation experience mutual cultural heritage? How do we share this heritage and what are the problems of formulating a reciprocal definition? Next to this, why is Russia part of the eight priority counties, appointed by the Dutch government while there is no colonial past as there is for many of the other priority countries. In addition, how is Russian heritage in the Netherlands experienced compared to Dutch heritage in the Russian Federation? The responsibilities for this type of heritage for the Netherlands and for the Russian Federation can be discussed and the definition of mutual cultural heritage specified.
A report of this workshop will follow soon.
Conclusions
Athe end of the day the conclusions of the workshops were presented. Important themes discussed in the workshops were issues as demand driven working, the maintenance of networks and personal contact with counterparts, and a bottom-up approach. The reports of the workshops will follow soon. Also the importance of expert meetings together with Russian counterparts was stressed. An important event in this case is the bilateral year between the Russian Federation and the Netherlands in 2013, which can offer new opportunities for cooperation. In October this year a Heritage Day will take place in Russia as well.

The outcomes of the workshops and the lectures presented during the morning will be send to our Ministry of Education, Culture and Science. This will help our policy makers to develop a view on knowledge exchange on cultural heritage, with results directly from the field itself.
The day was organized in cooperation with the Netherlands Institute for Heritage (Erfgoed Nederland) and the University of Amsterdam.



















|
Description of the conference “Architectural heritage and landscape parks architecture. Current issues of protection and preservation” The conference will take place September 29, 30 2011 within the framework of the Congress events of the international exhibition project “Denkmal Moscow”, which will be held for the first time in Moscow Septermber 29 – October 1 2011. The conference will be organized by the Autonomous Non-commercial Organization for promotion of preservation of historic and cultural heritage of the country “Heritage” with the support of the Embassy of the Kingdom of the Netherlands in Moscow. The conference will feature several simultaneous round tables for expert discussion. Each round table will be focused on a single topic and will be lead by a moderator, the discussion will be supported by the translation. The conference will have two working languages – English and Russian. About 25-30 Russian and Netherlands heritage experts will take part in the conference. The program of the conference also includes visit to Lefortovo Park. The topics of the round tables will correspond to the main thematic focus of the conference and can be identified as follows:
Landscape parks as historical heritage are those of the most complicated objects of cultural heritage from the point of view of their preservation. Such complexity comes from a very unstable material they comprise – vegetation, water reservoirs, and also rapidly changing surrounding landscapes. It is worth noting that nowadays it is almost not possible to find authentic historical landscape parks since most of them were abandoned, not properly maintained and neglected by the specialists. Such was also a destiny of Lefortovo Park, which was laid out in XVIII century under the project of the personal physician of the Piter the Great, Dutchman Nicolaas Bidloo, later modified and rebuilt by the architect F.B. Rastrelli. Problem of preservation of the ensemble of Lefortovo Park became a sore issue in 1985 due to project development of the Third transport ring. Taking into account various opinions, in 2001 the Government of Moscow approved of the construction of a deep tunnel under Lefortovo Park, with simultaneous approval of a further project development of the park reconstruction. Such project included archeological research and excavations on the park area. Archeological investigations were performed by the Center of Archeological Research of GUOP of Moscow with participation of the Institute of Archeology of the Russian Academy of Sciences, under the lead of a famous archeologist A.G. Veksler. One of the burning issues nowadays is the issue of a further vector of preservation and restoration of the ensemble of Lefortovo Park.
A large-scale archeological investigation carried out in Lefortovo park in 1999-2010 gave important scientific results for restoration of the water system of practical importance. Constructions of numerous objects of landscape architecture were disclosed under the centuries’ strata and later investigated. The bank reinforcement of the channels became seen clearly over a great length. Foundations of bridges and other constructions were disclosed. That gave a clear idea of landscape architecture of the 18th century (project of N.Bidloo, F.B. Rastrelli). Open bank reinforcements allowed to make their tracing, to determine the exact shape and dimensions of the ponds of the 18th century (five ponds of the original Dutch planning). Geophysical and paleogeographical investigations completed the picture making it possible to investigate the aquatic environment of the park by nondestructive methods. Thus a solid scientific foundation was made for further restoration of historical look of Lefortovo Park.
In the Federal Law 73-FZ as of June 25, 2002 “On the objects of cultural heritage (monuments of history and culture) of the peoples of the Russian Federation” the Article 40 gives definition of the concept of “Preservation of the object of the cultrural heritage”. As a result many questions arise, which refer to the methodology and practice of heritage preservation. The first question is stipulated by necessity of indentification of the most impotant concepts, being used in relation to heritage preservation. The second question refers to consequence and priorities in the procedure of actions related to heritage preservation. The third question refers to the specifics of the object of heritage. All the activities proposed in the Russian law basically focus on preservation of architectural heritage and other engineering structures, possessing scientific or artistic value. Thus the issue of preservation of the historical places, including cultural landscapes and historic parks and landscape architecture have not been addressed. In view of that it is considered highly feasible to have relevant expertise input from the Netherlands heritage experts in relation to the outlined above issues, expert discussion and expert expertise exchange. Related Heritage Activity in Russia: Yaroslavl The Project tracks out the Baroque in the regions bordering on Europe during the transfer time between the Middle Ages and the New times. A new term is being introduced, i.e. East-European Baroque. It describes East –Slavonic traditions related to the European Baroque culture. Under investigation are the co-existence of East-European cultures in the period between the Middle Ages and the New times ( XVII-XVIII c.) and the development of the Baroque style. The comeback of the Baroque can be found in projects of contemporary artists using the metaphysics of the style when the cultural code is changing. The Project aims at the presentation of contemporary art and at the development of creative contacts between artists. Development of the Project in the interests of the creative groups living and working on the outlying territories will support the tendency of polycentricity of culture in contemporary Russia and will present the Project work through cultural exchanges. Creation of the Baroque media-museum will allow bringing to light unknown collections of provincial museums, work out new tourist itineraries, and present a more detailed picture of the ways of development of culture to the Europeans.
![]() Exhibition “Nicolaas Bidloo: history of a Dutchman in Russia” Where: Moscow, Russia When: 2011 – 2013 Required exhibition area: 150 – 250 sq.m. Organizer: ANO “Central studio of artistic projects”, Moscow, Russia Main objectives of the exhibition: To show historical foundation of Russia – Netherlands cultural connections through history of work and life of a Nikolaas Bidloo, personal physician of the Russian tsar Piter the Great. Main sections of the exhibition:
Main sections of the exhibition (general information):
Nicolas Bidloo (1674—1735) was born in Amsterdamand came from a family of scientific repute. His father Lambert Bidloo (1638–1724) was an apothecary and his uncle Govert Bidloo was a famous Dutch physician, poet and playwright. Bidloo studied medicine at Leiden University, and in January 1697 received a doctorate in the medical sciences. In 1702 Nicolaas Bidloo was invited to serve as the personal physician of Tsar Peter I of Russia (Peter the Great) with an annual salary of 2500 Dutch guilders (a very high pay for a physician at that time).
2. Life of Nicolaas Bidloo in Russia As the tsar’s personal physician Bidloo accompanied Peter the Great on his travels for several years, but in a while asked tsar’s permission to leave back for Holland. Instead of retirement Peter the Great offered Bidloo to establish the first hospital in Russia and take a position of its director. The tsar granted Bidloo a piece of land in Lefortovo, on the left bank of Yauza River, to build the hospital as well a house for himself and his family. As a part of the hospital Bidloo also founded the first Russian medical school for 50 students, the first medical educational institution in Russia. The hospital and medical school also involved a church, Russia’s first anatomical theatre, and a botanical garden based on the Hortus Botanicus in Leiden. In 1710 Bidloo published the first Russian textbook on medical studies, a 1306-page manual of surgery. The hospital burned down in 1721 but was restored and reopened in 1727. As a hospital director Bidloo was succeeded by the Dutchmen Abraham and Herman Kaau Boerhaave. In 1721 under the order of Piter the Great, Bidloo laid out an extensive landscape park in Lefortovo, including several ponds, channels, islands, statues, triumphal arch, fountains. Nicolaas Bidloo brought all his various talents to Russia – as a talented physicial, anatomist, engineer, and philosopher. Starting practice in Russia in 1702, he kept his devotion to this country till his death in 1735.
3.History of park Lefortovo (Nicolaas Bidloo – Rastrelli). Archeological works in Lefortovo park Park and Palace Ensemble “Lefortovo” is a unique imperial residence in Moscow, which keeps in many features of an original layout of the times of Peter the Great. Lefortovo park is considered to be the first regular park in Russia and a sample park for many later parks in St. Petgerburgh. Peter the Great viewed the park as an example of a “”new” Moscow, as the place for the court festivities, assemblies, diplomatic receptions. Under the project of N. Bidloo there was established a garden with intricate shapes of the ponds, channels and islands. The terraces of natural banks were reinforced by decorative walls and dams. The channels and ponds were thought as a place for various festivities and boating. Further on under the tsarina Anna Ioannovna the park was extended and modified following the plan of Yauza tsar residence developed by the architect F.B.Rastrelli. However linden alley, arbor, five ponds, benches and Rastrelli grotto are still preserved from the original Dutch structure of the park.
Archeological research in Lefortovo park A large-scale archeological investigation was carried out in Lefortovo park in 1999-2005 during construction works and hydraulic engineering research connected with the building of the Moscow Third Traffic Ring. That gave not only important scientific results but also significant historical data for restoration of the water system of practical importance. Constructions of numerous objects of landscape architecture were disclosed under the centuries’ strata and investigated during following 10 years. Geophysical and paleogeographical research made it possible to investigate the aquatic environment of the park by nondestructive methods. Thus a solid scientific foundation was made for further restoration of historical look of Lefortovo Park. The most interesting collection of discoveries derived from the historic depths of the park is also worth particular look and investigation.
Artistic implementation of the exhibition: Main objective of the artistic decisions for the exhibition is to create the atmosphere of historical epoch of Piter the Great, connecting it with the present time. Such task will be achieved through exposing the objects of everyday life of XVIII century, preserved fragments of architecture and images of historical landscape. Artistic and design implementation of the exhibition suggests exposing of various photo materials, archive documents, copies of the archeological findings, and artifacts related to the epoch of Peter the Great (sculptures, Dutch and Russian historical costumes, historical flags, medical instruments of that time, apothecary herbarium, etc.). The center of the exhibition will be formed by special artistic installations devoted to life of Nicolaas Bidloo in Russia in the times of the tsar Piter the Great and tsarina Anna Ioannovna.
|
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011.
In Slovakia a CIE representative visited four projects: 1. The renovated town hall of Skalica 2. The Museum of Wheels in Trencin 3. The renovation of the evangelic church in Batovce 4. The green house, now a traditional brewery, in Baska Stiavnica
Other countries under evaluation are Poland, Hungary, Romania, Bulgaria, Slovenia and Lithuania.
|
|
|
Evaluation of Cultural Heritage fund EEA and Norway Grants
CIE is participating in an evaluation of the Cultural Heritage Fund under the EEA grants & Norway grants programme 2004 -2009. Our partner in this evaluation is Pitija consulting from Slovenia. Local consultants in the visited countries are included as well. They provide us with necessary knowledge on their national heritage policies. Seven countries are selected for field visits. Representatives of CIE visit the projects in the fall of 2011. A CIE representative visited the projects in Novo Mesto and Divaca.Other countries under evaluation are Poland, Hungary, Romania, Bulgaria, Slovakia and Lithuania.
|
|
|
INTRODUCTION The Portuguese (Cabo de Buono Esperanza) came to the Cape of Good Hope in 1415. From the foundation of the VOC in 1602 onwards, the Dutch used this ‘docking’ place for obtaining fresh water and food for their voyages to and from the Far East. It was also used as a ‘mailbox’ as letters and messages were left under stones (poststenen). In 1647, a VOC ship stranded and the crew was forced to spend a year there, even building a small fort. There were possibilities for a permanent VOC post so as to supply the passing ships and let the crew take a rest from the long voyage to the East. Van Riebeeck was commissioned to establish this and in 1652 he had a fort built at the foot of Table Mountain. Repairs to ships were carried out at Mosselbay, on the east coast. Van Riebeecks successor – Simon van der Stel- made the settlement prosperous by developing agriculture and wine cultivation (French Huguenots were brought to south Africa). Towns as Stellenbosch, and Simonstad were founded and Dutch styled well-to-do houses built known as Kaap Hollands Style. At the end of the 18th century, the VOC founded Genandendal where the Hernhutters settled. In 1795 the British took the Cape over from the Dutch. |
|
|
Heritage Day: June 5th 2008, Zeist Netherlands Read more... Counterpart Heritage Day: March 6th 2009, Cape Town South Africa
MARITIME ARCHAEOLOGY DEVELOPMENT PROJECT - SOUTH AFRICA Since 2007, CIE and its South African counterpart the South African Heritage Resources Agency (SAHRA) have been developing a MUCH program in South Africa. The final set-up was presented in April 2009 at the SADC workshop on the Protection of Underwater Cultural Heritage in Cape Town, organized by UNESCO and the South Africa Department for Arts and Culture.
De Mooy Ships at the Cape, Amsterdam Historical Museum |
|
|
|
|
|
Maritime Archeology Development Project South AfricaSince 2007, CIE and its South African counterpart the South African Heritage Resources Agency (SAHRA) have been developing a MUCH program in South Africa. The final set-up was presented in April 2009 at the SADC workshop on the Protection of Underwater Cultural Heritage in Cape Town, organized by UNESCO and the South Africa Department for Arts and Culture. On the 16 October 2009 an official launch of the South African MUCH Program was implemented by the South African Minister for Arts and Culture, Lulu Xingwana and the Ambassador for the Netherlands to South Africa, Mr Rob de Vos. The Netherlands involvement came about through their funding contribution to the program through the Netherlands Culture and Development Program. The involvement of CIE, which has been formalised in two Memorandum of Understanding’s (MoU) with SAHRA, was in assisting SAHRA with the development of their MUCH program and in the training of staff from a number of South African stakeholders. Essentially this meant building up the capacity of a ‘Competent Authority’ as required under the UNESCO Convention on the Protection of the Underwater Cultural Heritage 2001 and developing a program that is consistent with the principles and practices (the ‘Rules’) of the UNESCO Convention. The involvement of the CIE in this advisory/training role is for at least the next two years. USE Figure with Robert et al. and Ice shipwreck, already on website—not attached The MUCH Development Project funded by the Netherlands seeks to develop capacity in the field of maritime and underwater cultural heritage with special focus on geophysical and non-disturbance surveys, building-up a database of these sites and the associated intangible heritage, conservation, and community programs, such as engagement, awareness and education programs. The project will primarily target institutional employees but will extend to volunteer groups and interested individuals and finally to students from secondary school through to university level.
Activities From 15 February to 10 March 2010, a series of workshops on many aspects associated with maritime and underwater cultural heritage was conducted on Robben Island, Cape Town, during which time representatives from Namibia, Tanzania, Mozambique, Kenya, South Africa, UNESCO, and the African World Heritage Fund attended. Regional cooperation, and information sharing, amongst other things were discussed and a series of resolutions made in furthering many of these issues and activities. The workshops also included parts of the NAS theoretical and practical training program being implemented to a number of participants, particularly those from South African stakeholders other than SAHRA staff. One of the aims of the practical workshops was to build-up a database of the Robben Island MUCH sites (on land and underwater). Robben Island and it surrounding waters contain in excess of 100 sites (many with poor provenance and lacking documentation) and the outcomes of the practical work will assist the Robben Island Museum commence the documentation of this component of its cultural landscape.
A subsequent outcome of the Robben Island workshops was the development of an African World heritage Fund (AWHF) application which was submitted by the five countries listed above. The application sought funding over a five-year period for a project to build-up the capacity to implement MUCH activities in support of ratifying the Convention on the Protection of the Underwater Cultural Heritage 2001. It has been planned to conduct the MUCH activities and capacity building in association with the World Heritage Sites located throughout the region where there is an obvious connection to maritime activities and therefore maritime and underwater cultural heritage sites, such as at Zanzibar, Kilwa (Tanzania), Island of Mozambique (Mozambique), Old Lamu Town, and Fort Jesus Monument and Mombasa Old Town (Kenya) and Robben Island (South Africa). SAHRA in South Africa will be the main administrative base for the AWHF project, driven from the Maritime and Underwater Cultural Heritage Unit. This is based on the fact that the participants of the Robben Island workshops mandated SAHRA to facilitate the development of this funding proposal and play a regional role of facilitating training in the region with the support of the Centre for International Heritage Activities (CIE). Launch Maritime Archaeology Development Programme South Africa, Oct 16th 2009 For thousands of years, southern African communities have made a living from the sea and have their cultural roots in the sea. As we explore the heritage themes of South Africa and the African continent we are beginning to appreciate the richness and diversity of underwater cultural heritage and that it is significant not just to the descendants of the people sailing ships around the coast, but to all South Africans and to the African continent. It is only recently that this vast history has begun to be explored. Despite South Africa’s diverse and important maritime history and its unique archaeological record, the discipline of maritime archaeology and associated fields has been underdeveloped. Through the efforts of heritage managers and concerned individuals, the value of South Africa’s Underwater Cultural Heritage isbeingrecognised. With this in mind, the South African Heritage Resources Agency (SAHRA) and the Centre for International Heritage Activities (CIE) began a process of proposing a broad Maritime Archaeology Development Programme. This programme seeks to develop capacity in all spheres of underwater cultural heritage management through training, the development of educational programmes and the creation of “coastal networks” that will be involved in protecting underwater cultural heritage sites. It will primarily target institutional employees but will extend to volunteer groups and interested individuals and finally to students from school to university levels. The programme will also develop co-operative management of shared cultural heritage between the Netherlands and South Africa. The programme is divided into three phases: phase I will be a comprehensive assessment of the capacity and infrastructure that exists in South Africa. Phase II of the project will implement training programmes aimed at specific needs identified during the first phase. Phase III of the project concentrates on development and sustainability. SAHRA and CIE will develop a structure for programmes from school to university level. Courses such as those administered through the Nautical Archaeology Society (NAS) will be used to train recreational divers and resource users and to further expand networks whose members can monitor wrecks and participate in archaeological excavation. Further reading on Maritime Archaeology Development Programme South Africa. |
|
June 5th 2007: South Africa Heritage Day, Zeist, The Netherlands
On June 5th, 2008, the Center for International Heritage Activities organized the third CIE Heritage Day, which took place at the beautiful location of the RACM, (State Service for Archaeology, Cultural Landscape and Monuments) in Zeist. Former heritage days have taken place with Indonesia and Surinam as subjects. This occasion was organized to bring the heritage field of South Africa together. The heritage day started in the Hernhutter church of the Evangelical Brother Community in Zeist, which has direct connections with Genadendal in South Africa.
The main objective of the day was, to learn which possibilities there are, by exchanging information and experiences, to obtain more cooperation with each other in this field. The morning was used for a general meeting during which attention was given to the projects by way of lectures and poster presentations. Prof. Henry (Jatti) Bredekamp, President of ICOM, South Africa, gave a presentation on the cooperation of Mutual Cultural Heritage after February 2008. The Secretary of State, Mr. Timmermans, had visited South Africa in February of this year to intensify this cooperation.
The other lectures were on important themes in the mutual heritage field of South Africa and the Netherlands:
After the lectures the CIE presented their Internet Based Platform. This platform was developed to give the network of project holders the chance to communicate, and exchange expertise and ideas about projects. This platform will be the central location where all information on heritage projects can be found and where communication can take place.
The afternoon was planned for workshops to discuss the cooperation and cohesion in built heritage projects, museum projects and projects related to archives, photos and books. The fourth group discussed the term ‘mutual’ in Mutual Cultural Heritage and the possibility to define common lieux de memoires. The participants in the workshops developed recommendations for the cultural policy makers on the subjects of cooperation between Dutch organisations and the cooperation with counterparts in South-Africa.
All the participants had the opportunity to send in information on and images of their heritage project. Eighteen organisations presented their heritage projects with South Africa on posters. These posters give an interesting insight in the Dutch cooperation with South Africa's heritage field today. With these posters they were able to generate attention for their project and get in contact with interested participants.
The heritage day was more than just a meeting, but a day, which will hopefully lead to more cooperation with each other and to keep each other up to date on each other’s projects.
Conclusions and Recommendations click here...
Conclusions and Recommendations
Built Heritage:
Conclusions
There is a lack of maintenance of buildings that have been preserved and restored. In addition, there is a lack of area protection. Another problem is the exodus of people out of historical cores (e.g. the districts in Pretoria). Chances for the mutual built heritage are the exchange of expertise on both sides and through revitalization of parts of the cities that have become slums. There are tangible and economical benefits to gain. The Netherlands can offer South Africa: knowledge exchange in maintenance and preservation techniques, knowledge and expertise on area protection and integrated conservation and advance techniques of documenting.
Recommendation
There are possibilities and there is a need for knowledge exchange in maintenance and preservation techniques, expertise exchange on area protection and integrated conservation.
Archives:
Conclusions
Digitising the archives is very important to open up and save them. The Netherlands and South Africa should keep each other informed about the different digitising initiatives.
It is important to invest in Dutch language education in South Africa. Only in this way can local scientists study the South African archives. Language is an important tool to open up sources.
More attention should be given to the archives of the anti-apartheid movement; especially photo and audiovisual material in the Netherlands is interesting for South Africa. Other interesting archives are the missionary archives and archives of the Boer movement.
Recommendation
Archives need funding for digitizing, opening up and investigating different periods of South Africa besides the VOC period and the VOC archives.
Museums:
Conclusions
More information should be shared on museum projects. Digitization is a modern tool and is still in a learning process; the technology can be simplified: contents should be made visible to the people. Bring the museum into the street and try to attract young people and ‘their’ culture. Museum staff can still be more trained and enlarged. It is important to build up local know-how and work with local people.
There are two levels of cooperation between countries: by joining forces for digitizing at museum level and to make a platform to share mistakes, knowledge and share collections.
Recommendation
Digitizing is also an important subject in the museums today. More information about projects should be shared through this medium and a platform is necessary to share collections, information and knowledge. The contents should be made visible to a broad public.
Mutuality of mutual heritage:
Conclusions
Mutual heritage is perhaps important for the development of Dutch international cultural policy and heritage, but for South Africa it is more important to focus on their own perspectives.
The Dutch policy also tends to create new heritage by influencing the development of mutual heritage projects.
Case study: there are several ideas for a (mutual) policy at Cape Castle in Cape Town: the celebration of diversity, curiosity and a willingness to learn from both ‘sides’ is important. There is a need to develop a potential platform for future research into the local public opinion in order to develop value-based policies. The ideal sustainable model of Cape Castle is as a tangible center for the celebration of both tangible and intangible heritage.
Recommendation
The Netherlands should not only develop a mutual heritage policy based on their own sentiments and judgments. What we think important for Dutch international cultural policy is often not shared with the partner country. South Africa focuses more on their own perspectives than on mutual cultural heritage. For Cape Castle in Cape Town it is stressed that the celebration of diversity, curiosity and willingness to learn from both sides is important.
Open image in a new window for more details.






















June 5th 2007: South Africa Heritage Day, Zeist, The Netherlands
On June 5th, 2008, the Center for International Heritage Activities organized the third CIE Heritage Day, which took place at the beautiful location of the RACM, (State Service for Archaeology, Cultural Landscape and Monuments) in Zeist. Former heritage days have taken place with Indonesia and Surinam as subjects. This occasion was organized to bring the heritage field of South Africa together. The heritage day started in the Hernhutter church of the Evangelical Brother Community in Zeist, which has direct connections with Genadendal in South Africa.
The main objective of the day was, to learn which possibilities there are, by exchanging information and experiences, to obtain more cooperation with each other in this field. The morning was used for a general meeting during which attention was given to the projects by way of lectures and poster presentations. Prof. Henry (Jatti) Bredekamp, President of ICOM, South Africa, gave a presentation on the cooperation of Mutual Cultural Heritage after February 2008. The Secretary of State, Mr. Timmermans, had visited South Africa in February of this year to intensify this cooperation.
The other lectures were on important themes in the mutual heritage field of South Africa and the Netherlands:
After the lectures the CIE presented their Internet Based Platform. This platform was developed to give the network of project holders the chance to communicate, and exchange expertise and ideas about projects. This platform will be the central location where all information on heritage projects can be found and where communication can take place.
The afternoon was planned for workshops to discuss the cooperation and cohesion in built heritage projects, museum projects and projects related to archives, photos and books. The fourth group discussed the term ‘mutual’ in Mutual Cultural Heritage and the possibility to define common lieux de memoires. The participants in the workshops developed recommendations for the cultural policy makers on the subjects of cooperation between Dutch organisations and the cooperation with counterparts in South-Africa.
All the participants had the opportunity to send in information on and images of their heritage project. Eighteen organisations presented their heritage projects with South Africa on posters. These posters give an interesting insight in the Dutch cooperation with South Africa's heritage field today. With these posters they were able to generate attention for their project and get in contact with interested participants.
The heritage day was more than just a meeting, but a day, which will hopefully lead to more cooperation with each other and to keep each other up to date on each other’s projects.
Workshop Report CIE Heritage Day South Africa; more than a meeting The morning program of the day was used for a general meeting where attention was given to several heritage projects by way of lectures and poster presentations. Prof. Henry (Jatti) Bredekamp, President of ICOM South Africa, gave a presentation on the cooperation of Mutual Cultural Heritage after February 2008. The Secretary of State of the Ministry of Foreign Affairs, Frans Timmermans, had visited South Africa in February of this year to intensify this cooperation. The other lectures were on heritage themes in South Africa and those in cooperation with the Netherlands. Job Roos from the Technical University in Delft gave a lecture on the built heritage site Genadendal. The topic of digitizing museum collections in South Africa was explained by Trilce Navarrete of the University of Amsterdam. Ena Jansen, Professor of Afrikaans at the University of Amsterdam, discussed an important immaterial heritage subject, the language Afrikaans. Robert Parthesius, director of the CIE, closed the morning program with a lecture of capacity building in maritime archaeology. CIE has broad expertise on maritime archaeology and at the end of 2008, a three-year program for capacity building was signed in Pretoria. CIE will offer expertise and coordination in this program. During the afternoon, workshops were given to discuss some themes in the heritage field. Built heritage, museums and archives, books, photos were selected for workshops from the inventory. Apart from these practical workshops, one group discussed the mutuality in ‘mutual’ cultural heritage. A workshop for Afrikaans was also initiated, but there were not enough participants for a discussion. From each workshop discussion, recommendations were phrased which are presented here. Workshop Built Heritage (chair: Jean-Paul Corten, RACM)
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">Chances for the future:
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">1. The changes for mutual built heritage are the exchange of expertise on both sides.
2. Heritage can be seen as a potential for development.
3. Historical significance.
4. Potential material benefits for the South African population.
5. Through revitalization of the parts of the cities that have become slums and restoring buildings, there are tangible and economical benefits.
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">To learn from South Africa:
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">1. Fresh view on global issues by professionals.
2. Protection laws of archaeological sites. The ‘air’ above archaeological sites is protected.
3. Buildings with oral history are protected.
4. We can learn to be proud from the South Africans.
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">From the above discussion the following recommendations for the workshop archives, books and photo’s can be given:
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">1. Archives are an important source, but certainly not the only one. It should be noted that most archives consist of selection criteria and written by a white elite.
2. Except for the archives of the VOC, attention should be given to:
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">3. Digitising the archives is very important to open up and save them. The Netherlands and South Africa should inform each other about the different digitising initiatives.
4. It is important to invest in Dutch language education in South Africa. Only in this way can local scientists study the South African archives. Language is an important tool to open up sources.
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">To conclude the following recommendations are made by the participants:
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">1. Make new stories, new intangible collections, new perspectives, new concepts of aesthetics, and new interpretations by education policies, finding other target groups.
2. Share more information on projects, use young people and their ‘culture’ (mobiles!) and technology.
3. Staff should follow: Training at universities, staff should be enlarged.
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">Build up local know-how: work with local people.
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">Education of teachers: translate knowledge to the people.
4. Digitization is a modern tool and is still in a learning process; the technology can be simplified: contents made visible to the people. Bring the museum into the street.
5. There are two levels of cooperation between countries: by joining forces for digitalization at museum level and to make a platform to share mistakes, knowledge and share collections.
http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">CIE drew attention to the fact that the Dutch policy of mutual heritage has created new heritage by influencing the development of mutual heritage projects, for example in Indonesia. Mutual heritage was perhaps significant for the development of Dutch policy and heritage, but for South Africa it is more important to focus on their own perspectives, stated the president of IZIKO. Heritage is a concept that is always being produced, public attention creates heritage and makes it visible in the national consciousness. Some suggested that not all Dutch heritage around the world is mutual heritage; there should be limits towards the mutuality. The question was put whether the concern for the heritage should not come from the land where it is located. There was no agreement on this point, but at least a mutual concern and collaboration are seen as very valuable.
The issue of mutuality was discussed through a specific case study of Cape Castle in Cape Town as the first Dutch settlement and a highly visible example of heritage. The participants were asked to choose whether this invoked a sense of pride or a sense of shame. There were two different opinions in the discussion. Those who felt pride called upon the Cape Castle as an example of Dutch glory days, of the celebration of export and trade, of awe and accomplishment, and of the durability of the structure as evidence of architectural achievement. For others, the Cape Castle tells a story of colonialism and world heritage. For those feeling shame, the story that comes to the front is apartheid. This is interesting because it is a negative connotation being applied from a divorced time period. In examining this anachronism further, the group suggested that the sense of shame is also tied to the entire colonial relationship, and that the true arrogance of euro centric thought is often a source of shame that develops even if there is not a direct historical connection. After this, the participants were asked to give a creative vision for how the Cape Castle might ideally be developed. The geographical location of Cape Town can be used in the center of the global trade histories between Europe and Asia. For this, a museum can be established in the Cape Castle. The Cape Castle is also still a highly functional place; it has continued to be used after the eighteenth century when the Dutch left. The choice of the South Africans to preserve the Cape Castle is itself evidence of its ongoing role as a product of heritage and contributor of identity. This should be realized by implementing effective and efficient management by the supervisor of the ‘Council of the Cape Castle, the 1993 Castle Management Repair Act and the joint private and public partnership for management. A last proposal was also made for Cape Castle to be developed as a center for the presentation of South African intangible heritage and so to combine these two elements of the cultural heritage.http://www.heritage-activities.nl/images/diversen/bullet1.jpg); ">Interesting is that the South African participant Sir Bredekamp, highlighted that Dutch history and mutual heritage is seen only as Cape issues whereas in contrast ‘British’ heritage is seen to be a South African issue.
The following recommendations can be given from this discussion: 1. For the (mutual) policy at Cape Castle: the celebration of diversity, curiosity and a willingness to learn from both ‘sides’; the need to develop a potential platform for future research into the local public opinion in order to develop value-based policies; and an ideal sustainable model of Cape Castle as a tangible center for the celebration of both tangible and intangible heritage.Workshop Report
CIE Heritage Day South Africa; more than a meeting
The morning program of the day was used for a general meeting where attention was given to several heritage projects by way of lectures and poster presentations. Prof. Henry (Jatti) Bredekamp, President of ICOM South Africa, gave a presentation on the cooperation of Mutual Cultural Heritage after February 2008. The Secretary of State of the Ministry of Foreign Affairs, Frans Timmermans, had visited South Africa in February of this year to intensify this cooperation. The other lectures were on heritage themes in South Africa and those in cooperation with the Netherlands. Job Roos from the Technical University in Delft gave a lecture on the built heritage site Genadendal. The topic of digitizing museum collections in South Africa was explained by Trilce Navarrete of the University of Amsterdam. Ena Jansen, Professor of Afrikaans at the University of Amsterdam, discussed an important immaterial heritage subject, the language Afrikaans. Robert Parthesius, director of the CIE, closed the morning program with a lecture of capacity building in maritime archaeology. CIE has broad expertise on maritime archaeology and at the end of 2008, a three-year program for capacity building was signed in Pretoria. CIE will offer expertise and coordination in this program.
During the afternoon, workshops were given to discuss some themes in the heritage field. Built heritage, museums and archives, books, photos were selected for workshops from the inventory. Apart from these practical workshops, one group discussed the mutuality in ‘mutual’ cultural heritage. A workshop for Afrikaans was also initiated, but there were not enough participants for a discussion. From each workshop discussion, recommendations were phrased which are presented here.
Workshop Built Heritage (chair: Jean-Paul Corten, RACM)
The participants in this workshop have very different professions. The chair of ICOMOS Shared Built Heritage was present, employees of the National Service for Archaeology, Cultural Landscape and Built Heritage, South Africa House, Urban Solutions, ArchiAfrika, Netherlands-South African Society and from South Africa, Irwin Langeveld of the Department Arts and Culture in Pretoria.
The topics that were discussed were focused on the relevance of the mutual heritage for today’s society. What kind of changes is there for mutual built heritage and what kind of threats are there to this heritage? What are the trends in topical issues? Do the South Africans want to keep the mutual built heritage?
For the discussion, it was important to have some understanding about the Monument Legislation in South Africa. The National Heritage Resources Act of 1999 replaced the old National Monuments Act of 1969. There are three different grades to be distinguished in this act: a national, regional and local level. The main protection there for monuments is the ‘sixty years’ mark. Historical buildings automatically receive protection after sixty years of their resurrection. This means that most of the ‘Dutch’ architecture in South Africa is already protected legally. All local governments are in the process of implementing renewal of urban legislation. Political commitment is important on every level. Initiatives that are developed in the urban renewal planning are for example: public-private cooperation, renewals and permits.
So monuments older than sixty years gain some legal protection, but not everything older than sixty years is also automatically heritage. The legislation is a starting point, an important tool to protect buildings. It can be used to start the process of validation, research and inventory to declare a site as a heritage site.
During the workshop, the question how Dutch (mutual) heritage policy is related to South African policy was discussed. In 1996, a bilateral agreement was signed between South Africa and the Netherlands to cooperate in the fields of education, science, arts and culture, health, welfare and sport. In 2002, an agreement on common heritage was signed:Accommodate Cultural Diversity: The Challenge of Common Cultural Heritage. The policy is now six years old and could have some adjustments. In addition, the projects that have been carried out during the last six years should be evaluated and prioritized for a good continuity of knowledge and development.
Common or ‘mutual’ heritage though is a difficult term. Cape architecture is a footprint that symbolizes mutual heritage. However, ‘mutual heritage’ is a Dutch perception. From the South African point of view it is their heritage – South African heritage. By defining Cape architecture mutual, it is distinguished from indigenous heritage. Nevertheless, the South African public considers ‘mutual heritage’ to be their heritage and to be remembered and preserved where possible. Colonial history and indigenous culture are both part of the South African history and therefore embraced. The government’s point of view is to maintain and protect colonial heritage because it is a part of their identity and therefore chooses not to destroy it. It is part of a greater landscape of (black) heritage and balances the landscape out for the South African. Everything is thus included, but there are different levels of significance. This subdivision is made by the South African Heritage Resource Agency (SAHRA). The institute is funded by the government, but operates autonomous. The discussion on how to appoint heritage is very topical. This is, however, not only the case in South Africa, but is a worldwide discussion. How can the value of buildings be determined? Social, economical and historical values certainly play an important role in appointing heritage. Important aspects for achieving sustainable monument protection and restoration of projects, is to achieve political commitment of the local authority. The second is public awareness, they should be able to acknowledge the value of their monuments, and the last one is economic feasibility.
Financing is always a threat to the monuments. The government does not have the funds to pay for every restoration. One of the main issues about South African built heritage is now the maintenance of the buildings after renovation. People and finances are needed in order to maintain the historical buildings. Attention should also be given to good inventories of the built heritage. Docomomo is mentioned as a way to learn from the Netherlands. It is an international working group for the Documentation and Conservation of buildings, sites and neighborhoods of the modern movement. A valuation and inventory should also be made of modern heritage – the new architecture of the last sixty years is excluded from policy and legislation.
From the above discussion the following recommendations and conclusions for the built heritage workshop can be given:
There are certain threats for the built heritage:
1. Poor law enforcement.
2. Lack of maintenance of the buildings, which have been preserved and restored.
3. The limited options of the sixty-year mark. Modern heritage younger than sixty years is not protected.
4. Modern heritage is not drawn up in an inventory.
5. Lack of sufficient financing.
6. Lack of area protection.
7. Colonial heritage is made of sustainable material, but the indigenous buildings are in trouble of surviving the elements.
8. The exodus of the people out of historical city cores. For example: the districts in Pretoria.
Chances for the future:
1. The changes for mutual built heritage are the exchange of expertise on both sides.
2. Heritage can be seen as a potential for development.
3. Historical significance.
4. Potential material benefits for the South African population.
5. Through revitalization of the parts of the cities that have become slums and restoring buildings, there are tangible and economical benefits.
To offer to South Africa:
1. Knowledge exchange in maintenance & preservation techniques.
2. Knowledge and expertise on area protection & integrated conservation.
3. Advance techniques of documenting (docomomo).
4. How to organize and set-up priorities in built heritage and the recognition of it.
To learn from South Africa:
1. Fresh view on global issues by professionals.
2. Protection laws of archaeological sites. The ‘air’ above archaeological sites is protected.
3. Buildings with oral history are protected.
4. We can learn to be proud from the South Africans.
Workshop Archives, Books, and Photo’s (chair: Frits van Dulm, CIE)
The participants in this workshop have various professions. There was expertise on digitising archives, for example the Atlas of Mutual Heritage (www.theatlasofmutualheritage.nl). The Dutch Institute for Southern Africa is responsible for the access of archives and collections of the Apartheid Movement in the Netherlands. The Institute for Dutch History has a project to collect and open up archives and documentation about organisations and persons that played a role in mission work in South Africa between 1800-1960. From South Africa, there is an initiative to develop an institute for photo and film archives to be able to digitise these archives and develop research projects with this material. In short, the participants strive in their own archive expertise to digitise and to open up South African archives from different periods and materials.
The first topic discussed was the importance of the study of the history of all South African people through archival research. The archives contain important information about the roots of the South African society and give an insight in the role of South Africa as a cross point of the international ship traffic. The participants agree that the archives are an important source, with an emphasis on a source. Archives are not the only source for historical research. They are not an objective source of knowledge, most of the time they exist of documents written by the high-educated elite. In this case, the archives represent the ‘powerful part’ of society. However, it is difficult to work with this; there is much more information about the reality of the officials than the reality of the indigenous people. The objectivity and value of archives does not only apply to written sources. Moreover, most of the photography and films were made by order of the white elite. There are few archives with critical and individual reports from the indigenous people from before the eighteenth century. In Utrecht, there is an archive with personal reports of the missionaries. The friars were encouraged to remain in contact with their relatives at home. The letters contain interesting aspects of daily life in South Africa.
However, access to archives in South Africa is often difficult for historians, because governments regard the archives as a continuation of their own government.
Another discussion is the problem how to attract new and a younger audience towards the different kinds of archives. South African and Dutch youngsters are often unaware of South African history. The archives have to be presented in an active way to bring them under the attention of the new generation. In every period, the creation of a new basis has to be achieved for the maintenance of the archives. The participants, however, agree that it is impossible to save all the archives; selection is necessary. However, it remains difficult to make the right choices in what to save and what to destroy. Different archives can have different meanings in different periods.
There is still archive material in the Netherlands about for example the antiapartheid movement that is hardly available in South Africa. Certain literature was forbidden in South Africa and nowadays this knowledge is still only in the Netherlands. This has large consequences for the partition of knowledge. There are also big differences among the archive institutes in South Africa. Through non-cooperation and bad organisation, many institutes do not know about each other’s collection. Digitisation is therefore very important. For this digitising, it is important that South Africa and the Netherlands know what already has been digitized so this does not happen twice. What also should be digitized in the future are the archives of small villages. These local archives could have interesting material for example questions relating to the relation city-country. The older inhabitants often preserve these village archives, so it is very important to digitize these archives for research.
From the above discussion the following recommendations for the workshop archives, books and photo’s can be given:
1. Archives are an important source, but certainly not the only one. It should be noted that most archives consist of selection criteria and written by a white elite.
2. Except for the archives of the VOC, attention should be given to:
- Archives before 1652.
- Missionary archives that can give a different view of the history of South Africa.
- Archives of the antiapartheid movement; especially the photo and audiovisual material in the Netherlands are interesting for South Africa.
- Archives of the Boer movement that give interesting insights of a later period of South African history.
- Archives of scientific institutes like the Royal Tropical Institute, Meertens Institute and the Hortus Botanicus with some private archives of former scientists.
- Local archives
4. It is important to invest in Dutch language education in South Africa. Only in this way can local scientists study the South African archives. Language is an important tool to open up sources.
Workshop museums (chair: Alex van Stipriaan, KIT)
In this workshop, a broad spectrum of people working in the museum field was represented. From South Africa, there was the representative of the Department of Arts and Culture present. Besides the commitment of South Africa in this discussion, there were representatives of the Tropenmuseum, Museum of Ethnology, Prince Claus Fund, Cultural Heritage Foundation, and Opera Design Amsterdam. The Dutch Ministry of Foreign Affairs was also represented, as was the cultural department of the Dutch Embassy in Pretoria.
The first topic that was discussed, was how South African heritage institutes can transform into institutes that reflect the ethnic composition of society, for example with regard to staff, collections and presentations. The chair stated that in 2004 a bilateral agreement was at the heart. Reflecting on yourself, what can you offer to this? When looking at your own staff and audience, how can the diversity of your society be reflected and how can you reach this goal?
In South Africa, during the last 10 years, there has been a shift from complete white staff to a more divers one. But it is not the number that is the problem but rather the interpretations of the events and the people. Without strategy and skills, there is no sustainability. Practical know-how from the Netherlands is needed for preserving and promoting the past. However, since 1994, there is no increase in the budget so it is difficult to reach this goal and sustain it.
There are institutions and museums, which do not have diversity of people in the staff, but the audience can be divers. By planning and setting up exhibitions, more divers people can be incorporated. The visions of other societies can be reflected through exhibitions and advice from divers people can be used in designing exhibitions. By translating ideas into multi-media, you can also reach a divers audience. Problems are often with cooperation: guest curators are not incorporated fully. Differences of opinion between designers and curators occur.
The next topic discussed by the participants was how their collections are a representation of society. At first, you have to know what you have in your own collection; start digitization to make visible what there is. Also cross bordering can bring in information without actual objects; even without objects, the role of the museum and designer is how to tell the ‘story’ of the society it represents. General museum education is also needed: how to look at objects; the link to the public should be more intense. For example the catalogue of the exhibition on Afghanistan was bi-lingual. Historical places should be included in exhibitions; they are an important reflection of the changes in society. In museums, changes should also be made to reflect the changes in the society. Projects started by local communities should be supported more. In South Africa, it is a slow process and a case-to-case question. More technical and financial support is needed otherwise it is not sustainable. There is still a transfer of skills; after fourteen years the vision of a united nation is still new. Following from this discussion the question was put forward how digitization projects can be of help to support the needed transformations. Digitizing should be seen as a tool to develop knowledge, preserve memories of tangible and intangible heritage. The concept is still new so misuse can be made. There is much use of material of intangible heritage without any copyright so there is a need for laws to protect this. Even inside museums, items have disappeared because the staff is underpaid. There is the issue of dissemination and education.
Digitization can be used to adapt to an exhibition for multi-media. It is a challenge to make museums interactive with their audiences and to democratize and dissimilate knowledge and culture. However, more youth education is needed. Bring the museum to the street and the street into the museum.
The last discussion was how Dutch and South African institutes can work together in the museum sector. There is much knowledge on both sides; by joining forces through digitization further steps can be taken. Several partnerships can be implemented on a museum-to-museum base and a colleague-to-colleague base. An international platform would be useful to bridge the existing gaps. The repatriation of objects should be discussed. It can be a difficult point, but it is important for our cultural relationship.
To conclude the following recommendations are made by the participants:
1. Make new stories, new intangible collections, new perspectives, new concepts of aesthetics, and new interpretations by education policies, finding other target groups.
2. Share more information on projects, use young people and their ‘culture’ (mobiles!) and technology.
3. Staff should follow: Training at universities, staff should be enlarged.
Build up local know-how: work with local people.
Education of teachers: translate knowledge to the people.
4. Digitization is a modern tool and is still in a learning process; the technology can be simplified: contents made visible to the people. Bring the museum into the street.
Workshop the Mutuality of Mutual Heritage (chair: Robert Parthesius, CIE)
The discussion was opened with the question to give a definition of mutual heritage. From South Africa the president of IZIKO (twelve museums in Cape Town) raised the issue of translating the Dutch term of ‘gemeenschappelijk erfgoed’ into English, and the need to clarify between mutual, shared and common heritage. He suggests that in South Africa, the use of the term common might be seen as negative; shared suggests the most equal or integrated contribution to the heritage by both sides and is the most appropriate synonym; mutual suggests synonymous but autonomous consideration of the heritage best translated aswederzijdse. He also suggested that in Afrikaans the word erfenis is preferable than the Dutch choice of the term erfgoed.
CIE drew attention to the fact that the Dutch policy of mutual heritage has created new heritage by influencing the development of mutual heritage projects, for example in Indonesia. Mutual heritage was perhaps significant for the development of Dutch policy and heritage, but for South Africa it is more important to focus on their own perspectives, stated the president of IZIKO. Heritage is a concept that is always being produced, public attention creates heritage and makes it visible in the national consciousness. Some suggested that not all Dutch heritage around the world is mutual heritage; there should be limits towards the mutuality. The question was put whether the concern for the heritage should not come from the land where it is located. There was no agreement on this point, but at least a mutual concern and collaboration are seen as very valuable.
The issue of mutuality was discussed through a specific case study of Cape Castle in Cape Town as the first Dutch settlement and a highly visible example of heritage. The participants were asked to choose whether this invoked a sense of pride or a sense of shame. There were two different opinions in the discussion. Those who felt pride called upon the Cape Castle as an example of Dutch glory days, of the celebration of export and trade, of awe and accomplishment, and of the durability of the structure as evidence of architectural achievement. For others, the Cape Castle tells a story of colonialism and world heritage. For those feeling shame, the story that comes to the front is apartheid. This is interesting because it is a negative connotation being applied from a divorced time period. In examining this anachronism further, the group suggested that the sense of shame is also tied to the entire colonial relationship, and that the true arrogance of euro centric thought is often a source of shame that develops even if there is not a direct historical connection. After this, the participants were asked to give a creative vision for how the Cape Castle might ideally be developed. The geographical location of Cape Town can be used in the center of the global trade histories between Europe and Asia. For this, a museum can be established in the Cape Castle. The Cape Castle is also still a highly functional place; it has continued to be used after the eighteenth century when the Dutch left. The choice of the South Africans to preserve the Cape Castle is itself evidence of its ongoing role as a product of heritage and contributor of identity. This should be realized by implementing effective and efficient management by the supervisor of the ‘Council of the Cape Castle, the 1993 Castle Management Repair Act and the joint private and public partnership for management. A last proposal was also made for Cape Castle to be developed as a center for the presentation of South African intangible heritage and so to combine these two elements of the cultural heritage.
Interesting is that the South African participant Sir Bredekamp, highlighted that Dutch history and mutual heritage is seen only as Cape issues whereas in contrast ‘British’ heritage is seen to be a South African issue.
The following recommendations can be given from this discussion:
1. For the (mutual) policy at Cape Castle: the celebration of diversity, curiosity and a willingness to learn from both ‘sides’; the need to develop a potential platform for future research into the local public opinion in order to develop value-based policies; and an ideal sustainable model of Cape Castle as a tangible center for the celebration of both tangible and intangible heritage.
2. There is a need to clarify between mutual, shared and common heritage.
3. Mutual heritage is perhaps important for the development of Dutch international cultural policy and heritage, but for South Africa it is more important to focus on their own perspectives.
4. The Dutch policy also tends to create new heritage by influencing the development of mutual heritage projects.
March 2009: Symposium on the Shared Heritage between South Africa and The Netherlands
The symposium was opened with welcome words of the CEO of SAHRA, Ms Sibongile van Damme and the Consul-General of The Netherlands in South Africa, Mr David de Waal.
The morning program consisted of five themes. Per theme two or three presentations were given by experts in the South African heritage field to raise awareness for their field of interest. The same themes were the subjects for the afternoon break away sessions where the presentations were the starting point of the discussion.
Museums
Lecture by H.C. Jatti Bredekamp
Built environment and cultural landscape
Chairperson: Fabio Todeschini
Maritime and historical archaeology
Chairperson: Jonathan Sharfman
Within this website
Outside of this website
|
Introduction The establishment of the Centre for International Heritage Activities has its roots in Sri Lanka. The Avondster project, the restoration of the Dutch Reformed Church and a technical assistance programme for the heritage sector, were projects where staff members of the CIE were involved in. The establishment of a mutual heritage centre in Sri Lanka was a starting point fot thinking about international heritage infrastructure in the Netherlands. Since 2007 CIE is involved in the rehabilitation of the cultural heritage in Southern Sri Lanka after the Tsunami of 2004. The Ministry of Culture and National Heritage together with the Central Cultural Fund wrote an integrated masterplan for this region. The emphasis was on mutual heritage: the ramparts and VOC warehouse in Galle, the forts in Matara and Katuwana, etc. etc. CIE advised to this programme and has send experts for the establishment of a maritime archeological museum and various restoration projects.
Read more on India and cultural heritage cooperation at the Sri Lanka section in the CIE resource centre |
||
|
MUTUAL CULTURAL HERITAGE PROGRAMME - SRI LANKA CIE identifies partners in and for these priority countries and initiates local and international meetings with partners from The Netherlands and local priority countries. The outcome of the discussions and meetings are presented to the Dutch government to improve future cooperation policy. This formula is applicable to programs for many countries with mutual heritage. You can find the CIE inventory for the Mutual Cultural Heritage Database online in the Cultural Heritage Connections Platform. Fore more information contact our office at info@heritage-activities.nl |
|
CIE Activities
- A Heritage Day Sri Lanka in the Netherlands and a counterpart meeting in Sri Lanka are completed.
For more information please check:
- The Avondster project is completed.
For more information please check the website.
- Master plan for the cultural triangle in the South
Mutual Cultural Cooperation Program between Sri Lanka and the Netherlands
June 2006 to 2009
The Ministry of Cultural Affairs of Sri Lanka formulated a Master Plan for the conservation, development and preservation of heritage sites in the southern region of Sri Lanka to promote cultural tourism and so creating gainful employment and enhancing the living standards of the people living in an around such sites. This will contribute to the development of the economy of the southern region, which was affected by the Tsunami in December 2004. Also, the majority of the heritage sites identified is of mutual interests to both the people of Sri Lanka and Netherlands.
The Ministry of Cultural Affairs, the main Sri Lankan partner of the program and its affiliated institutions such as the Central Cultural Fund, Department of Archaeology and Department of National Museums, who are presently acting as the implementing agencies of the individual projects, suggested that the assistance and advice of Dutch experts be sought in several special areas of activities.
The Centre for International Heritage Activities coordinates the Dutch heritage expertise for the Sri Lankan Master Plan. Last August two missions to Sri Lanka advised on the conservation of the Ramparts of Galle and on the establishment of a world standard maritime museum for Galle.
- A museum management tour for Sri Lanka was organized in the Netherlands
- Advice and coordination of the Dutch input for the cultural cooperation between Sri Lanka and the Netherlands, assisted by Ramparts of Galle and the Maritime Museum in Galle, has been completed.
- A small exhibition in the Maritime Museum in Galle where historical maps, provided by the Rijksmuseum in Amsterdam and the National Archives, will be displayed is being developed.
November 27th, 2008: CIE Heritage Day Sri Lanka
Day Report
Thursday the 27th of November 2008 the Centre for International Heritage Activities organised a CIE Heritage Day on Sri Lanka, which took place at the Museum of Ethnology in Leiden. This day was organised to bring the Dutch field of Sri Lanka together to further improve bilateral relations between Sri Lanka and the Netherlands to be able to finish the projects successfully.
The day started with an opening by Her Excellency Mrs. Grace A. Asirwatham, Ambassador of the Sri Lankan Embassy in the Netherlands. She explained how important this day was, since it was 400 years ago when the Dutch were first introduced to Sri Lanka by VOC. She also expressed her gratitude to the CIE for strengthening the relations between the two countries, as cultural activities remain important. Sri Lanka is very grateful that the past has not been left to ruins and that it is one of the priority countries for the Netherlands. The Dutch government has done much, but there is still more to do. Through this day it has been made possible to see achievements and make suggestions to improve projects.
This was followed by four presentations:
After the lunch, the afternoon was meant to discuss several points of critique through workshops:
The participants of these workshops made recommendations to improve future cooperation. These recommendations will soon be published on the CIE-website.
In advance, all the participants were given the opportunity to present their projects in Sri Lanka through poster presentations. In the end, twenty-two posters were ready for the exhibition, which gave well-presented detailed images of the projects completed at present.
Anouk Fienieg of the CIE will visit Sri Lanka in December of 2008. Hopefully, the recommendations of this day will be very useful and that further discussion on future cooperation will follow during her visit.
November 27th, 2008: CIE Heritage Day Sri Lanka - morning programme - extensive report
The Sri Lanka heritage day was held at the Rijksmuseum voor Volkenkunde in Leiden. Robert Parthesius started the day with a word of welcome to the participants and especially to the guest speaker Mr. Vidanapathirana, Project manager of the Netherlands- Sri Lanka Cultuiral Cooperation Programme and that it was an honour to have her Excellency the Ambassador Mrs. Grace A. Asirwatham, to give the opening speech.
Her Excellency, the Ambassador Mrs Grace A. Asirwatham, Opening
Her Excellency the Ambassador Mrs Grace A. Asirwatham first greeted all participants and continued to say that this was indeed a special day because it was 400 years ago when the Dutch were first introduced to Sri Lanka by way of the VOC and that was the beginning of the relations between the two countries.
The ambassador expressed her gratitude to the CIE for strengthening these relations by organising such a heritage day, as cultural activities remain important. Since the arrival of the British in SL, conservation of the past has been ongoing; thanks to the Netherlands, this has been continued, and SL is grateful that this past has not been left to ruins. The ambassador also said that it is fortunate that Sl is one of the priority countries for the Netherlands. The Dutch government has done much, there is more to do, and through this platform, it is possible to see what has been achieved and what not. It is also a possibility to see how to further improve projects and relations between our countries. The workshops will analyse the details of the projects and how the cooperation is mutual. There are good topics to discuss with the result to produce a good document for the authorities for further cooperation between our countries. Thank you.
Robert Parthesius, Introduction
Robert Parthesius thanks the Ambassador and explains that the intention of the CIE is to use heritage as stepping-stones for cooperation. This is the 4th heritage day which the CIE has organised and an important one because SL is on the top 3 of the priority list of mutual heritage. Our relations are like a long marriage with ups and downs. The projects started in the 80’s and 90’s with working together on maritime archaeology. SL takes their own discipline of heritage management as can be seen by the heritage of the Cultural triangle of the south, which is unique. An open mind is important and sentiments have to be dealt with. In 2003 there was already a heritage day at the AHM : the restoration of the Church and parts of Galle fort was enlightened upon and that in SL a heritage centre was established. The Dutch field realised that with many people working on the same level, there is a possibility to set up a permanent organisation concerning mutual heritage activities. It was a first step.
Mr. Vidanapathirana, Netherlands-Sri Lanka Cultural Cooperation Programme
The guest speaker was introduced. Mr. Vidanapathirana has come especially from Sri Lanka to give the keynote speech.
Two and a half years have passed since May 2006 when 5.6 million euro was the start of the heritage program. Now the work is almost completed. 95% of the funds have been used and 18 projects have already been realised. By 2009, this will be completed and this is on line with the program statements. In 1999, the mutual heritage joint policy statement was the starting point of which Robert P. was part of through the project of the MAU. By 2004, this was almost completed but the tsunami washed away much of the items. Now the Maritime Museum will be established and it is the intention to display the recovered objects.
One of the projects is to renovate the Dutch Commissioners house, which is in one of the eastern provinces. It is an example of the long ties between our two countries which have many cultural relationships, also connected to architecture. It is the intention to further strengthen these relationships. The ongoing programs in the southern area are the protection of tangible heritage. The objectives are to conserve and preserve the diversity of the area; to obtain employment for local people and to strengthen the cooperation.
A development program was formulated:
The goal is also to strengthen mutual relations with the Netherlands, Great Britain, and Portugal.
The Master Plan will be completed by December 2009. The CCF custodians of the NE cultural triangle and the south triangle have been badly affected by the tsunami but now it has luckily improved.
Mr. V. expressed his sincere thanks to the Dutch government for their financial and technical support which ahs been arranged by the CIE. He thanks the CIE for organising this heritage day and many thanks to Harry Boerema, Roel de jong, Jan Wittesema, Martine Gosselink and Albert van Dijk and many others. Also, thanks to the Netherlands Embassy in Sri Lanka and to the Embassy of Sri Lanka here in the Netherlands for strengthening the mutual support of the two countries.
Robert Partesius thanks the guest speaker for his extensive explanation and adds that these projects are the result of the efforts of many people.
The next speaker was Lodewijk Wangenaar, curator of the Amsterdam Historical Museum and well-known in Sri Lanka.
Lodewijk Wagenaar, Museum Cooperation: capacity building and training
LW starts his talk by telling about a trip he made on an open field trip, filled with people and objects travelling on a bumpy road for 40 kms to visit the village of Tombo which is known for its pottery. The intention was to order pots from the pottery families for the museum in Colombo. He explained that museum objects are in fact dead objects and it is necessary to link them with the real life. Objects were once made by people and so directly connected to people and the best way to understand this is to return to the source of the object. The objects of today are identical to those of decades ago. It is necessary to revitalize the objects, to understand the social change of the local area. In that village the pottery workshops, the family, the countryside gave the picture.
LW also said that a new course at the university of Kalagna was open to people who already have jobs in the museum or archive world for a better understanding of the items of the past. However, the practical side is important: objects are part of the country and its history, even when they are from the Dutch period. It is interesting how people look back at their history and they should be trained to do this. His aim is to set up a full museum course of history and its presentation.
Most important is the making of an exhibition: how to write the texts, the PR organization, how to display, and use modern techniques to tell a story. The past 7 years of giving courses has only slowly influenced the museum presentation and administration in SL. It is important that experts come to SL to teach but then also to be paid as locals.
LW finishes with: “Work like locals, be paid like locals, and behave like locals.”
Harry Boerema, The city of Galle. A fortified stronghold in restoration
The last guest speaker was Harry Boerema whose first invitation to SL was in 1999 to give advise on the renovation of the drawbridge at Matara.
HB explains the layout of Galle, built on a peninsula and surrounded by reefs. Two bastions however, do not have reefs to protect them and have been heavily damaged. On the north side there are massive ramparts built for land attacks. The town plan is rectangular and has been declared a UNESCO world heritage site. The Dutch reformed church stands at the highest point and was restored in 2002-2004. The west wall has a window from 1830, the British period and was in a very bad state. There was no knowledge of stained glass in SL and a Dutch firm was asked to come to give a training course. During the renovation, the influences of the British period were respected and due to some existing panels, it was possible to reconstruct it. The restoration was carried out with local experts.
Next, HB explains the renovation of the Dutch warehouse and the problems. The roof dating from 1800’s has a large system with spans, which were put in about 1860. However, due to climate, rust occurs and the steel needed to be renovated. However, old steel needs to be belted as it was originally done but inside the renovation was done by welding.
The floor beams with reinforced concrete were put in at that time but again there are rust problems because of the contact of metal with lime.
The lack of gutters and rain pipes on the outside roof has drastically affected the plaster on the outside walls. The plaster has been renovated but there are still no gutters, which will again affect the plaster. Moreover, the restored plinth under the windows splashes up the rainwater, which will be hazardous in the future.
HB explains the renovation of the Akersloot Bastion, which has partly collapsed due to heavy seas, and 100 tons of material has been lost. The proposal is that an artificial wave barrier of stones be built in front of the bastion.
The star bastion has a large gap due to a previous collapse. After a thorough investigation by experts, it is the intention to level the rock base before building a massive wall to fill up the gap. This is problematic because explosives could cause further damage. Therefore, a chemical method has been suggested.
The Black fort dates from the Portuguese period, when coral was used. The Dutch used local stones from local quarries for building. There are several prison cells, which have collapsed and need restoration.
HB’s first job was at the fort at Matara to restore the drawbridge. First, a temporary bridge was built and in 2007, an exact replica was made, done to the smallest detail. The local master carpenter must be praised for such a good job!
Robert P. then explains in short the project of the Avondster.






















Recommendations and conclusions
Workshop 1: Academic Cooperation, Archaeology and History
The Workshop
Forms of education in Sri Lanka- language and scholarships
Alicia Schrikker is invited to tell something about the academic cooperation within Encompass, which is a follow- up of the TANAP project (Towards A New Age of Partnership). The purpose is to make an inventory of the ancient VOC- documents. The only problem is that unfortunately there are not many applications from Sri Lanka. There should be continuity of Dutch history and Asian history to Sri Lankan students.
From the Sri Lankan side it seems that there is more attention on the British period, and this is probably due to the language. The Encompass program includes however an intensive course in Dutch language and 17th century Dutch for the study of ancient Dutch archives.
Translating Dutch archives into English would have a broader scope in research, but the idea of research is to study the original material.
It seems that there are a lot of scholarships on history, but it might be necessary to have scholarships in archaeology as well.
Gerda Theuns remarks that the facilities on South East Asia archaeology is decreasing at Leiden University.
Threats
To learn from Sri Lanka
Changes for the future
Workshop 2: Capacity Building in the built heritage sector
How to secure knowledge of the built heritage? What can we do from the Netherlands to improve the level and sustainability of training and capacity building?
Workshop 3: How mutual is Mutual Cultural Heritage?
Ideas on mutual and dual heritage are an academic discussion. You need public awareness to get everybody involved. The legal responsibility is of the country itself. We can share the cultural and the moral responsibility.
The reason for the Sri Lankan government for the heritage program is to improve cultural tourism and gain more income in the area.
Report Workshop 1: Academic Cooperation, Archaeology and History
Participants
Bastiaan Korner (Moderator) - Art Gallery
Hanna Leijen (reporter) - CIE
Fleur Kaldenberg (reporter) - CIE
Alicia Schrikker - Encompass, Historical Programme Leiden
Barbara Consolini - AWAD, Netherlands Institute for Heritage
Nadeera Seneviratne - Student Encompass
Nandana Chutiwongs - Former curator National Museum of Ethnology
Mara de Groot - RACM
Menno Leenstra - CIE, freelance research
Sjoerd van der Linde - University of Leiden, development aid, archaeology heritage
management
Clara Brakel - Project North – Sumatra, archaeology
Sieny Engelsman - Historian
Albert van den Belt - Research VOC history
Alexandra van Dijk - CIE, archaeologist
Charles van Schelle - CIE, board
Rami Isaac - NHTV
Gerda Theuns - Art historian South and SE Asia (Abbia)
Christine van der Pijl- CIE
Topic
Academic knowledge is the fundament for many heritage projects. But in the executive phase it often plays a minor role while the connection between field and university strengthens both the practical input as well as the academic output. Therefore more attention should be paid to academic cooperation. It is a necessary ingredient for capacity building and in the future better academic cooperation is needed to succeed. What are the experiences with this cooperation and what can the Dutch Heritage field recommend to improve academic cooperation between Sri Lanka and The Netherlands and between field and university? During the workshop issues and questions should be discussed, such as: Who is related to Sri Lankan universities, research in or on Sri Lanka, and what are the challenges within academic cooperation and how to improve it according to the Netherlands. Or is there no improvement necessary?
After these questions and hopefully fruitful conclusions, attention should be paid to the future and its upcoming initiatives: What is a good starting point of cooperation, research, the preservation of archives, and how can we strengthen the relations to ensure capacity building. Regarding ownership we should discuss the concept dual parentage in terms of joint responsibility.
Related Projects:
The Workshop
Forms of education in Sri Lanka- language and scholarships
Alicia Schrikker is invited to tell something about the academic cooperation within Encompass, which is a follow- up of the TANAP project (Towards A New Age of Partnership). The purpose is to make an inventory of the ancient VOC- documents. The only problem is that unfortunately there are not many applications from Sri Lanka. There should be continuity of Dutch history and Asian history to Sri Lankan students.
From the Sri Lankan side it seems that there is more attention on the British period, and this is probably due to the language. The Encompass program includes however an intensive course in Dutch language and 17th century Dutch for the study of ancient Dutch archives.
Translating Dutch archives into English would have a broader scope in research, but the idea of research is to study the original material.
It seems that there are a lot of scholarships on history, but it might be necessary to have scholarships in archaeology as well.
Gerda Theuns remarks that the facilities on South East Asia archaeology is decreasing at Leiden University.
Sjoerd van der Linde remarks that this is true, however more attention is given to the theory of capacity building and culture and development and the role of archaeology in this.
According to Albert van den Belt and his experience through National Archives in Sri Lanka, it is very difficult to learn Dutch. It also takes a lot of time and money. Dutch is a very difficult language and the Sri Lankans do not have much time to study, because of the long travels they have to make. The best idea is to implement a study, which will take 2 or 3 years, by expanding the Encompass programme.
Database
Christine van der Pijl-Ketel noticed that there are gaps in Sri Lankan libraries, while Dutch universities try to get rid of some of their collections. Books are a very important tool for studying that must not be underestimated. A problem however in the study of the VOC-period is that many books on the subject are in Dutch.
Nandana Chutiwongs remarks that besides more literature exchange between professionals for lectures or workshops on Sri Lankan universities would be important.
Fundings – Where does Academic Cooperation start?
It seems that in Sri Lanka there is always a lack of funding. Cooperation always requires funding and in these times, universities are not willing to spend their small budget on cooperation.
Charles van Schelle finds that only small money is necessary. There is only budget needed for hotels and flights. Maybe universities of the Netherlands or the Embassy are willing to fund that to facilitate. If it is a good project, institutes are always willing to fund it.
Needs of Sri Lankan population
The biggest problem in cooperation with Sri Lanka seems that it takes a lot of time to receive the money from the Sri Lankan government. So if you want to make a change, a start should be made by Sri Lankan authorities.
According to Rami Isaac, we should start by making a list of needs and wants of the Sri Lankan population. CIE could intermediate between the needs of Dutch universities and universities abroad.
Sri Lanka should learn even more how to appreciate their cultural heritage, because it is part of their own culture. Nandana Chutiwongs points out that there already exist many types of cooperation between The Netherlands and Sri Lanka. It is important however, to understand all aspects of heritage. We should broaden the study, and focus not only on the Dutch Period but also on ancient history from India, the whole history of the country. There is a competition between the broad history of Sri Lanka and the Dutch Period history.
From the Dutch side we should not push too much towards the Dutch Period, but we need to combine a broader package of heritage with art history, architecture, history and archaeology. The Dutch Period and artefacts are never as important to the Sri Lankans as the ancient history of the country. However, interest in the Dutch Period is increasing now and we could use this a format to stir up other activities.
Menno Leenstra points out that there are also needs in the field of conservation. We need to think about how to make the monuments sustainable within the community. To get more interest, we should involve the locals.
Rami Isaac remarks that it is a very difficult but interesting question. For instance in Cambodia there is more money now for conservation and preservation of monuments. In Sri Lanka there should also be implemented a project for students in research in cooperation with the CIE. They could research management plans on how to create their own tourism. You have to look for a starting point to create sustainability. An integration of heritage, culture and tourism is very important for sustainability.
A lot of students do their thesis outside the Netherlands after BA. So maybe it is possible to start a strong cooperation between NHTV and the CIE.
Sjoerd van der Linde responded that as far as the academic approach goes, the development of an integrated university programme is an important step to take. However, the system in The Netherlands works in a way that only one university gets money for a graduating student. An integrated programme of different universities is held back by the financial system.
Gerda Theuns points out that a first important step is for the different departments at Leiden University that could work more closely together. She also finds that we need a Holland House in India, near Sri Lanka as some kind of platform. This will focus the intention and the possibility to reach all kinds of people.
The NUFFIC is setting something up now, so maybe a combination is possible.
Regardless of the discussion on academic cooperation with Sri Lanka the recommendation is made that an expert meeting will be organised for the different cultural and heritage organisations in The Netherlands that are developing a database on a specific subject. Gerda Theuns remarks that an inventory should be made about the several database projects and experience of these projects should be shared.
Report Workshop 2: Capacity Building in the built heritage sector
Participants
Frits van Dulm (moderator), CIE
Fleur Cools (reporter), CIE
Harry Boerema Conservation specialist
Deborah Stolk CER
Yppie Attema
Peter van Dun ICOMOS
Dick ter Steege Urban Solutions
Mr. Vidanapathirana Project Manager Sri Lanka Netherlands Cultural Cooperation Roel de Jong Bureau Wassenaar: Dutch Warehouse advisor
Jan Wiertsema Research
Miranda Vos 2002-2004 maritime archaeology
Klaas van Slooten Foundation for development cooperation, SOSVelsen (Twinning:
Velsen, IJmuiden)
Anouk Fienieg CIE: Masterplan for the South Sri Lanka.
Jeroen-Louis Martens Bilateral relationship Netherlands Sri Lanka Ministry of Foreign
Affairs
Topic
Capacity building is the main goal for projects under the Dutch Cultural Fund. It guarantees the sustainability of projects by embedding them in the original knowledge structures. But is this theory also the experience in the projects that are carried out in Sri Lanka? What can we do from the Netherlands to improve the level and sustainability of training? Who is who?
After these questions and hopefully fruitfull conclusions, attention should be paid to the future and its upcoming initiatives: What is a good starting point of capacity building and bringing it to a higher level? And how can we strengthen the relations to ensure capacity building?
Regarding ownership we should discuss the concept dual parentage in terms of joint responsibility.
Related Projects:
The Workshop
The implication of Capacity Building- Ask or give?
Harry Boerema begins by saying that there are a lot of arguments in terms of advising in projects. He explains the example of the Dutch Warehouse, which was in a very bad shape. Not only did he give advices in terms of conservation, but also on how to make a meeting point of the place. But we do have a commitment. For instance, we need to know exactly how to deal with the restoration and development according to the Charter of Venice of 1984, which stand for the maintenance of history when restoring. However, there is a tendency to go back to the Dutch Period and erase the English Period. How can a new function in a building mean new aspects and adjustments for the new function and at the same time conserve the historical aspects? The argument of the Department of Archaeology is not to add any new elements to a building.
Dick ter Steege arguments that according to his own opinion capacity building means knowledge exchange and transfer to local people, also in the design and planning stage.
Jeroen-Louis Martens asks if all the plans/ projects are really “demanded driven”? Most projects should be demanded driven. Not just from the Dutch side. Did the Sri Lankan side ask or did you give? There is a renewed policy: ‘grenzeloze kunst’ There is one million euro to divide over eight priority countries. There is one million for the National Archive, ICN. The requirements are: awareness, education, capacity building. These are the natural elements of project development. It is important to preserve: it is part of their heritage and cultural identity. Then people will ask for renovation, restoration. Also, integrated planning is part of the requirements as well as new use of buildings. They are not dead stones.
Frits van Dulm explains the unique aspect of Sri Lanka, which is that they are far ahead in development. Dual parentage is coming from Sri Lanka. Up till now all projects were done on demanding.
Anouk Fienieg also answers that it was a request for assistance. There were clear demands for projects. The first request was from Sri Lanka and then advice from the Netherlands followed. What to do with the advice? They have the ownership. It is not clear what kind of balance this is. According to Dick ter Steege we should not only give advice, but also add value. We should be more aware of what the deliberations are, more involving the people. Add something, a quality that you can recognize as an addition to a building. Historical additions to a building should be part of the development and the restoration.
Anouk Fienieg highlights that capacity building in Sri Lanka is different from other priority countries. Not only requiring specific expertise from the network. This is a higher level of capacity building. How can we secure this kind of capacity building
According to Jan Wiertsema we should talk to the engineers of Sri Lanka. There is a good relation and we can export the materials. The Sri Lankan people have been trained by a Dutch firm in order to maintain the skills that have been transferred.
Status of Awareness- Objects
Mr. Vidanapathirana starts explaining that awareness has been created for a long time. For instance, with the renovations of the private houses of Galle, they tried to modernise the houses. Now there are 300 houses to be conserved like the old houses. There is a big demand of that type of conservation. Starting point is re-using historical objects. At present there are no government buildings around the fort, covering the site of the fort. The structure has been replaced in order to clear the view, so you can see the place from the outside. The budget from the government is small, but before there was no budget at all for maintenance. Budgets are now raised locally by tourist money and the maintenance is not just depending on government.
The Galle Heritage Foundation is a semi-governmental organisation, which tries to create awareness.
Peter van Dun arguments that the elements of political commitment and public awareness were already there. Elements that play an important role in integrated conservation are: improving living standards, re-using old and new buildings.
They do not see it as their own heritage, but as colonial. It is interesting at local sites to use the strength of locals. Conservation and preservation is not about individual monuments but about improving local conditions.
It is important to form own ideas on historical heritage. How do we interpret and transfer ideas.
Cooperation with architects
Frits van Dulm says that Sri Lanka has excellent architects. Mr. Vidanapathirana reacts that archaeology and architecture are indeed popular subjects in the school system and at universities.
Yppie Attema describes that the Institute for Housing and Urban Development Studies organised a symposium in the nineties in Rotterdam for architects and town planners from Sri Lanka and the Netherlands. The Sri Lankan participants came with their own material.
But Peter van Dun finds that tourism is not the idea of restoring, what they want is good living conditions. The level of students in architecture is high. But how to plan and re-use old architecture? Conservation and preservation needs to have a social and economical impact. You have to look at the economical feasibility. You need to keep funding if you are only doing maintenance.
Monuments can raise money as well as be a tourist attraction, also by renting it out. By making monuments profitable through for example social housing and not transform them into museums.
Dick ter Steege finds that you should be wondering what your target group is, what kind of capacity building? You need hands on skills. There are different kinds of capacity building:
You have to make choices, priorities because of the amount of money.
Goals of Hertage programme- Tourism: Sustainability, mix of living, influx of investment
Mr. Vidanapathirana explains that the goals of the heritage programme for the Sri Lankan government are to improve cultural tourism and gain more income for the area.
Harry Boerema implies that the economic aspects of for example the Church restoration are not from entrance money, but they generate income by putting a box by the entrance. A large amount of money is generated is this way.
According to Jeroen-Louis Martens decision makers in tourism should be invited in order to show the best way to earn money.
We can find a good example in the Triangle, where a lot has been done with tourism.
Dick ter Steege mentions that, even though tourism is going down partly because of the civil war and the consular advise against all travel to the north or east of Sri Lanka, we are not only depending on the tourist aspect, we should wonder what it can generate economically. You should look at local economical development to make monuments self-supporting. Re-using the buildings for tourism is not just the only way. The buildings we see today are there because it is still functioning.
Workshop 3: How mutual is Mutual Cultural Heritage?
Dual parentage - equality
Anouk Fienieg explains that you can only apply the term dual parentage, when there is equality.
The legal responsibility is of the country itself. The cultural and the moral responsibility we can share. But is it interesting for them to preserve and what to preserve?
Harry Boerema mentions that Sri Lanka chooses themselves in these matters. In Sri Lanka they talk about the Dutch Period, not Dutch history.
The English are preserving monuments in the Commonwealth and this is more development aid based. But the English have less feelings of guilt in comparison to the Dutch because of our slavery history once we were a colonial nation. Sri Lanka was never a Dutch colony.
In Indonesia, when the minister mentioned mutual heritage, it was an academic and political statement, before that it was called colonial heritage, overseas heritage to get money. It had an academic background.
Yppie Attema follows that the importance of the past is an academic discussion. The political and moral responsibility of dual parentage is awareness of mutual heritage.
Jean-Paul Corten arguments that the main issue is influencing decision makers on a political level by officials on the spot.
Within this website
Outside of this website
|
INTRODUCTION Suriname and The Netherlands have a historical bond for centuries and a special tie through the presence of Suriname natives in The Netherlands. The historical bond carries their burdens where both countries have to deal with and give a place to in their history, each in their own way. The ancient historical ties have left a lot of buildings and infrastructure in Suriname, which we today determine as Mutual Cultural Heritage. Fortunately, it has been possible for The Netherlands to make a specific cultural framework with Suriname and in 2001, Suriname was the first country with a country-specific policy framework for the mutual cultural heritage. What does the country-specific policy framework entail? Most importantly, it structures the cooperation between Suriname and The Netherlands for the mutual cultural heritage. The framework is also used for assessing project applications. The cooperation is crucial for the sustainable preservation and management of the mutual cultural heritage in both countries. We can identify three priority areas in the policy framework: built heritage, museums and their collection, and archives. The great value of the policy framework for mutual cultural heritage lies in the political commitment of both countries, without this commitment implementation of any sustainable project is impossible. MUTUAL CULTURAL HERITAGE PROGRAMME - SURINAME CIE identifies partners in and for these priority countries and initiates local and international meetings with partners from The Netherlands and local priority countries. The outcome of the discussions and meetings are presented to the Dutch government to improve future cooperation policy. This formula is applicable to programs for many countries with mutual heritage. The term ‘mutual’ is a rather charged word to use. The terminology of ‘mutual’ is most often used by The Netherlands to determine heritage that has a Dutch origin. The mutual cultural heritage can be divided into three categories:
Although Suriname has acknowledged that there is mutual cultural heritage between the two countries, it is not altogether clear for both countries which heritage can be experienced as mutual and which not. The valuation of heritage differs greatly. The fact that the term ‘mutual’ is not a neutral one has led to a discussion set up by the Centre for the mutuality in mutual cultural heritage. This discussion takes place in a permanent workshop that comes together a few times a year. The idea is to appoint together with Suriname common lieux de memoires (places of memory). This means that the two countries establish the mutuality in the cultural heritage together. The Centre does not only develop this practice for Suriname but also for other priority countries like Indonesia and in 2008 South Africa, Sri Lanka and the Antilles. Efforts are also being made to place the unique frescos (petroglyphen) near the island town of Kwamalasemutu, on the UNESCO World Heritage List. The last aim is the preservation of the World Heritage site in the historical inner city of Paramaribo. Suriname and The Netherlands work together in all these projects to realize the preservation and development of mutual cultural heritage sites. FORMAL AND INSTITUTIONAL CONTEXT - SURINAME Many of the projects taking place with regard to the mutual cultural heritage in Suriname are either (financially through HGIS-C) supported by the Dutch Government or fall under the Memorandum of Understanding signed between the governments of the Netherlands and Suriname. The governmental agreements can be regarded as a top-down approach.The following developments can be identified in the bilateral governmental cooperation between the Netherlands and Suriname:
|
CIE ACTIVITIES HERITAGE DAY Suriname in the Netherlands and in the Counterpart country have been completed. |
Dayreport Workshop 'Shared Cultural Heritage Surinam – The Netherlands'
Friday November 14th the workshop ‘Shared Heritage Surinam-Netherlands’, organised by the Directorate Culture Suriname in cooperation with the Centre for International Heritage Activities and with support of Dutch Embassy Paramaribo, took place in Paramaribo.

The motivation for this workshop was de wish from the Directorate Culture to present its cultural policy to the Surinam heritage field, and the CIE that wanted to give follow-up to the Heritage Day Surinam of 2007, organised in The Hague. This heritage day was aimed at bringing together the Dutch heritage field cooperating with Surinam and to discuss the opportunities and bottlenecks in this cooperation.
Through a similar meeting aimed at the Surinamese heritage field cooperating with The Netherlands the CIE sought to offer follow-up to this heritage day. The Directorate Culture saw in this workshop an opportunity to present its cultural policy.The objectives for the workshop in Surinam were partly similar to the objectives of The Atlantic World and the Dutch (AWAD). AWAD was involved in the heritage day of 2007 as well. This is the reason this workshop was also organised in cooperation with AWAD to offer follow-up to the workshop they organised in July 2006 in Paramaribo as well.
Objectives of the workshop:
The morning programme consisted of different presentations:
Stanley Sidoel, director Directorate Culture - The Surinamese cultural policy.Mr. Sidoel shared the vision of the Directorate Culture on the cultural policy and its vision on the policy for the coming years. In the next couple of years the directorate wants to work towards a sustainable cultural policy, in which capacity building, public awareness and stimulating cooperation on different levels are the main points of focus.

Robert Parthesius, director CIE:Mr. Parthesius explained about the activities of the CIE, the Surinam heritage day and the importance of a lasting cooperation.

Annemarie Willems - CIE:Mw. Willems explained the practical use of the project database. In this database information is stored on heritage projects.

Jerry Egger- AWAD: Mr. Egger explained about the AWAD activities, de aims and results of the 2006 workshop and the future objectives.
Projectpresentations: Different initiators were given the opportunity to present their project:
“Slave letters” Missionary reports (Slaven brieven) - Disclosure of of historical data.
Presented by: Mw. Ilse Vreugd
Coronie - Publication.
Presented by: Mw. Chandra van Binnendijk

Oranjetuin Cemetary – Restoration / rehabilitation
Presented by: Dhr. Ir. Marcel Meyer

Fort Nieuw Amsterdam - Rehabilitation
Presented by: Dhr. Evert Middelbeek

Yesterday's knowledge, tomorrow's future (Kennis van gisteren toekomst van morgen) - Education.
Presented by: Laura van Broekhoven

Cultural Heritage Centre Surinam - Meetingpoint and umbrella organization.
Presented by: Dhr. Floris Guntenaar

Diaspora - research -
Presented by: Mw. Rita Tjien-Fooh

Jodensavanne - Preservation.
Presented by: Dhr. Philip Dikland
Cultuurstudies - Digitazation.
Presented by: Mw. Hillary de Bruin
All the participants had the opportunity to send in information on and images of their heritage project. Twelve organisations presented their heritage projects on posters. These posters give an interesting insight in the Surinam - Dutch cooperation today. With these posters they were able to generate attention for their project and get in contact with interested participants.
At the same location as the workshop the launch of the Culture Fund took place, a cooperation between the Directorate Culture and the private sector. Everyone with a project proposal concerning arts or culture can apply for funding with this new fund. The fund can be seen as a durable investment in the cultural field of Surinam. The Directorate surveys whether the project applications meet the objectives of the cultural policy.
The afternoon was reserved for four workshops to discuss the theme’s:




Basic considerations for the workgroups were the heritage projects (finished / current / proposed). The workgroups were aimed at the:
Within this website
Outside of this website
Click on the image for more details (opens in new page).
Counterpart Heritage Day in Suriname












Suriname Heritage Day in the Netherlands






















September 27th 2007: Suriname Heritage Day, The Hague, The Netherlands
The CIE organised a well-attended symposium on heritage cooperation with Suriname. This Heritage Day aimed to bring Dutch stakeholders into Dutch – Suriname heritage cooperation and to discuss the possibilities for improving collaboration. Future incidental heritage projects can potentially evolve into a heritage programme. Maarten van Boven, director of the National Archives, was so kind to host the Heritage Day.
We were very delighted with the presence of Mr Stanley Sidoel, Director General of Culture in Suriname. He gave a presentation about the heritage policy in Suriname and the cooperation with The Netherlands. Go to the Dutch text here
The morning programme continued with four presentations on different fields of heritage cooperation with Suriname:
After the lectures the CIE presented their proposed database for international heritage projects. The Centre is building a database to give the heritage field a forum and documentation centre on international heritage activities and experts.
The afternoon was planned for workshops to discuss the cooperation and cohesion in built heritage projects, museum projects and projects related to archives, photos and books. Another workshop discussed about the heritage of the Second World War in Suriname en the last group discussed the term ‘mutual’ in Mutual Cultural Heritage and the possibility to define common lieux de memoires. The participants in the workshops developed recommendations for the cultural policy makers on the subjects of cooperation between Dutch organisations and the cooperation with counterparts in Suriname. Go to the recommendations
All the participants had the opportunity to send in information on and images of their heritage project. More than twenty organisations presented their heritage projects with Suriname on posters. These posters give an interesting insight in the Dutch cooperation with Suriname's heritage field today. With these posters they were able to generate attention for their project and get in contact with interested participants.
September 27th 2007: Recommendations CIE Heritage Day
The afternoon of the CIE Heritage Day Suriname was planned for workshops. The workshop discussions revolved around the possibilities of more cooperation and a better connection between the involved organisations. The ultimate idea is to work from incidental heritage projects to eventually evolve into a comprehensive heritage programme. The discussions gave interesting insights and resulted in four important recommendations to the cultural policy makers of the Dutch government.
The recommendations to the Dutch heritage field, refer to cooperation among organisation and with counterparts in Suriname. These are:
Speech Stanley Sidoel, Director General of Culture in Suriname
Erfgoedbeleid in Suriname
Het erfgoedbeleid in Suriname is gebaseerd op met name het behoud en documentatie van zowel materiele als het immateriële cultureel erfgoed.
Afgezien van het eigen karakter waarbinnen het erfgoedbeleid zich afspeelt, bestaan er met Nederland diverse beleidskader c.q. samenwerkingsovereenkomsten op het valk van erfgoed. Ten enken valt aan ondermeer het Beleidskader ‘Gemeenschappelijk Cultureel Erfgoed (GCE)’. Welke op 11 september 2001 werd aangedaan. In dat raamwerk staan de sectoren gebouwd erfgoed, museum- en archiefwezen centraal. Voorts is er de ‘Overeenkomst tot samenwerking tussen de Republiek Suriname en de Gemeente Amsterdam’, welke op 13 juni van het vorig jaar werd ondertekend en waarin ondermeer samengewerkt wordt op het gebied van archiefwezen, beroepsopleidingen en trainingen en het kader van de restauratie van historische panden.
Daarnaast bestaat er tussen de Stichting Gebouwd Erfgoed Suriname (SGES), de werkarm op het vlak van gebouwd erfgoed in Suriname, en de Stichting Herstelling een samenwerkingsovereenkomst, die teruggaat tot 2002. Resultaat van deze samenwerking is de gezamenlijke restauratie in 2002. Resultaat van deze samenwerking is de gezamenlijke restauratie in 2005 van het Nola hatterman Instituut, gehuisvest in een der voormalige officierswoningen op het Fort Zeelandia Complex.
Belangrijke speerpunten van het erfgoedbeleid (Beleidsnota Directoraat Cultuur 2005-2010)voor wat gebouwd erfgoed betreft zijn o.m. de verzelfstandiging en rehabilitatie van het openluchtmuseum Nieuw Amsterdam. In dat kader bestaat er een samenwerkingsovereenkomst tussen het Directoraat Cultuur en het Zuiderzeemuseum. Op 11 januari van dit jaar ondertekenden partijen een convenant, waarin o.m. gebieden van samenwerking zijn aangegeven. het ligt in de bedoeling dat nog dit jaar de verzelfstandiging een feit is.
Eeen ander speerpunt is de nominatie van de voormalige Joodse nederzetting “Jodensavanne” en de Cassiporabegraafplaats ( waar de Joden zich het eerst hebben gevestigd in Suriname) voor plaatsing op de Werelderfgoedlijst van de UNESCO. Momenteel heeft Suriname twee sites op voornoemde Lijst: het Centraal Suriname Natuurreservaat (CSNR), welke in 2000 werd geplaatst en de historische binnenstad van Paramaribo, die in 2002 werelderfgoestatus verkreeg. De stand van zaken wat de nominatie van Jodensavanne betreft is, dat het managementplan in afgeronde fase is. Zodra dat plan af is en gedragen wordt door de stakeholders, zal het nominatiedossier worden afgerond en officieel aan de UNESCO worden aangeboden. De Stichting Gebouwd Erfgoed Suriname (SGES) is samen met de Stichting Jodensavanne verantwoordelijk voor het voorbereiden van het dossier.
Recentelijk is ook het verzoek gedaan aan het Ministerie van Onderwijs en Volksontwikkeling c.q. het Directoraat Cultuur, om de enkele jaren geleden ontdekte unieke rotstekeningen (petroglyphen) nabij het inheemse dorp Kwamalasemutu, in het uiterste Zuiden van Suriname, een beschermde status te geven en voor te dragen voot plaatsing op de Werelderfgoedlijst.
Een ander speerpunt is de zorg voor de werelderfgoedsite van historisch Paramaribo. Momenteel wordt in samenwerking met de UNESCO/TU-Delft/SGES gewerkt aan een managementplan voor historisch Paramaribo.
Tenslotte kan als speerpunt worden genoemd het opzetten van een monumenten beheerinstituut min of meer naar het voorbeeld van de NV Stadsherstellen hier in Nederland. De NV Stadsherstel Amsterdam geeft reeds op bescheiden schaal adviezen aan de SGES, die belast is met de uitvoering.
Enkele probleemgebieden:
|
|
||
Introduction
In 1624 the VOC built a trading post on the peninsula Tayuan (present day Anping) of the island of Formosa. Fort Zeelandia was added for protection and a few years later, in 1653, another fort, Fort Provintia, was built at the present day city of Tainan.
Fort Zeelandia functioned as an important port for transshipping goods, such as copper and porcelain, from Japan to Indonesia (Batavia) and other Asian trade posts. The VOC also founded posts in the north of the island. Some parts of these forts can still be seen. Replica models have been made.
Another Dutch heritage in Taiwan comes from a Dutch preacher called Candidus. He introduced the Latin script to this region, which was still used well into the 19th century.
CIE Activities
|
Introduction In ancient times Tanzania had strong connections with Egypt. In the fourth century the Arabs and Persians came to Tanzania for commercial activities. Especially Zanzibar became a powerful stronghold in this period. In the beginning of the fifteenth century the first slaves were transported to the East. Between the fifteenth and beginning of the eighteenth centuries, however, the Portugeze had a trading monopoly. The Arabs struck back and defeated the Portugeze and the slave trade on Zanzibar flourished as it had never done before. In the nineteenth century Zanzibar became the trading centre between East-Africa, Asia and Africa.
At the end of the nineteenth century the Germans came and turned Tanzania in a colony until the end of the First World War. After this period Tanzania became a British protectorate until the independence in 1964.
The name Tanzania is a portmanteau of Tanganyika and Zanzibar. In 1964 the two states united to form the United Republic of Tanganyika and Zanzibar, which later the same year was renamed the United Republic of Tanzania.
Tanzania has a vast cultural heritage and enormous potential for the development of cultural industry, crafts and cultural tourism through the utilisation of cultural heritage items, their setting and environment. The rich history of impressive sites, like Kilwa Kisiwani reflect multiple cultural identities and these are hardly known to the people of Tanzania. Local populations are generally ignorant of the values of the site, because most often they are ignored in the heritage management programmes. Little attention is given to transfer gained knowledge to the education system or to the public. Kilwa, for example, is on the World Heritage List since 1981, but is now an endangered site because of the decaying of the monuments. |
|
|
Tanzania Maritime Cultural Heritage Management Programme In August 2008 the Centre for International Heritage Activities (CIE) was requested by the Embassy of the Kingdom of the Netherlands (EKN) in Tanzania to prepare an outline of a possible capacity building programme to assist the Tanzanian authorities to develop in the field of Maritime Archaeology and Underwater Cultural Heritage Management. A catalyst for this request is the intention of the Tanzania government to ratify the UNESCO convention on the protection of Underwater Cultural Heritage. The overall goal of the MUCH program in Tanzania was to establish sustainable infrastructure for MUCH management in Tanzania in line with the UNESCO Convention on the Protection of Underwater Cultural Heritage 2001 (UNESCO Convention),and work toward the ratification of this Convention. A phased capacity building program of a number of stakeholder staff (Tanzanian government agencies and University of Dar es Salaam) was implemented from February 2009 to March 2010. The staff now have the skills to implement non-disturbance site surveys, research and report writing, and the development of a MUCH database. This work was complemented with the stakeholders signing two Memorandums of Understanding (MOU) which stated their (and CIEs) commitment toward developing and implementing a sustainable MUCH Program in Tanzania.
While the Preparation and Phase 1 components of the capacity building program have been successfully implemented it is important that the identified Phases 2, 3 and 4 proceed to ensure the capacity and sustainability of the MUCH program is achieved. These phase activities were also identified and agreed upon at a meeting of stakeholders in Dar es Salaam on 12 December 2009 and subsequently developed into a MUCH Program Action Plan for 2010-2011.This plan has now been endorsed by all the stakeholders. Essentially the Action Plan calls for stakeholders to commit a budget allocation during 2010-2011 in establishing a MUCH unit of staff and resources, and to continue the development of the database, an academic program and the implementation of a comprehensive survey of sites offKilwa and the development of a management plan for these sites. The Action Plan also calls for the development of a strategic plan for the ongoing implementation of the Tanzanian MUCH program. These activities have been financed primarily by the Netherlands government, with contributions from UNESCO Tanzania, and more recently from the Tanzanian stakeholders who have provided their staff with allowances, including five Tanzanians who took part in the Regional Workshops on Robben Island, Cape Town in February/March 2010. Further program development will be funded more by the Tanzanian government with assistance from outside funding bodies where and when appropriate.
|
|
For more information
|
Tanzania Maritime Cultural Heritage Management Programme Name Institution 1. Humphrey Mahudi (Team Leader) Mafia Island Marine Park 2. Omary Mussa Kasu (Team Dive Master) Port Authority, Zanzibar 3. Christopher Ngivingvi Department of Antiquities, Dar es Salaam 4. Agnes Robert Tanzanian National Museum, Dar es Salaam 5. Steven Mndolwa Mnazi Bay Ruvuma Estuary Marine Park 6. Jairos Mahenge Mnazi Bay Ruvuma Estuary Marine Park 7. Jumanne G. Maburi Department of Antiquities, Tanga 8. Paul Nyello Department of Antiquities, Kilwa 9. Shamoun H. Ali Department of Culture, Zanzibar 10. Fihri H. Selemani Department of Archive, Museum and Antiquities, Zanzibar 11. Ame H. Mshenga Department of Archive, Museum and Antiquities, Zanzibar 12. Magreth Mchome Marine Parks and Reserves Unit, Dar es Salaam 13. Baraka Kuguru Tanzania Fisheries Unit, Dar es Salaam 14. Elinaza Mjema University of Dar es Salaam Archaeology Unit
|
|
In November 2010, a further part of the capacity building programme will be implemented at Kilwa Kisiwani and Songo Mnara World Heritage Site. This project will also be undertaken as a preliminary assessment of the maritime and underwater cultural heritage sites in preparation for the AWHF project that may start later in 2011 if funds are awarded.

Outside of this website:
|
Introduction In his search for another route to Asia, like the Dutch East India Company ordered him to, Henry Hudson stumbled on the island of Mana Hatta in 1609. It was a fruitful area to settle in for the Dutch. Animal skins, wood and tobacco were well available and it was a convenient port for ships travelling to colonies in South-America. In Mana Hatta the Dutch created a prosperous settlement, called New Amsterdam. It was a melting pot of different nationalities and cultures and free trade was blooming. |
|

In the fall of 2009 the Centre for International Heritage Activities celebrates the Henry Hudson Year with lectures and live music in the Lloyd Hotel with a clear focus on Dutch Manhattan in the seventeenth century. Organized in cooperation with the Amsterdam Centre for the Study of the Golden Age. Speakers are a.o. Michiel van Groesen (UvA), Martine Gosselink (Rijksmuseum) and Jaap Jacobs (independent scholar).
In 1609, Henry Hudson, an Englishman in the service of the Dutch, arrived in New York Bay. His ‘discovery’ was the start of a special relationship between The Netherlands and the city of New York that continues to this day. Specialists from various academic and cultural fields will provide fresh insights into different aspects of the short- lived Dutch colony in the New World.
Invitation Lectures click here...